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Author: Colin Bratkovich
Publisher: Xlibris Corporation
ISBN: 1483645193
Category : Music
Languages : en
Pages : 941
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Book Description
I have completed this manuscript Just Remember This, or as American Pop Singers 1900-1950+, about music before the 1950s in America. It perhaps offers knowledge and insights not previously found in other musical reference books. I have moreover been working on this book very meticulously over the past twelve-plus years. It started as a bit of fun and gradually became serious as I began to listen along with the vocalists of popular music, of the era before 1950, essentially just before the dawn of rock and roll. If you can call it that! Indeed genre and labeling of American music started here, and then from everywhere. While the old adage of always starting from somewhere could be noted in every century, the 1900s had produced the technology. Understanding the necessity, more so, finds a curiosity on the part of a general public hungry for entertainment, despite 6 day work weeks, World War I, the Great Depression, and World War II.
Author: Richard Hadlock
Publisher: Da Capo Press
ISBN: 9780306803284
Category : Music
Languages : en
Pages : 278
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Book Description
The jazz decade saw the emergence of many of the great figures who defined the music for the world: Louis Armstrong, Bessie Smith, Earl Hines, Bix Beiderbecke, Fats Waller, Jack Teagarden, Fletcher Henderson—these giants set the standards for blues singing, big band arrangements, and solo improvisation that are the foundations for jazz. Richard Hadlock has chapters on each, with a discography and descriptions of all the players who made the '20s swing.
Author: Colin Bratkovich
Publisher: Xlibris Corporation
ISBN: 1483645193
Category : Music
Languages : en
Pages : 941
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Book Description
I have completed this manuscript Just Remember This, or as American Pop Singers 1900-1950+, about music before the 1950s in America. It perhaps offers knowledge and insights not previously found in other musical reference books. I have moreover been working on this book very meticulously over the past twelve-plus years. It started as a bit of fun and gradually became serious as I began to listen along with the vocalists of popular music, of the era before 1950, essentially just before the dawn of rock and roll. If you can call it that! Indeed genre and labeling of American music started here, and then from everywhere. While the old adage of always starting from somewhere could be noted in every century, the 1900s had produced the technology. Understanding the necessity, more so, finds a curiosity on the part of a general public hungry for entertainment, despite 6 day work weeks, World War I, the Great Depression, and World War II.
Author: Donald L. Miller
Publisher: Simon and Schuster
ISBN: 1416550208
Category : History
Languages : en
Pages : 784
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Book Description
An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment --
Author: Joe Goldberg
Publisher: Da Capo Press
ISBN: 9780306801976
Category : Music
Languages : en
Pages : 246
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Book Description
The fifties, though a quiescent period in many ways, was one of the most fervent decades in jazz history. The landmarks of modern jazz were firmly planted and, it could be argued, nearly all directions the music has taken since then can be charted back to recordings, groups, or individuals from this era. In this series of profiles, Joe Goldberg examines the lives and the music, the crucial events and dominant forces of a decade of great music and conflicting esthetics: Miles Davis's recording of Kind of Blue; Gerry Mulligan's pianoless quartet; Cecil Taylor's percussive keyboard experiments; John Coltrane's and Sonny Rollins's marathon saxophone solos; MJQ's blending of classical structure and jazz improvisation; Ornette Coleman's Free Jazz. From Mingus to Monk to Blakey, it was an age of giants. Perhaps never before or since in jazz history have so many wildly idiosyncratic jazz innovators been contemporaries. Joe Goldberg was there and what his ears heard has become here a lasting music document.
Author: Arnold Shaw
Publisher: Oxford University Press, USA
ISBN: 0195060822
Category : Music
Languages : en
Pages : 361
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Book Description
F. Scott Fitzgerald named it, Louis Armstrong launched it, Paul Whiteman and Fletcher Henderson orchestrated it, and now Arnold Shaw chronicles this fabulous era in The Jazz Age. Spicing his account with lively anecdotes and inside stories, he describes the astonishing outpouring of significant musical innovations that emerged during the "Roaring Twenties"--including blues, jazz, band music, torch ballads, operettas and musicals--and sets them against the background of the Prohibition world of the Flapper.
Author: Richard Hadlock
Publisher: Hassell Street Press
ISBN: 9781013925368
Category :
Languages : en
Pages : 272
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Stuart Nicholson
Publisher: Northeastern University Press
ISBN: 1555538398
Category : Music
Languages : en
Pages : 313
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Book Description
Noted jazz scholar, biographer, and critic Stuart Nicholson has written an entertaining and enlightening consideration of the music's global past, present, and future. Jazz's emergence on the world scene coincided with America's rise as a major global power. The uniqueness of jazz's origins--America's singularly original gift of art to the world, developed by African Americans--adds a level of complexity to any appreciation of jazz's global presence. In this volume, Nicholson covers such diverse and controversial topics as jazz in the iPod musical economy, issues of globalization and authenticity, jazz and American exceptionalism, jazz as colonial tip of the sword, global interpretation, and the limits of jazz as a genre. Nicholson caps the volume with fascinating and anecdote-rich discussions of jazz as a form of "modernism" in the twentieth century, the history of jazz fads (such as the cakewalk) that elicited very different reactions among American and European audiences, and a hearty defense of Paul Whiteman and his efforts to legitimize jazz as art. Stuart Nicholson has written a thought-provoking and opinionated work that should equally engage and enrage all manner of jazz lovers, scholars, and aficionados.
Author: Susan Currell
Publisher: Edinburgh University Press
ISBN: 0748630856
Category : Social Science
Languages : en
Pages : 272
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Book Description
Introduces the major cultural and intellectual trends of the decade by introducing and assessing the development of the primary cultural forms: namely, Fiction, Poetry and Drama, Music and Performance, Film and Radio, and Visual Art and Design. A fifth chapter focuses on the unprecedented rise in the 1920s of Leisure and Consumption.
Author: Everett Taylor Atkins
Publisher: Univ. Press of Mississippi
ISBN: 1578066093
Category : Music
Languages : en
Pages : 322
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Book Description
!-- Jazz is typically characterized as a uniquely American form of artistic expression, and narratives of its history are almost always set within the United States. Yet, from its inception, this art form exploded beyond national borders, becoming one of the first modern examples of a global music sensation. Jazz Planet collects essays that concentrate for the first time on jazz created outside the United States. What happened when this phenomenon met with indigenous musical practices? What debates on cultural integrity did this "American" styling provoke in far-flung places? Did jazz's insistence on individual innovation and its posture as a music of the disadvantaged generate shakeups in national identity, aesthetic values, and public morality? Through new and previously published essays, Jazz Planet recounts the music's fascinating journeys to Asia, Europe, Africa, and Latin America. What emerges is a concept of jazz as a harbinger of current globalization, a process that has engendered both hope for a more enlightened and tranquil future and resistance to the anticipated loss of national identity and sovereignty. Essays in this collection describe the seldom-acknowledged contributions non-Americans have made to the art and explore the social and ideological crises jazz initiated around the globe. Was the rise of jazz in global prominence, they ask, simply a result of its inherent charm? Was it a vehicle for colonialism, Cold War politics, and emerging American hegemony? Jazz Planet provokes readers to question the nationalistic bias of most jazz scholarship, and to expand the pantheon of great jazz artists to include innovative musicians who blazed independent paths. E. Taylor Atkins is an associate professor of history at Northern Illinois University and is the author of Blue Nippon: Authenticating Jazz in Japan, awarded the John W. Hall Prize of the Association of Asian Studies in 2003 as the best book on Northeast Asia. His work has appeared in such periodicals as Japanese Studies and East-West Connections: Review of Asian Studies.
Author: Richard Hadlock
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
