Author: Benjamin Franklin V
Publisher: Univ of South Carolina Press
ISBN: 1643362186
Category : Music
Languages : en
Pages : 304
Book Description
An oral history of musical genres from the Palmetto State musicians who helped define the sounds From Jabbo Smith, Dizzy Gillespie, and Drink Small to Johnny Helms, Dick Goodwin, and Chris Potter, South Carolina has been home to an impressive number of regionally, nationally, and internationally known jazz and blues musicians. Through richly detailed interviews with nineteen South Carolina musicians, jazz historian and radio host Benjamin Franklin V presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State. Franklin takes as his subjects a range of musicians born between 1905 and 1971, representing every decade in between, to trace the progression of these musical genres from Tommy Benford's and Jabbo Smith's first recording sessions in the summer of 1926 to the present day. Diverse not only in age but also in race, gender, instruments, and style, these musicians exemplify the breadth of South Carolina's jazz and blues performers. In their own colorful words, the musicians recall love affairs with the distinctive sounds of jazz and blues, indoctrinations into the musical world, early gigs, fans, drugs, military service, amateur night at the Apollo Theater, and influential friendships with other well-known musicians. As the story of the South Carolina musical scene is tightly interwoven with that of the nation, these narratives also include appearances by Tony Bennett, Miles Davis, Count Basie, Helen Merrill, Pharoah Sanders, Sister Rosetta Tharpe, and other significant musicians. These interviews also document the lasting value of music education. In particular they stress the importance of the famed Jenkins Orphanage in Charleston and of South Carolina State University in Orangeburg in nurturing young musicians' talent. Arranged in chronological order by the subjects' birth years, these interviews are augmented by photographs of the musicians, collectively serving as a unique record of representative jazz and blues musicians who have called South Carolina home.
Jazz and Blues Musicians of South Carolina
Author: Benjamin Franklin V
Publisher: Univ of South Carolina Press
ISBN: 1643362186
Category : Music
Languages : en
Pages : 304
Book Description
An oral history of musical genres from the Palmetto State musicians who helped define the sounds From Jabbo Smith, Dizzy Gillespie, and Drink Small to Johnny Helms, Dick Goodwin, and Chris Potter, South Carolina has been home to an impressive number of regionally, nationally, and internationally known jazz and blues musicians. Through richly detailed interviews with nineteen South Carolina musicians, jazz historian and radio host Benjamin Franklin V presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State. Franklin takes as his subjects a range of musicians born between 1905 and 1971, representing every decade in between, to trace the progression of these musical genres from Tommy Benford's and Jabbo Smith's first recording sessions in the summer of 1926 to the present day. Diverse not only in age but also in race, gender, instruments, and style, these musicians exemplify the breadth of South Carolina's jazz and blues performers. In their own colorful words, the musicians recall love affairs with the distinctive sounds of jazz and blues, indoctrinations into the musical world, early gigs, fans, drugs, military service, amateur night at the Apollo Theater, and influential friendships with other well-known musicians. As the story of the South Carolina musical scene is tightly interwoven with that of the nation, these narratives also include appearances by Tony Bennett, Miles Davis, Count Basie, Helen Merrill, Pharoah Sanders, Sister Rosetta Tharpe, and other significant musicians. These interviews also document the lasting value of music education. In particular they stress the importance of the famed Jenkins Orphanage in Charleston and of South Carolina State University in Orangeburg in nurturing young musicians' talent. Arranged in chronological order by the subjects' birth years, these interviews are augmented by photographs of the musicians, collectively serving as a unique record of representative jazz and blues musicians who have called South Carolina home.
Publisher: Univ of South Carolina Press
ISBN: 1643362186
Category : Music
Languages : en
Pages : 304
Book Description
An oral history of musical genres from the Palmetto State musicians who helped define the sounds From Jabbo Smith, Dizzy Gillespie, and Drink Small to Johnny Helms, Dick Goodwin, and Chris Potter, South Carolina has been home to an impressive number of regionally, nationally, and internationally known jazz and blues musicians. Through richly detailed interviews with nineteen South Carolina musicians, jazz historian and radio host Benjamin Franklin V presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State. Franklin takes as his subjects a range of musicians born between 1905 and 1971, representing every decade in between, to trace the progression of these musical genres from Tommy Benford's and Jabbo Smith's first recording sessions in the summer of 1926 to the present day. Diverse not only in age but also in race, gender, instruments, and style, these musicians exemplify the breadth of South Carolina's jazz and blues performers. In their own colorful words, the musicians recall love affairs with the distinctive sounds of jazz and blues, indoctrinations into the musical world, early gigs, fans, drugs, military service, amateur night at the Apollo Theater, and influential friendships with other well-known musicians. As the story of the South Carolina musical scene is tightly interwoven with that of the nation, these narratives also include appearances by Tony Bennett, Miles Davis, Count Basie, Helen Merrill, Pharoah Sanders, Sister Rosetta Tharpe, and other significant musicians. These interviews also document the lasting value of music education. In particular they stress the importance of the famed Jenkins Orphanage in Charleston and of South Carolina State University in Orangeburg in nurturing young musicians' talent. Arranged in chronological order by the subjects' birth years, these interviews are augmented by photographs of the musicians, collectively serving as a unique record of representative jazz and blues musicians who have called South Carolina home.
An Encyclopedia of South Carolina Jazz & Blues Musicians
Author: Benjamin Franklin
Publisher: Univ of South Carolina Press
ISBN: 1611176220
Category : Music
Languages : en
Pages : 815
Book Description
This comprehensive A-to-Z reference is “an impressive contribution to jazz history and surprisingly good reading” (Michael Ullman, author of Jazz Lives). This informative bookdocuments the careers of South Carolina jazz and blues musicians from the nineteenth century to the present. The musicians range from the renowned (James Brown, Dizzy Gillespie), to the notable (Freddie Green, Josh White), the largely forgotten (Fud Livingston, Josie Miles), the obscure (Lottie Frost Hightower, Horace “Spoons” Williams), and the unknown (Vince Arnold, Johnny Wilson). Though the term “jazz” is commonly understood, if difficult to define, “blues” has evolved over time to include R&B, doo-wop, and soul. Performers in these genres are also represented, as are members of the Jenkins Orphanage bands of Charleston. Also covered are nineteenth-century musicians who performed what might be called proto-jazz or proto-blues in string bands, medicine shows, vaudeville, and the like. Organized alphabetically, from Johnny Acey to Webster Young, the entries include basic biographical information, South Carolina residences, career details, compositions, recordings as leaders and as band members, films, awards, websites, and lists of resources for additional reading. Former host of Jazz in Retrospect on NPR Benjamin Franklin V has ensured biographical accuracy to the greatest degree possible by consulting numerous public documents, and information in these records permitted him to dispel myths and correct misinformation that have surrounded South Carolina’s musical history for generations. “Elucidates South Carolina as a profoundly crucial puzzle piece alongside New Orleans, Chicago, Kansas City and New York.” —Harry Skoler, professor, Berklee College of Music Includes photos
Publisher: Univ of South Carolina Press
ISBN: 1611176220
Category : Music
Languages : en
Pages : 815
Book Description
This comprehensive A-to-Z reference is “an impressive contribution to jazz history and surprisingly good reading” (Michael Ullman, author of Jazz Lives). This informative bookdocuments the careers of South Carolina jazz and blues musicians from the nineteenth century to the present. The musicians range from the renowned (James Brown, Dizzy Gillespie), to the notable (Freddie Green, Josh White), the largely forgotten (Fud Livingston, Josie Miles), the obscure (Lottie Frost Hightower, Horace “Spoons” Williams), and the unknown (Vince Arnold, Johnny Wilson). Though the term “jazz” is commonly understood, if difficult to define, “blues” has evolved over time to include R&B, doo-wop, and soul. Performers in these genres are also represented, as are members of the Jenkins Orphanage bands of Charleston. Also covered are nineteenth-century musicians who performed what might be called proto-jazz or proto-blues in string bands, medicine shows, vaudeville, and the like. Organized alphabetically, from Johnny Acey to Webster Young, the entries include basic biographical information, South Carolina residences, career details, compositions, recordings as leaders and as band members, films, awards, websites, and lists of resources for additional reading. Former host of Jazz in Retrospect on NPR Benjamin Franklin V has ensured biographical accuracy to the greatest degree possible by consulting numerous public documents, and information in these records permitted him to dispel myths and correct misinformation that have surrounded South Carolina’s musical history for generations. “Elucidates South Carolina as a profoundly crucial puzzle piece alongside New Orleans, Chicago, Kansas City and New York.” —Harry Skoler, professor, Berklee College of Music Includes photos
Jazz & Blues Musicians of South Carolina
Author: Benjamin Franklin
Publisher: Univ of South Carolina Press
ISBN: 9781570037436
Category : Biography & Autobiography
Languages : en
Pages : 310
Book Description
Through detailed interviews with 19 South Carolina musicians, jazz historian and radio host Benjamin Franklin presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State.
Publisher: Univ of South Carolina Press
ISBN: 9781570037436
Category : Biography & Autobiography
Languages : en
Pages : 310
Book Description
Through detailed interviews with 19 South Carolina musicians, jazz historian and radio host Benjamin Franklin presents an oral history of the tradition and influence of jazz and the blues in the Palmetto State.
South Carolina Blues
Author: Clair DeLune
Publisher: Arcadia Publishing
ISBN: 1439653275
Category : Photography
Languages : en
Pages : 128
Book Description
The history of South Carolina blues is a long, deep--and sometimes painful--story. However, it is a narrative with aspects as compelling as the music itself. Geographical differences in America led to variations in the styles of music that developed from African rhythms. The wet, marshy landscape and hot, muggy weather of the Carolina Lowcountry combined to cultivate not only rice, but a Gullah-based style of South Carolina blues. In drier climates, toward the Midlands and the Upstate, the combination of European influences led to the emergence of Piedmont blues, which in turn spawned country music as well as bluegrass. Those same Gullah roots resulted in four major dance crazes, starting with the Charleston.
Publisher: Arcadia Publishing
ISBN: 1439653275
Category : Photography
Languages : en
Pages : 128
Book Description
The history of South Carolina blues is a long, deep--and sometimes painful--story. However, it is a narrative with aspects as compelling as the music itself. Geographical differences in America led to variations in the styles of music that developed from African rhythms. The wet, marshy landscape and hot, muggy weather of the Carolina Lowcountry combined to cultivate not only rice, but a Gullah-based style of South Carolina blues. In drier climates, toward the Midlands and the Upstate, the combination of European influences led to the emergence of Piedmont blues, which in turn spawned country music as well as bluegrass. Those same Gullah roots resulted in four major dance crazes, starting with the Charleston.
African American Music Trails of Eastern North Carolina
Author: Sarah Bryan
Publisher: UNC Press Books
ISBN: 1469610795
Category : Music
Languages : en
Pages : 233
Book Description
Includes CD with "music from artists in Edgecombe, Greene, Jones, Lenoir, Nash, Pitt, Wayne and Wilson Counties."
Publisher: UNC Press Books
ISBN: 1469610795
Category : Music
Languages : en
Pages : 233
Book Description
Includes CD with "music from artists in Edgecombe, Greene, Jones, Lenoir, Nash, Pitt, Wayne and Wilson Counties."
A Blues Bibliography
Author: Robert Ford
Publisher: Routledge
ISBN: 1351398482
Category : Music
Languages : en
Pages : 905
Book Description
This book provides a sequel to Robert Ford's comprehensive reference work A Blues Bibliography, the second edition of which was published in 2007. Bringing Ford's bibliography of resources up to date, this volume covers works published since 2005, complementing the first volume by extending coverage through twelve years of new publications. As in the previous volume, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations, and lyric transcriptions and musical analysis. With extensive listings of print and online articles in scholarly and trade journals, books, and recordings, this bibliography offers the most thorough resource for all researchers studying the blues.
Publisher: Routledge
ISBN: 1351398482
Category : Music
Languages : en
Pages : 905
Book Description
This book provides a sequel to Robert Ford's comprehensive reference work A Blues Bibliography, the second edition of which was published in 2007. Bringing Ford's bibliography of resources up to date, this volume covers works published since 2005, complementing the first volume by extending coverage through twelve years of new publications. As in the previous volume, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations, and lyric transcriptions and musical analysis. With extensive listings of print and online articles in scholarly and trade journals, books, and recordings, this bibliography offers the most thorough resource for all researchers studying the blues.
Black Music Is
Author: Marcus Amaker
Publisher:
ISBN: 9781734673784
Category :
Languages : en
Pages :
Book Description
"Black music is the banjo, a history untold by radio. Sold from West Africa to the minstrel show ..."Black Music Is is a poetic love letter to Black music and history. The book weaves poetry and pop-surrealist illustration, teaching readers about icons like Big Mama Thornton, BB King, Sister Rosetta Tharpe, Max Roach and Alice Coltrane. It also mentions modern-day musicians Rhiannon Giddens, Rhapsody, Big Joanie, Black Thought, and more. In the book, a cat plays records by Black musicians in five genres: blues, hip-hop, rock, bluegrass, and jazz. Black Music Is is perfect for readers looking to learn more about music, and sharpen their knowledge of Black history.The picture book was written by Marcus Amaker (Charleston, SC's first Poet Laureate) and illustrated by celebrated artist Nathan Durfee.
Publisher:
ISBN: 9781734673784
Category :
Languages : en
Pages :
Book Description
"Black music is the banjo, a history untold by radio. Sold from West Africa to the minstrel show ..."Black Music Is is a poetic love letter to Black music and history. The book weaves poetry and pop-surrealist illustration, teaching readers about icons like Big Mama Thornton, BB King, Sister Rosetta Tharpe, Max Roach and Alice Coltrane. It also mentions modern-day musicians Rhiannon Giddens, Rhapsody, Big Joanie, Black Thought, and more. In the book, a cat plays records by Black musicians in five genres: blues, hip-hop, rock, bluegrass, and jazz. Black Music Is is perfect for readers looking to learn more about music, and sharpen their knowledge of Black history.The picture book was written by Marcus Amaker (Charleston, SC's first Poet Laureate) and illustrated by celebrated artist Nathan Durfee.
Miles, Ornette, Cecil
Author: Howard Mandel
Publisher: Routledge
ISBN: 1135886369
Category : Art
Languages : en
Pages : 305
Book Description
Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. Miles, Ornette, Cecil is the first book to connect these three icons of the avant-garde, examining why they are lionized by some critics and reviled by others, while influencing musicians across such divides as genre, geography, and racial and ethnic backgrounds.
Publisher: Routledge
ISBN: 1135886369
Category : Art
Languages : en
Pages : 305
Book Description
Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. Miles, Ornette, Cecil is the first book to connect these three icons of the avant-garde, examining why they are lionized by some critics and reviled by others, while influencing musicians across such divides as genre, geography, and racial and ethnic backgrounds.
Jazz Lives
Author: Michael Ullman
Publisher: Perigee Trade
ISBN:
Category : Music
Languages : en
Pages : 260
Book Description
Publisher: Perigee Trade
ISBN:
Category : Music
Languages : en
Pages : 260
Book Description
Red River Blues
Author: Bruce Bastin
Publisher: University of Illinois Press
ISBN: 9780252065217
Category : Music
Languages : en
Pages : 436
Book Description
This story of the origins and evolution of the American blues tradition draws on oral history interviews and research into neglected primary sources. Book jacket.
Publisher: University of Illinois Press
ISBN: 9780252065217
Category : Music
Languages : en
Pages : 436
Book Description
This story of the origins and evolution of the American blues tradition draws on oral history interviews and research into neglected primary sources. Book jacket.