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Author:
Publisher:
ISBN: 9784872421415
Category : Block printing
Languages : en
Pages : 215
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Book Description
Author:
Publisher:
ISBN: 9784872421415
Category : Block printing
Languages : en
Pages : 215
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Book Description
Author: 高階秀爾
Publisher:
ISBN: 9784866580203
Category :
Languages : en
Pages : 255
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Book Description
Author: Kendall H. Brown
Publisher: Courier Corporation
ISBN: 0486476405
Category : Crafts & Hobbies
Languages : en
Pages : 130
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Book Description
Heroes, villains, and damsels in distress abound in these richly colored, dramatic images from the Japanese equivalent of dime-store novels. These illustrations were selected from woodblock-printed covers and frontispiece illustrations from 64 popular books published in Osaka from 1898 through 1903. They include samurai and strong men, demons and detectives, courtesans, sumo wrestlers, and other vivid characters in scenarios ranging from romantic to grotesquely violent. Printed in the color woodblock method in use since the late eighteenth century, they provide a link between an ancient storytelling tradition and the beginning of mass-published popular literature. Created during the Meiji era (1868–1912), when Japanese society was changing dramatically with the influx of Western technology and values, these images appealed to a wide audience of newly literate readers. Their scenes of retribution and sacrifice reflect a modern consciousness of Japanese history and a longing for an idealized vision of the past, marked by traditional values of loyalty, filial piety, self-sacrifice, and chivalry. Long considered a disposable form of popular culture, these books were not carefully preserved or collected. This collection, assembled by an expert on Japanese art, offers a rare glimpse of a newly rediscovered art form.
Author: Alex Gross
Publisher: Taschen America Llc
ISBN: 9783822831236
Category : Art
Languages : de
Pages : 192
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Book Description
Geisha goddesses and more Representing the Japanese ideal of beauty, the woman featured in these colorful illustrations and photographs beam with reassuring smiles and glowing complexions. Though haircuts and clothing styles changed through the years, the women's faces have retained the same familiar features.
Author: Kendall H. Brown
Publisher: Courier Corporation
ISBN: 0486476391
Category : Crafts & Hobbies
Languages : en
Pages : 132
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Book Description
This captivating gallery offers rare glimpses of Japanese culture during the early years of the 20th century. Drawn from popular women's magazines of the Taishô period, its kuchi-e (frontispiece pictures) of bijin (beauties) represent a variety of artists, from the visual poetry of famous painters to more prosaic efforts by anonymous designers. Printed in the era's latest techniques of color lithography and offset printing, these kuchi-e bijin were created for mass production, yet they echo the form and appeal of woodblock prints from earlier generations. Their fashions are new enough to be exciting but sufficiently traditional to be reassuringly familiar. Embracing noble ideals and modern reality, the kuchi-e bijin suggest both the aspirations and the mundane truths of their audience, combining the sense of fine art and the sensibilities of popular illustration. Kendall H. Brown is Associate Professor of Asian Art History at California State University, Long Beach. His informative captions and Preface explore the images' literary content, social context, and the technologies used in their production. A valuable resource for scholars of Japanese art and period book illustration, this volume is also of tremendous interest to anyone with an eye for beauty.
Author: BRILL
Publisher: Hotei Publishing
ISBN: 9789074822145
Category :
Languages : en
Pages :
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Book Description
Author: Miya Elise Mizuta Lippit
Publisher: Harvard University Press
ISBN: 9780674237308
Category :
Languages : en
Pages : 280
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Book Description
This study of modern Japan engages the fields of art history, literature, and cultural studies, seeking to understand how the "beautiful woman" (bijin) emerged as a symbol of Japanese culture during the Meiji period (1868-1912). With origins in the formative period of modern Japanese art and aesthetics, the figure of the bijin appeared across a broad range of visual and textual media: photographs, illustrations, prints, and literary works, as well as fictional, critical, and journalistic writing. It eventually constituted a genre of painting called bijinga (paintings of beauties). Aesthetic Life examines the contributions of writers, artists, scholars, critics, journalists, and politicians to the discussion of the bijin and to the production of a national discourse on standards of Japanese beauty and art. As Japan worked to establish its place in the world, it actively presented itself as an artistic nation based on these ideals of feminine beauty. The book explores this exemplary figure for modern Japanese aesthetics and analyzes how the deceptively ordinary image of the beautiful Japanese woman--an iconic image that persists to this day--was cultivated as a "national treasure," synonymous with Japanese culture.
Author: Cho Kyo
Publisher: Rowman & Littlefield Publishers
ISBN: 1442218959
Category : Social Science
Languages : en
Pages : 304
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Book Description
While a slender body is a prerequisite for beauty today, plump women were considered ideal in Tang Dynasty China and Heian-period Japan. Starting around the Southern Song period in China, bound feet symbolized the attractiveness of women. But in Japan, shaved eyebrows and blackened teeth long were markers of loveliness. For centuries, Japanese culture was profoundly shaped by China, but in complex ways that are only now becoming apparent. In this first full comparative history of the subject, Cho Kyo explores changing standards of feminine beauty in China and Japan over the past two millennia. Drawing on a rich array of literary and artistic sources gathered over a decade of research, he considers which Chinese representations were rejected or accepted and transformed in Japan. He then traces the introduction of Western aesthetics into Japan starting in the Meiji era, leading to slowly developing but radical changes in representations of beauty. Through fiction, poetry, art, advertisements, and photographs, the author vividly demonstrates how criteria of beauty differ greatly by era and culture and how aesthetic sense changed in the course of extended cultural transformations that were influenced by both China and the West.
Author: Jonathan E. Abel
Publisher: U of Minnesota Press
ISBN: 145296808X
Category : Social Science
Languages : en
Pages : 326
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Book Description
Unlocking a vital understanding of how literary studies and media studies overlap and are bound together A synthetic history of new media reception in modern and contemporary Japan, The New Real positions mimesis at the heart of the media concept. Considering both mimicry and representation as the core functions of mediation and remediation, Jonathan E. Abel offers a new model for media studies while explaining the deep and ongoing imbrication of Japan in the history of new media. From stereoscopy in the late nineteenth century to emoji at the dawn of the twenty-first, Abel presents a pioneering history of new media reception in Japan across the analog and digital divide. He argues that there are two realities created by new media: one marketed to us through advertising that proclaims better, faster, and higher-resolution connections to the real; and the other experienced by users whose daily lives and behaviors are subtly transformed by the presence and penetration of the content carried through new media. Intervening in contemporary conversations about virtuality, copyright, copycat violence, and social media, each chapter unfolds with a focus on a single medium or technology, including 3D photographs, the phonograph, television, videogames, and emoji. By highlighting the tendency of the mediated to copy the world and the world to copy the mediated, The New Real provides a new path for analysis of media, culture, and their function in the world.
Author: Gary Hickey
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 86
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Book Description
The domination of the Tokugawa government, centered in Edo, now Tokyo, was responsible for the isolation of Japan from the rest of the world and for the relative peace that distinguished the Edo period (1603-1868). These factors contributed to the rise of a wealthy merchant class whose aspirations and desires were expressed in a lively, carefree urban culture revolving around the entertainment areas of the nouveaux riches -- the brothel district and the kabuki theater. Obsessed with women, or, more importantly, the ideal of feminine beauty, these townsmen made a goddess of the courtesan, whose beauty was extolled in literature, art, and theater.This beautifully illustrated collection features woodblock prints, paintings, and kimonos dating from the Edo period to the beginning of the twentieth century. Gary Hickey's essay touches on several themes, including the aesthetic of the wealthy merchant class, brothels, kabuki theater, pictures of beautiful women, erotic pictures, and prints of female impersonators.
