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Author:
Publisher: Tuttle Publishing
ISBN: 1462909795
Category : Drama
Languages : en
Pages : 163
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Book Description
This collection of Japanese folk plays reveals a previously unknown and decidedly unaristocratic element to Japanese theater. Interspersed between the stately, slower paced dramas of Japan’s Noh theater are the delightful comic plays or interludes known as Kyogen. These brief plays evolved from the bawdy skits that were rousingly enjoyed by the plebeian populaces of the cities in feudal Japan some hundreds of years ago when Noh itself was a pastime and entertainment exclusively reserved for the aristocracy. Today they still provide delightful relief from the sustained and concentrated action of the Noh play that has changed very little throughout the centuries. Among the various forms of classical Japanese drama, the flamboyant action and brilliant coloring Kabuki has perhaps enabled it to be the most easily understood; and the Noh, in a number of excellent translations, has become widely known for its poetic beauty. But the Kyogen, equally deserving of attention, have remained relatively unknown. Only now, with this new edition of Miss Sakanishi's excellent translations, are they at last readily available to the Western reader.
Author:
Publisher: Tuttle Publishing
ISBN: 1462909795
Category : Drama
Languages : en
Pages : 163
Get Book
Book Description
This collection of Japanese folk plays reveals a previously unknown and decidedly unaristocratic element to Japanese theater. Interspersed between the stately, slower paced dramas of Japan’s Noh theater are the delightful comic plays or interludes known as Kyogen. These brief plays evolved from the bawdy skits that were rousingly enjoyed by the plebeian populaces of the cities in feudal Japan some hundreds of years ago when Noh itself was a pastime and entertainment exclusively reserved for the aristocracy. Today they still provide delightful relief from the sustained and concentrated action of the Noh play that has changed very little throughout the centuries. Among the various forms of classical Japanese drama, the flamboyant action and brilliant coloring Kabuki has perhaps enabled it to be the most easily understood; and the Noh, in a number of excellent translations, has become widely known for its poetic beauty. But the Kyogen, equally deserving of attention, have remained relatively unknown. Only now, with this new edition of Miss Sakanishi's excellent translations, are they at last readily available to the Western reader.
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 150
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Book Description
Author: Haruo Shirane
Publisher: Columbia University Press
ISBN: 0231504535
Category : Fiction
Languages : en
Pages : 601
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Book Description
Haruo Shirane's critically acclaimed Traditional Japanese Literature: An Anthology, Beginnings to 1600, contains key examples of both high and low styles of poetry, drama, prose fiction, and essays. For this abridged edition, Shirane retains substantial excerpts from such masterworks as The Tale of Genji, The Tales of the Heike, The Pillow Book, the Man'yoshu, and the Kokinshu. He preserves his comprehensive survey of secular and religious anecdotes (setsuwa) as well as classical poems with extensive commentary. He features no drama; selections from influential war epics; and notable essays on poetry, fiction, history, and religion. Texts are interwoven to bring into focus common themes, styles, and allusions while inviting comparison and debate. The result is a rich encounter with ancient and medieval Japanese culture and history. Each text and genre is enhanced by extensive introductions that provide sociopolitical and cultural context. The anthology is organized by period, genre, and topic—an instructor-friendly structure—and a comprehensive bibliography guides readers toward further study. Praise for Traditional Japanese Literature: An Anthology, Beginnings to 1600 "Haruo Shirane has done a splendid job at this herculean task."—Joshua Mostow, University of British Columbia "A comprehensive and innovative anthology.... All of the introductions are excellent."—Journal of Asian Studies "One of those impressive, erudite, must-have titles for anyone interested in Asian literature."—Bloomsbury Review "An anthology that comprises superb translations of an exceptionally wide range of texts.... Highly recommended."—Choice "A wealth of material."—Monumenta Nipponica
Author: Becky A. Brown
Publisher: Routledge
ISBN: 1000288307
Category : Foreign Language Study
Languages : en
Pages : 212
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Book Description
Itadakimasu! The Food Culture of Japan is designed as a first- or second-year college course in Japanese culture for students who have little to no background in the Japanese language, culture, literature, or history. Unlike any other culture text, Itadakimasu! offers a unique approach to learning about culture through a country’s cuisine. This account takes students on an exciting journey into the world of Japanese food culture, both past and present, exploring themes such as regional specialties, annual festivals, traditional foodways, prominent tea masters, culinary expressions, restaurant menus, dining etiquette, mealtime customs, and culinary aesthetics. Itadakimasu! also addresses current events in the food industry and agribusiness, health and nutrition, dieting trends, fast food, and international and Western influences. Enhancing this wealth of cultural material are autobiographical essays written by guest contributors and varied literary excerpts featuring food themes across different genres in literature spanning many centuries. Each of the readings is supplemented by general comprehension questions followed by more probing queries calling on critical and analytical thinking to methodically guide students from a cursory understanding of a new culture to reflections on their own experiences and other world cultures. Resources also highlight food-centric films so that students can witness what they are learning about in an authentic cultural context. Furthermore, teachers and students alike can enjoy food tasting labs in the classroom, fostering yet another authentic experience for the students. With the intention of reaching a broad audience of students majoring or minoring in Japanese or Asian Studies, or students learning English as a Foreign Language or English for Specific Purposes, Itadakimasu! could also be useful for composition and conversation courses and the Writing Across the Curriculum series or as a supplement for 'Four Skills' Japanese language courses and introductory Japanese literature offerings. Above all, its multifaceted design with a broad spectrum of self-contained sections welcomes individual teaching styles and preferences. Itadakimasu! paints an appetizing image of Japan’s society with just a dash of culture, a pinch of language, and a taste of literature to tempt the palate of students new to the study of Japan. Meant to enhance the regular curriculum, this innovative approach to learning about Japan suggests that the culinary world can lend an insightful view into a country’s culture. Historical and contemporary foodways are universal elements common to all cultures, making the subject matter inherently relatable. An Instructors Manual containing sample syllabi, learning outcomes, handout templates, study guides, background content and more is available at www.routledge.com/9780367903572.
Author: John W. Dower
Publisher: Manchester University Press
ISBN: 9780719019142
Category : Reference
Languages : en
Pages : 252
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Book Description
Author: Ortolani
Publisher: BRILL
ISBN: 9004484140
Category : History
Languages : en
Pages : 372
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Book Description
An up-to-date cultural history of the Japanese theatre in all its forms including primitive rituals, court and popular dance-drama, puppet shows and westernized plays, is narrated here for the first time in English by a western authority in the field. The book underlines Zeami and Zenchiku's secret tradition of the nō, explaining Zen-inspired spiritual teachings for the actor's training on the way to enlightened performance. It also gives relevance to the transformation of an anti-establishment entertainment by prostitutes into spectacular kabuki stagecraft, and to the modernization process which created shingeki modern drama, and moved it into the context of world theatre. The final chapter summarizes the history of western discovery of the Japanese stage. The illustrations, the indexes, the glossary and the extensive bibliography — including all major literature in western languages until 1989 — also contribute to make this volume a must for all students of the Japanese theatre, and for anyone interested in a better understanding of Japanese culture as mirrored in its theatrical component.
Author: Benito Ortolani
Publisher: Princeton University Press
ISBN: 9780691043333
Category : Drama
Languages : en
Pages : 432
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Book Description
From ancient ritualistic practices to modern dance theatre, this study provides concise summaries of all major theatrical art forms in Japan. It situates each genre in its particular social and cultural contexts, describing in detail staging, costumes, repertory and noteworthy actors.
Author: David Petersen
Publisher: David Petersen
ISBN: 1847530060
Category : Art
Languages : en
Pages : 374
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Book Description
Richly illustrated, and based largely on sources inaccessible to the non-Japanese speaker, this book provides a rare glimpse into kagura (Shinto theater), a performance style with roots predating even noh drama. Coverage includes the history of the art; the kagura stage; schools of performance; synopses of plays and ceremonies; movement and choreography; kagura costumes; masks and mask-making; implements, decorations and special effects; the music of kagura; and related folk arts. There are also additional sections with comparative materials on noh and kabuki. A new world of theater awaits...
Author: None Specified
Publisher: Tuttle Publishing
ISBN: 1462904564
Category : Drama
Languages : en
Pages : 215
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Book Description
This classic of Japanese studies presents extensive information about the history, culture and practice of Noh drama—one of Japan's most treasured dramatic art forms. Noh as an independent and original art form—ultimately destined to supersede the earlier Dengaku, Sarugaku and other song dances—incorporates the most significant elements of the former and especially of the Kusemai (tune dance).With it a new literary form may be said to have been created. The invention of Noh is attributed to Kwannami Kiyotsugu (1333-1384), a distinguished actor and writer of Sarugaku and to his son Zeami Motokiyo (1363-1443), who developed and refined the art under the patronage of Yoshimitsu, the third Ashikaga shogun. In addition to his dramatic activities, Zeami composed a number of works, the most important of which is called the Kwadensho (the Book of the Flower), or more properly, Fushi-kwadensho which he explained the nature and aesthetic principles governing Noh plays, and gave detailed instructions concerning the manner of composition, acting, direction, and production of these dramas. Combining the elements of dance, miming, music, and chants, Noh plays may be described as lyrico-dramatic tone-poems, in which the text has a function somewhat similar to that of the libretto in a Wagner or Debussy opera.
Author: William P. Malm
Publisher: Tuttle Publishing
ISBN: 1462913059
Category : Music
Languages : en
Pages : 365
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Book Description
This study of Japanese music explore Nagauta or literally "long song"--the delicate and complex music that accompanies kabuki theater--in great detail. The Kabuki theater of Japan has achieved a growing reputation as one of the world's most brilliant achievements in the field of theater. And the number of studies made on the subject in the West has been considerable. Yet, in spite of the fact that so much of the unique brilliance of the kabuki stage depends on the character of its music, the manner in which it is used, and its integral connection with the development of the dramatic impact of the plays, very little has been written on this phase of the genre. Of particular interest are the attempts to explore the various approaches to form music in the vast repertoire of this living art music. The playing techniques of the instruments are explained, and the relations of each instrument's music to the vocal line and to the overall design is shown. The analysis is accompanied by two compete transcription of nagauta in Western notation. These transcriptions are the first complete scores of nagauta ever printed. Additional musical examples, bibliography, discography, and glossary-index add value to the text.
