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Author: Alyn Shipton
Publisher: Oxford University Press
ISBN: 0195126890
Category : Juvenile Nonfiction
Languages : en
Pages : 270
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Book Description
Jazz Makers gathers together short biographies of more than 50 of jazz's greatest stars, from its early beginnings to the present. The stories of these innovative instrumentalists, bandleaders, and composers reveal the fascinating history of jazz in six parts:* The Pioneers, including Scott Joplin, Louis Armstrong, and Bessie Smith* Swing Bands and Soloists, with Duke Ellington, Ella Fitzgerald, and Billie Holiday* The Piano Giants, featuring Fats Waller, Art Tatum, and Mary Lou Williams* Birth of Bebop, including Dizzy Gillepsie, Charlie Parker, and Miles Davis* Cool Jazz, Hard Bop, and Fusion, with John Coltrane, Sonny Rollins, and Stan Getz* A Century of Jazz, featuring Wynton Marsalis, Joshua Redman, and other contemporary greats.
Author: Alyn Shipton
Publisher: Oxford University Press
ISBN: 0195126890
Category : Juvenile Nonfiction
Languages : en
Pages : 270
Get Book Here
Book Description
Jazz Makers gathers together short biographies of more than 50 of jazz's greatest stars, from its early beginnings to the present. The stories of these innovative instrumentalists, bandleaders, and composers reveal the fascinating history of jazz in six parts:* The Pioneers, including Scott Joplin, Louis Armstrong, and Bessie Smith* Swing Bands and Soloists, with Duke Ellington, Ella Fitzgerald, and Billie Holiday* The Piano Giants, featuring Fats Waller, Art Tatum, and Mary Lou Williams* Birth of Bebop, including Dizzy Gillepsie, Charlie Parker, and Miles Davis* Cool Jazz, Hard Bop, and Fusion, with John Coltrane, Sonny Rollins, and Stan Getz* A Century of Jazz, featuring Wynton Marsalis, Joshua Redman, and other contemporary greats.
Author: Nat Shapiro
Publisher: Da Capo Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
Author: Eric Hobsbawm
Publisher: Faber & Faber
ISBN: 0571320112
Category : Music
Languages : en
Pages : 294
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Book Description
From 1955-65 the historian Eric Hobsbawm took the pseudonym 'Francis Newton' and wrote a monthly column for the New Statesman on jazz - music he had loved ever since discovering it as a boy in 1933 ('the year Adolf Hitler took power in Germany'). Hobsbawm's column led to his writing a critical history, The Jazz Scene (1959). This enhanced edition from 1993 adds later writings by Hobsbawm in which he meditates further 'on why jazz is not only a marvellous noise but a central concern for anyone concerned with twentieth-century society and the twentieth-century arts.' 'All the greats are covered in passing (Louis Armstrong, Billie Holiday), while further space is given to Duke Ellington, Ray Charles, Thelonious Monk, Mahalia Jackson, and Sidney Bechet ... Perhaps Hobsbawm's tastiest comments are about the business side and work ethics, where his historian's eye strips the jazz scene down to its commercial spine.' Kirkus Reviews
Author: Paul Whiteman
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 332
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Book Description
Author: Jean Pierre Lion
Publisher: A&C Black
ISBN: 9780826416995
Category : Biography & Autobiography
Languages : en
Pages : 390
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Book Description
"Bix Beiderbecke is a figure of legend: the white cornetist's short life (1903-1931) fit the myth of the tragic artist, surrounded by the nostalgia of an era (Prohibition), and rooted in the dark history of jazz. Considered a genius by his fans and fellow musicians, Bix was a master cornet player, pianist, and composer, and one of the most inspiring jazz musicians of his age." "French jazz scholar Jean Pierre Lion traveled the trajectory of Bix's life, from birth to death, to boarding school, on tour, and beyond, to uncover the truth behind the legend. He creates historical ambience with descriptions of 1920s Chicago - ruled by Al Capone and peopled with fast cars, flappers, and hot jazz musicians - and Bix's personality is revealed through excerpts from the few letters he wrote in his lifetime and the memories of friends and witnesses of the jazz age." "When he died, Bix left behind a tremendous list of recordings (included here in a definitive discography) and several original compositions. This biography culls the entirety of Bix scholarship into one volume, painting a complete picture of the man, his music, and his times."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 784
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Book Description
Author: Bruce Johnson
Publisher: Routledge
ISBN: 1317499425
Category : Music
Languages : en
Pages : 372
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Book Description
Jazz and Totalitarianism examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory.
Author: John Chilton
Publisher: Bloomsbury Publishing
ISBN: 0826423892
Category : Social Science
Languages : en
Pages : 416
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Book Description
Chilton details the work of musicians from every era of British jazz, ranging from those who played professionally before 1920 to today's young jazz stars.
Author: the late Leonard Feather
Publisher: Oxford University Press
ISBN: 0199886407
Category : Music
Languages : en
Pages : 739
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Book Description
Do you want to know when Duke Ellington was king of The Cotton Club? Have you ever wondered how old Miles Davis was when he got his first trumpet? From birth dates to gig dates and from recordings to television specials, Leonard Feather and Ira Gitler have left no stone unturned in their quest for accurate, detailed information on the careers of 3.300 jazz musicians from around the world. We learn that Duke Ellington worked his magic at The Cotton Club from 1927 to 1931, and that on Miles Davis's thirteenth birthday, his father gave him his first trumpet. Jazz is fast moving, and this edition clearly and concisely maps out an often dizzying web of professional associations. We find, for instance, that when Miles Davis was a St. Louis teenager he encountered Charlie Parker and Dizzy Gillespie for the first time. This meeting proved fateful, and by 1945 a nineteen-year-old Davis had left Juilliard to play with Parker on 52nd Street. Knowledge of these professional alliances, along with the countless others chronicled in this book, are central to tracing the development of significant jazz movements, such as the "cool jazz" that became one of Miles Davis's hallmarks. Arranged alphabetically according to last name, each entry of this book chronologically lists the highlights of every jazz musician's career. Highly accessible and vigorously researched, The Biographical Encyclopedia of Jazz is, quite simply, the most comprehensive jazz encyclopedia available.
Author: Douglas H. Daniels
Publisher: Beacon Press
ISBN: 9780807071250
Category : Biography & Autobiography
Languages : en
Pages : 556
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Book Description
He was jazz's first hipster. He performed in sunglasses and coined and popularized phrases like "that's cool" and "you dig?" He always wore a suit and his trademark porkpie hat. He influenced everyone from B. B. King to Stan Getz to Allen Ginsberg, creating a lyrical style of playing that forever changed the sound of the tenor saxophone. In this groundbreaking biography of Lester Young (1909-1959), historian Douglas Daniels brings to life the man and his world, and corrects a number of misconceptions. Even though others have identified Young as a Kansas City musician, Daniels traces his roots to the blues of Louisiana and his early years traveling with his father's band and the legendary Oklahoma City Blue Devils. Later we see the jazz culture of New York in the early 1940s, when Young was launched to national and international fame with the Count Basie Orchestra and began to accompany his close friend Billie Holiday. After a year spent in an Army prison on a conviction for marijuana use, Young made changes in his music but never lost his sensitivity or soul. The first ever to gain access to Young's family and many musicians who performed with him, Daniels reconstructs the world in which Young lived and played: the racism that he and other black musicians faced, the feeling of home and family that they created together on the road, and what his music meant to black audiences. Young emerges as a kind friend, a loving parent, and a gentle and sensitive man who had, in the words of Reginald Scott, "the saddest eyes I ever saw
