Author: James King
Publisher: Peter Lang
ISBN: 9783034303170
Category : Art
Languages : en
Pages : 250
Book Description
The Japanese landscape print has had a tremendous influence on Western art of the nineteenth and twentieth centuries. In Japan and in the West it is often seen as the dominant form in Ukiyo-e, pictures from the floating world. And yet for all its importance, it is a genre whose history has never been written. Beyond The Great Wave is a survey or overview for all those interested in discovering the inner dynamics of one of art history's most remarkable achievements. However, it is also a quest narrative, in which landscapes and notions of Japan as a homeland are intertwined and interconnected. Although there has never been a book-length study of the Japanese landscape print in either Japanese or English, a great deal has been written about the two giants of the genre, Hokusai and Hiroshige. From what traditions did these two nineteenth-century artists emerge? Who were their predecessors? What influence, if any, did they have on other Ukiyo-e artists? Can their influence be seen in the shin-hanga and sôsaku-hanga artists of the twentieth century? This book addresses these issues, but it also looks at a number of other factors, such as the growth of tourism in nineteenth-century Japan, necessary for understanding this genre.
The Sakai Collection
Author: Nobuo Sakai
Publisher:
ISBN:
Category : Color prints, Japanese
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Color prints, Japanese
Languages : en
Pages : 232
Book Description
The Sakai Collection, Ukiyo-e-gaku
Author: Gankow Sakai
Publisher:
ISBN:
Category : Painting, Japanese
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Painting, Japanese
Languages : en
Pages : 232
Book Description
The Connoisseur
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 552
Book Description
Folk Art and Modern Culture in Republican China
Author: Felicity Lufkin
Publisher: Lexington Books
ISBN: 1498526292
Category : History
Languages : en
Pages : 317
Book Description
Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China, artists, critics and educators likewise saw folk art as a potentially valuable resource: perhaps it could be a fresh source of cultural inspiration and energy, representing the authentic voice of the people in contrast to what could be seen as the limited and elitist classical tradition. At the same time, many Chinese intellectuals also saw folk art as a problem: they believed that folk art, as it was, promoted superstitious and backward ideas that were incompatible with modernization and progress. In either case, folk art was too important to be left in the hands of the folk: educated artists and researchers felt a responsibility intervene, to reform folk art and create new popular art forms that would better serve the needs of the modern nation. In the early 1930s, folk art began to figure in the debates on social role of art and artists that were waged in the pages of the Chinese press, the first major exhibition of folk art was held in Hangzhou, and the new print movement claimed the print as a popular artistic medium while, for the most part, declaring its distance from contemporary folk printmaking practices. During the war against Japan, from 1937 to 1945, educated artists deployed imagery and styles drawn from folk art in morale-boosting propaganda images, but worried that this work fell short of true artistic accomplishment and pandering to outmoded tastes. The questions raised in interaction with folk art during this pivotal period, questions about heritage, about the social position of art, and the exercise of cultural authority continue to resonate into the present day.
Publisher: Lexington Books
ISBN: 1498526292
Category : History
Languages : en
Pages : 317
Book Description
Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China, artists, critics and educators likewise saw folk art as a potentially valuable resource: perhaps it could be a fresh source of cultural inspiration and energy, representing the authentic voice of the people in contrast to what could be seen as the limited and elitist classical tradition. At the same time, many Chinese intellectuals also saw folk art as a problem: they believed that folk art, as it was, promoted superstitious and backward ideas that were incompatible with modernization and progress. In either case, folk art was too important to be left in the hands of the folk: educated artists and researchers felt a responsibility intervene, to reform folk art and create new popular art forms that would better serve the needs of the modern nation. In the early 1930s, folk art began to figure in the debates on social role of art and artists that were waged in the pages of the Chinese press, the first major exhibition of folk art was held in Hangzhou, and the new print movement claimed the print as a popular artistic medium while, for the most part, declaring its distance from contemporary folk printmaking practices. During the war against Japan, from 1937 to 1945, educated artists deployed imagery and styles drawn from folk art in morale-boosting propaganda images, but worried that this work fell short of true artistic accomplishment and pandering to outmoded tastes. The questions raised in interaction with folk art during this pivotal period, questions about heritage, about the social position of art, and the exercise of cultural authority continue to resonate into the present day.
The Encyclopaedia Britannica: Cal to Con
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1032
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1032
Book Description
Journal of the American Asiatic Association
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 1152
Book Description
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 1152
Book Description
Asia and the Americas
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 600
Book Description
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 600
Book Description
Athenaeum and Literary Chronicle
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 822
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 822
Book Description
The Encyclopædia Britannica
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1038
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1038
Book Description
Asia
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 960
Book Description
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 960
Book Description