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Author: Philip K. Hu
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
Folding screens, known as byôbu in Japanese, are treasures within any museum's collection and are beloved by the general public. This beautiful publication brings together the very finest screens from the world-renowned collections of the Art Institute of Chicago and the Saint Louis Art Museum. The featured works range from an extraordinary pair of landscapes by Sesson Shukei, a Zen-Buddhist monk-painter of the late 16th century, to daring contemporary works from the late 20th century. The first half of the Edo period (1615-1868) is especially well represented, with a dozen screens from the 17th century by such masters as Kano Koi and Tosa Mitsuoki. The contemporary scene is also well covered, with ten examples from the 20th century--proving the longevity of this art form and its currency among modern-day artists. Enlightening essays by important scholars in the field cover topics like the emergence of screens as an art form and a novel discussion of the relationship of Japanese screens to those made in other countries. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago (6/26/09-9/27/09) Saint Louis Art Museum (10/18/09-1/3/10)
Author: Philip K. Hu
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
Get Book Here
Book Description
Folding screens, known as byôbu in Japanese, are treasures within any museum's collection and are beloved by the general public. This beautiful publication brings together the very finest screens from the world-renowned collections of the Art Institute of Chicago and the Saint Louis Art Museum. The featured works range from an extraordinary pair of landscapes by Sesson Shukei, a Zen-Buddhist monk-painter of the late 16th century, to daring contemporary works from the late 20th century. The first half of the Edo period (1615-1868) is especially well represented, with a dozen screens from the 17th century by such masters as Kano Koi and Tosa Mitsuoki. The contemporary scene is also well covered, with ten examples from the 20th century--proving the longevity of this art form and its currency among modern-day artists. Enlightening essays by important scholars in the field cover topics like the emergence of screens as an art form and a novel discussion of the relationship of Japanese screens to those made in other countries. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago (6/26/09-9/27/09) Saint Louis Art Museum (10/18/09-1/3/10)
Author:
Publisher: Tuttle Publishing
ISBN: 1462903916
Category : Art
Languages : en
Pages : 26
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Book Description
Japanese Screens in Miniature is a collection of six of Japan's masterpieces reproduced as actual miniature screens, with an introduction to this most colorful, exuberant, and decorative aspects of the Golden Age of Japanese art. The development of the Japanese screen as an ant form in the Momoyama period (1575-1615) presents a fascinating example of the converging influences of art traditions,history, politics, religion, and architecture.
Author: Anne-Marie Christin
Publisher: National Geographic Books
ISBN: 0789214075
Category : Art
Languages : en
Pages : 0
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Book Description
A lavishly illustrated history of Japanese screens—limited to 3,000 numbered copies Japanese screens (byobu, meaning “barrier against the wind”) are made of wooden lattices with two to twelve panels, covered with a paper or fabric canvas. They are unique for being beautiful artworks as well as portable furnishings, acting as backdrops for court ceremonies or partitions for intimate tea services. Artists have embraced screens as three-dimensional objects, creating dynamic compositions that guide the viewer’s eye from one panel to the next. This sumptuous book explores the 1,300-year history of Japanese screens. The authors, leading experts on Japanese art and culture, describe how screens developed from the eighth to the twenty-first century, from their ceremonial use in palaces and temples to their functional and decorative use in ordinary Japanese homes. They examine the stylistic evolution of screens and the wide variety of subjects, such as animals, the seasons, The Tale of Genji, and calligraphic designs. Bound in the Japanese style and housed in a handsome clamshell box, this volume also comes with a poster-sized reproduction of an exceptional screen, suitable for framing. Japanese Screens will be an essential addition to any art lover’s library.
Author: Jay Van Arsdale
Publisher: National Geographic Books
ISBN: 1568365330
Category : Design
Languages : en
Pages : 0
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Book Description
Japanese-style shoji screens are translucent, wooden-lattice panels that subtly transform light and space and add an elegant touch to any decor. This book contains all the information you need to design and make shoji for your own home or apartment. Features: Notes on aesthetics and design fundamentals Complete how-to guide covering basic construction methods, screen materials, and wood selection Home projects, including window inserts, sliding and hanging screens, glass panel shoji, double- and single-sided shoji, skylight shoji, decorative wall boxes, and floor and table lanterns Introduction to Japanese hand tools and planing and joinery techniques Sample lattice patterns, photographs, and line drawings for design and remodeling ideas List of suppliers
Author:
Publisher:
ISBN:
Category : Painting, Japanese
Languages : en
Pages : 88
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Book Description
Author: Elise Grilli
Publisher:
ISBN:
Category : Painting, Japanese
Languages : en
Pages : 298
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Book Description
Author:
Publisher:
ISBN:
Category : Painting, Japanese
Languages : en
Pages : 66
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Book Description
Author: Miyeko Murase
Publisher: George Braziller
ISBN: 9780807612309
Category : Art
Languages : en
Pages : 232
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Book Description
Author: 芥川龍之介
Publisher: Praeger
ISBN:
Category : Fiction
Languages : en
Pages : 200
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Book Description
There can be no doubt that [Akutagawa] had more individuality than any other writer of his time and has left in Japanese literature a mass of artistic work, often grotesque and curious, that, while it undoubtedly angers the proletarian experimenters who now hold the stage and fight with lusty pens and a highly developed class consciousness against all that he stood for, will continue to live as long as men go on treasuring the fancies their fellows from time to time set down with care on paper.--Glen W. Shaw
Author: Matthew Philip McKelway
Publisher: University of Hawaii Press
ISBN: 9780824829001
Category : Art
Languages : en
Pages : 354
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Book Description
Following the destruction of Kyoto during the civil wars of the late fifteenth century, large-scale panoramic paintings of the city began to emerge. These enormous and intricately detailed depictions of the ancient imperial capital were unprecedented in the history of Japanese painting and remain unmatched as representations of urban life in any artistic tradition. Capitalscapes, the first book-length study of the Kyoto screens, examines their inception in the sixteenth to early seventeenth centuries, focusing on the political motivations that sparked their creation. Close readings of the Kyoto screens reveal that they were initially commissioned by or for members of the Ashikaga shogunate and that urban panoramas reflecting the interests of both prevailing and moribund political elites were created to underscore the legitimacy of the newly ascendant Tokugawa regime. Matthew McKelway’s analysis of the screens exposes their creators’ masterful exploitation of ostensibly accurate depictions to convey politically biased images of Japan’s capital. His overarching methodology combines a historical approach, which considers the paintings in light of contemporary reports (diaries, chronicles, ritual accounts), with a thematic one, isolating individual motifs, deciphering their visual language, and comparing them with depictions in other works. McKelway’s combined approach allows him to argue that the Kyoto screens were conceived and perpetuated as a painting genre that conveyed specific political meanings to viewers even as it provided textured details of city life. Students and scholars of Japanese art will find this lavishly illustrated work especially valuable for its insights into the cityscape painting genre, while those interested in urban and political history will appreciate its bold exploration of Kyoto’s past and the city’s late-medieval martial elite.
