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Author: Hiroshi Hamaya
Publisher: Getty Publications
ISBN: 1606061321
Category : Art
Languages : en
Pages : 228
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Book Description
In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year's rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, Ren Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs. Along with essays by the book's coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt. This book, which features more than one hundred images, accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 26 to August 25, 2013.
Author: Hiroshi Hamaya
Publisher: Getty Publications
ISBN: 1606061321
Category : Art
Languages : en
Pages : 228
Get Book
Book Description
In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year's rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, Ren Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs. Along with essays by the book's coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt. This book, which features more than one hundred images, accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 26 to August 25, 2013.
Author: Yoshikazu Shiobara
Publisher: Routledge
ISBN: 1351387871
Category : Social Science
Languages : en
Pages : 278
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Book Description
The recent manifestation of exclusionism in Japan has emerged at a time of intensified neoliberal economic policies, increased cross-border migration brought on by globalization, the elevated threat of global terrorism, heightened tensions between East Asian states over historical and territorial conflicts, and a backlash by Japanese conservatives over perceived historical apologism. The social and political environment for minorities in Japan has shifted drastically since the 1990s, yet many studies of Japan still tend to view Japan through the dominant discourses of “ethnic homogeneity (tanitsu minzoku shakai)” and “middle-class society (so ̄churyu ̄-shakai)” which positions the exclusion of minorities as an exceptional phenomenon. While exclusionism has been recognized as a serious threat to minority groups, it has not often been considered a representative issue for the whole of Japanese society. This tendency will persist until the discourses of tanitsu minzoku shakai and so ̄churyu ̄-shakai are systematically debunked and Japan is widely recognized as both multiethnic and socio-economically stratified. Today, as with most advanced capitalist countries, serious social divides occasioned by the impacts of globalization and neoliberalism have destabilized Japanese society. This book explores not only how Japanese society is diversified and unequal, but also how diversity and inequality have caused people to divide into separate realities from which conflict and violence have emerged. It empirically examines the current situation while considering the historical development of exclusionism from the interdisciplinary viewpoints of history, policy studies, cultural studies, sociology and cultural anthropology. In addition to analyzing the realities of division and exclusionism, the authors propose theoretical alternatives to overcome such cultural and social divides.
Author: Victor Teo
Publisher: Cambridge Scholars Publishing
ISBN: 1527553469
Category : Political Science
Languages : en
Pages : 275
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Book Description
Relations between the People’s Republic of China and Japan are still subject to abrupt and periodic diplomatic confrontations and subtle political antagonisms. Though China and Japan have signed four political instruments, including the 1978 Treaty of Peace, Friendship and Co-operation, and maintain vibrant economic relations, Beijing and Tokyo too-frequently appear to have difficulty getting along. In this new volume, edited by Gerrit Gong and Victor Teo, a leading group of international scholars delineate underlying causes that strain bilateral Sino-Japanese relations and shape the 21st century international system. This book focuses on the “ideational” aspects of the Sino-Japanese relations—an area contemporary policy-makers and diplomats often neglect. Beyond visible interests and political gains, ideational forces including memories, identities, norms synthesize with nationalism and domestic politics to shape the tone and direction of Sino-Japanese relations and, for better or worse, set the trajectories for these two political and economic giants in the future.
Author: Tadayoshi Sakurai
Publisher:
ISBN:
Category : Lüshun (China)
Languages : en
Pages : 306
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Book Description
Author: Gail Lee Bernstein
Publisher: Univ of California Press
ISBN: 0520070178
Category : History
Languages : en
Pages : 356
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Book Description
In thirteen wide-ranging essays, scholars and students of Asian and women's studies will find a vivid exploration of how female roles and feminine identity have evolved over 350 years, from the Tokugawa era to the end of World War II. Starting from the premise that gender is not a biological given, but is socially constructed and culturally transmitted, the authors describe the forces of change in the construction of female gender and explore the gap between the ideal of womanhood and the reality of Japanese women's lives. Most of all, the contributors speak to the diversity that has characterized women's experience in Japan. This is an imaginative, pioneering work, offering an interdisciplinary approach that will encourage a reconsideration of the paradigms of women's history, hitherto rooted in the Western experience.
Author: Carla Sinclair
Publisher: "O'Reilly Media, Inc."
ISBN: 9780596529284
Category : Crafts & Hobbies
Languages : en
Pages : 168
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Book Description
CRAFT is the first project-based magazine dedicated to the renaissance that is occurring within the world of crafts. Celebrating the DIY spirit, CRAFT's goal is to unite, inspire, inform and entertain a growing community of highly imaginative people who are transforming traditional art and crafts with unconventional, unexpected and even renegade techniques, materials and tools; resourceful spirits who undertake amazing crafting projects in their homes and communities. Volume 01, the premier issue, features 23 projects with a twist! Make a programmable LED shirt, turn dud shoes into great knitted boots, felt an iPod cocoon, embroider a skateboard, and much more.
Author: Christina Yi
Publisher: Columbia University Press
ISBN: 0231545363
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
With the outbreak of the Sino-Japanese War in 1894, Japan embarked on a policy of territorial expansion that would claim Taiwan and Korea, among others. Assimilation policies led to a significant body of literature written in Japanese by colonial writers by the 1930s. After its unconditional surrender in 1945, Japan abruptly receded to a nation-state, establishing its present-day borders. Following Korea’s liberation, Korean was labeled the national language of the Korean people, and Japanese-language texts were purged from the Korean literary canon. At the same time, these texts were also excluded from the Japanese literary canon, which was reconfigured along national, rather than imperial, borders. In Colonizing Language, Christina Yi investigates how linguistic nationalism and national identity intersect in the formation of modern literary canons through an examination of Japanese-language cultural production by Korean and Japanese writers from the 1930s through the 1950s, analyzing how key texts were produced, received, and circulated during the rise and fall of the Japanese empire. She considers a range of Japanese-language writings by Korean colonial subjects published in the 1930s and early 1940s and then traces how postwar reconstructions of ethnolinguistic nationality contributed to the creation of new literary canons in Japan and Korea, with a particular focus on writers from the Korean diasporic community in Japan. Drawing upon fiction, essays, film, literary criticism, and more, Yi challenges conventional understandings of national literature by showing how Japanese language ideology shaped colonial histories and the postcolonial present in East Asia. A Center for Korean Research Book
Author: Sayuri Guthrie-Shimizu
Publisher: Univ of North Carolina Press
ISBN: 0807882666
Category : Sports & Recreation
Languages : en
Pages : 344
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Book Description
Baseball has joined America and Japan, even in times of strife, for over 150 years. After the "opening" of Japan by Commodore Perry, Sayuri Guthrie-Shimizu explains, baseball was introduced there by American employees of the Japanese government tasked with bringing Western knowledge and technology to the country, and Japanese students in the United States soon became avid players. In the early twentieth century, visiting Japanese warships fielded teams that played against American teams, and a Negro League team arranged tours to Japan. By the 1930s, professional baseball was organized in Japan where it continued to be played during and after World War II; it was even played in Japanese American internment camps in the United States during the war. From early on, Guthrie-Shimizu argues, baseball carried American values to Japan, and by the mid-twentieth century, the sport had become emblematic of Japan's modernization and of America's growing influence in the Pacific world. Guthrie-Shimizu contends that baseball provides unique insight into U.S.-Japanese relations during times of war and peace and, in fact, is central to understanding postwar reconciliation. In telling this often surprising history, Transpacific Field of Dreams shines a light on globalization's unlikely, and at times accidental, participants.
Author: Ellen P. Conant
Publisher: University of Hawaii Press
ISBN: 0824840593
Category : Art
Languages : en
Pages : 312
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Book Description
The complex and coherent development of Japanese art during the course of the nineteenth century was inadvertently disrupted by a political event: the Meiji Restoration of 1868. Scholars of both the preceding Edo (1615–1868) and the succeeding Meiji (1868–1912) eras have shunned the decades bordering this arbitrary divide, thus creating an art-historical void that the former view as a period of waning technical and creative inventiveness and the latter as one threatened by Meiji reforms and indiscriminate westernization and modernization. Challenging Past and Present, to the contrary, demonstrates that the period 1840–1890, as seen progressively rather than retrospectively, experienced a dramatic transformation in the visual arts, which in turn made possible the creative achievements of the twentieth century. The first group of chapters takes as its theme the diverse cultural currents of the transitional period, particularly as they applied to art.The second section deals with the inconsistent yet determinedly pragmatic courses pursed by artists, entrepreneurs, and patrons to achieve a secure footing in the uncertain terrain of early Meiji. Further chapters look at how painters and sculptors sought to absorb and integrate foreign influences and reinterpret their own stylistic mediums.
Author: Nick Kapur
Publisher: Harvard University Press
ISBN: 0674988485
Category : History
Languages : en
Pages : 336
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Book Description
In 1960, when Japan revised the postwar treaty that allows a U.S. military presence in Japan, the popular backlash changed the evolution of Japan’s politics and culture, and its global role. Nick Kapur’s analysis helps resolve Japan’s essential paradox as being innovative yet regressive, flexible yet resistant, imaginative yet wedded to tradition.
