Author: Charles B. Wordell
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 332
Book Description
Japan's Image in America
Author: Charles B. Wordell
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 332
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 332
Book Description
Japanese image of America
Author: Amerika Gakkai (Japan)
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Japanese Images of America
Author: James S. Marshall
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 22
Book Description
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 22
Book Description
The Image of Japan in the United States and Europe
Author: Torsten Burgman
Publisher: T.J. Burgman
ISBN:
Category : History
Languages : en
Pages : 46
Book Description
Publisher: T.J. Burgman
ISBN:
Category : History
Languages : en
Pages : 46
Book Description
Japanese Americans in San Diego
Author: Susan Hasegawa
Publisher: Arcadia Publishing
ISBN: 9780738559513
Category : History
Languages : en
Pages : 132
Book Description
For over 100 years, Japanese immigrants and Japanese Americans have called San Diego County home. Attracted to the warm climate and economic opportunities, Issei (first-generation Japanese immigrants) drifted into San Diego in the 1880s and introduced effective new fishing techniques that contributed to the growth of this industry. From the Tijuana River Valley on the border with Mexico to Oceanside in North County, Japanese American families started small truck farms in the first decades of the 20th century, developing techniques to improve crop production. Surviving the heartbreak of evacuation and incarceration during World War II in desert internment camps, San Diegans returned to rebuild a vibrant community after the war.
Publisher: Arcadia Publishing
ISBN: 9780738559513
Category : History
Languages : en
Pages : 132
Book Description
For over 100 years, Japanese immigrants and Japanese Americans have called San Diego County home. Attracted to the warm climate and economic opportunities, Issei (first-generation Japanese immigrants) drifted into San Diego in the 1880s and introduced effective new fishing techniques that contributed to the growth of this industry. From the Tijuana River Valley on the border with Mexico to Oceanside in North County, Japanese American families started small truck farms in the first decades of the 20th century, developing techniques to improve crop production. Surviving the heartbreak of evacuation and incarceration during World War II in desert internment camps, San Diegans returned to rebuild a vibrant community after the war.
Cultural Difference, Media Memories
Author: Phil Hammond
Publisher: Weidenfeld & Nicolson
ISBN:
Category : Political Science
Languages : en
Pages : 264
Book Description
Publisher: Weidenfeld & Nicolson
ISBN:
Category : Political Science
Languages : en
Pages : 264
Book Description
The Image of America in Contemporary Japanese Popular Culture
Author: Kenichi Adachi
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 34
Book Description
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 34
Book Description
The American Image of Japan
Author: Ayako H. Hirao
Publisher:
ISBN:
Category :
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 244
Book Description
Continuities in American Images and Stereo-types of the Japanese
Author: Steven Charles Strong
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 194
Book Description
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 194
Book Description
Moving Images
Author: Jasmine Alinder
Publisher: University of Illinois Press
ISBN: 0252033981
Category : Japanese Americans
Languages : en
Pages : 230
Book Description
When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government also hired photographers to make an extensive record of the forced removal and incarceration. In this insightful study, Jasmine Alinder explores the photographic record of the imprisonment in war relocation centers such as Manzanar, Tule Lake, Jerome, and others. She investigates why photographs were made, how they were meant to function, and how they have been reproduced and interpreted subsequently by the popular press and museums in constructing versions of public history. Alinder provides calibrated readings of the photographs from this period, including works by Dorothea Lange, Ansel Adams, Manzanar camp inmate Toyo Miyatake (who constructed his own camera to document the complicated realities of camp life), and contemporary artists Patrick Nagatani and Masumi Hayashi. Illustrated with more than forty photographs, Moving Images reveals the significance of the camera in the process of incarceration as well as the construction of race, citizenship, and patriotism in this complex historical moment.
Publisher: University of Illinois Press
ISBN: 0252033981
Category : Japanese Americans
Languages : en
Pages : 230
Book Description
When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government also hired photographers to make an extensive record of the forced removal and incarceration. In this insightful study, Jasmine Alinder explores the photographic record of the imprisonment in war relocation centers such as Manzanar, Tule Lake, Jerome, and others. She investigates why photographs were made, how they were meant to function, and how they have been reproduced and interpreted subsequently by the popular press and museums in constructing versions of public history. Alinder provides calibrated readings of the photographs from this period, including works by Dorothea Lange, Ansel Adams, Manzanar camp inmate Toyo Miyatake (who constructed his own camera to document the complicated realities of camp life), and contemporary artists Patrick Nagatani and Masumi Hayashi. Illustrated with more than forty photographs, Moving Images reveals the significance of the camera in the process of incarceration as well as the construction of race, citizenship, and patriotism in this complex historical moment.