Author: Michael Kühlenthal
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 616
Book Description
Japanese and European lacquerware
Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Ware
Author: Patricia Frick
Publisher: BRILL
ISBN: 9004384383
Category : Art
Languages : en
Pages : 270
Book Description
Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Ware, edited by Patricia Frick and Annette Kieser, focuses on various aspects of East Asian lacquer art ranging from the 2nd century BC to the 17th century. Recent excavations in China, the distribution of lacquer objects throughout the Eurasian region, the significance of lacquer ware in everyday life, technical aspects of lacquer production in Korea, and the appreciation of Japanese lacquer in Asia and Europe are analysed in six chapters by international experts in the field: Patricia Frick; Annette Kieser; Nanhee Lee; Yan Liu; Margarete Prüch and Anton Schweizer. Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Ware is published in association with the European Association for Asian Art and Archaeology.
Publisher: BRILL
ISBN: 9004384383
Category : Art
Languages : en
Pages : 270
Book Description
Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Ware, edited by Patricia Frick and Annette Kieser, focuses on various aspects of East Asian lacquer art ranging from the 2nd century BC to the 17th century. Recent excavations in China, the distribution of lacquer objects throughout the Eurasian region, the significance of lacquer ware in everyday life, technical aspects of lacquer production in Korea, and the appreciation of Japanese lacquer in Asia and Europe are analysed in six chapters by international experts in the field: Patricia Frick; Annette Kieser; Nanhee Lee; Yan Liu; Margarete Prüch and Anton Schweizer. Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Ware is published in association with the European Association for Asian Art and Archaeology.
Lacquerware in Asia, Today and Yesterday
Author: Monika Kopplin
Publisher: Unesco
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
Dating back several thousand years, the art of lacquer is one of the most ancient expressions of Asian culture, and this publication provides an overview of the different kinds of methods and materials used in Cambodia, China, India, Korea, Japan, Myanmar, Thailand and Vietnam. The number of people employed in this ancestral art has fallen dramatically throughout Asia in recent decades, and this book considers the challenges to its survival as well as highlighting the importance of documenting past and modern procedures.
Publisher: Unesco
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
Dating back several thousand years, the art of lacquer is one of the most ancient expressions of Asian culture, and this publication provides an overview of the different kinds of methods and materials used in Cambodia, China, India, Korea, Japan, Myanmar, Thailand and Vietnam. The number of people employed in this ancestral art has fallen dramatically throughout Asia in recent decades, and this book considers the challenges to its survival as well as highlighting the importance of documenting past and modern procedures.
Japanese Export Lacquer
Author: Oliver R. Impey
Publisher: Hotei Publishing
ISBN: 9789074822725
Category : Decorative arts
Languages : en
Pages : 0
Book Description
Japanese export lacquer exerted an influence on European art and decoration quite out of proportion to its physical presence in Europe. The vast amounts shipped from Japan -- mainly in three stages (1590s-1640, 1639-93, 1800-40s) -- demonstrate the need for the study of this beautiful material. Japanese export lacquer is the first full treatment of lacquerware made to European demand, its transportation and the lacquer market in Europe as well as the effect of lacquer and its use in a European context. Trading patterns and its use are described in detail, based on the documentary evidence of Europeans in the Far East, on notes kept by the Portuguese in Japan, on the important and comprehensive archives of the Dutch East India Company and to a lesser extent and for a shorter period, of the English Honourable East India Company, as well as on contemporary comments and inventories within Europe. Full use is made of the sparse Japanese documentation of the trade, only available for the period 1709-11and the early nineteenth century. Reference is also made to additional records kept by American ships' captains and supercargoes from Massachusetts. While the Portuguese seem to have regarded Japanese lacquer as mainly suitable for use as grand gifts, particularly within the Habsburg family network, it is surprising how much of the lacquer for the Portuguese market (the so-called Namban lacquer) survives in Europe, testifying to extensive (undocumented) private trade, as well as the orders of the Society of Jesus. The Dutch used lacquer as gifts and for trade. The English Company never traded in lacquer but was involved in many private transactions. The inter-Asian markets were vital to theDutch, particularly where lacquer was regarded as suitable for gifts to Oriental potentates. This is well documented and descriptions of orders for lacquer elephant howdahs and carrying chairs inform us of what has been lost. Th
Publisher: Hotei Publishing
ISBN: 9789074822725
Category : Decorative arts
Languages : en
Pages : 0
Book Description
Japanese export lacquer exerted an influence on European art and decoration quite out of proportion to its physical presence in Europe. The vast amounts shipped from Japan -- mainly in three stages (1590s-1640, 1639-93, 1800-40s) -- demonstrate the need for the study of this beautiful material. Japanese export lacquer is the first full treatment of lacquerware made to European demand, its transportation and the lacquer market in Europe as well as the effect of lacquer and its use in a European context. Trading patterns and its use are described in detail, based on the documentary evidence of Europeans in the Far East, on notes kept by the Portuguese in Japan, on the important and comprehensive archives of the Dutch East India Company and to a lesser extent and for a shorter period, of the English Honourable East India Company, as well as on contemporary comments and inventories within Europe. Full use is made of the sparse Japanese documentation of the trade, only available for the period 1709-11and the early nineteenth century. Reference is also made to additional records kept by American ships' captains and supercargoes from Massachusetts. While the Portuguese seem to have regarded Japanese lacquer as mainly suitable for use as grand gifts, particularly within the Habsburg family network, it is surprising how much of the lacquer for the Portuguese market (the so-called Namban lacquer) survives in Europe, testifying to extensive (undocumented) private trade, as well as the orders of the Society of Jesus. The Dutch used lacquer as gifts and for trade. The English Company never traded in lacquer but was involved in many private transactions. The inter-Asian markets were vital to theDutch, particularly where lacquer was regarded as suitable for gifts to Oriental potentates. This is well documented and descriptions of orders for lacquer elephant howdahs and carrying chairs inform us of what has been lost. Th
Lacquer: Technology and Conservation
Author: Marianne Webb
Publisher: Butterworth-Heinemann
ISBN: 9780750644129
Category : Antiques & Collectibles
Languages : en
Pages : 204
Book Description
This reference tool covers the technology and methods of treatment for both types of lacquer and assesses current practices. It describes production technology and decorative techniques and discusses the materials used in Asian lacquer.
Publisher: Butterworth-Heinemann
ISBN: 9780750644129
Category : Antiques & Collectibles
Languages : en
Pages : 204
Book Description
This reference tool covers the technology and methods of treatment for both types of lacquer and assesses current practices. It describes production technology and decorative techniques and discusses the materials used in Asian lacquer.
Japanese Art – Transcultural Perspectives
Author: Melanie Trede
Publisher: BRILL
ISBN: 9004704175
Category : Art
Languages : en
Pages : 634
Book Description
The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but also intangible practices such as knowledge and concepts as vital agencies of interaction in transcultural processes. With its premise on connectivity, trans-territoriality, networks, and their transformative potential, this research destabilizes categorical configurations such as “center vs. periphery” and “high vs. low,” calling into question the classical canon of Japanese art history.
Publisher: BRILL
ISBN: 9004704175
Category : Art
Languages : en
Pages : 634
Book Description
The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but also intangible practices such as knowledge and concepts as vital agencies of interaction in transcultural processes. With its premise on connectivity, trans-territoriality, networks, and their transformative potential, this research destabilizes categorical configurations such as “center vs. periphery” and “high vs. low,” calling into question the classical canon of Japanese art history.
European Lacquer
Author: Monika Kopplin
Publisher: Hirmer Verlag GmbH
ISBN: 9783777489308
Category : Lacquer and lacquering
Languages : en
Pages : 0
Book Description
The book presents 50 pieces of European lacquerware from the 16th to the 20th century. Chosen from the collection of the Museum of Lacquerware in Münster, the pieces are vividly rendered in colour photographs and examined in detail in accompanying essays. "Lacquer shines and flows," Oskar Schlemmer once wrote, »finally becoming as hard as stone. Lacquer can be colourless, as clear as glass and as bright as water, or range from yellow or gold through brown to deepest black. Through the addition of powdered pigments we can make lacquers in any colour, which likewise shine, flow smoothly and harden as they dry.« Resin, the highest quality of which can be found in the lacquer trees that thrive in temperate to hot zones of East and South-East Asia, constitues the basic ingredient of all lacquer. It is therefore not surprising that East Asian lacquerwork boasts an ancient heritage. The magnificence and aesthetic perfection that Europeans encountered when they first came into contact with Chinese and Japanese lacquer artefacts resulted in the opening of extensive trade routes which, by the 17th century, were bringing a constant flow of porcelain and lacquerware to Europe. It was in 1772, however, that the French lacquerer Jean-Félix Watin stated "What immense sums leave Europe every year and are swallowed up in the vast regions of Asia," thereby giving voice to a common motivation for bringing lacquerware production to Europe, where in the previous two centuries it had, so to speak, only been simmering. This opulent catalogue narrates in vivid images and illuminating essays the comparatively young though rich tradition of European lacquer.
Publisher: Hirmer Verlag GmbH
ISBN: 9783777489308
Category : Lacquer and lacquering
Languages : en
Pages : 0
Book Description
The book presents 50 pieces of European lacquerware from the 16th to the 20th century. Chosen from the collection of the Museum of Lacquerware in Münster, the pieces are vividly rendered in colour photographs and examined in detail in accompanying essays. "Lacquer shines and flows," Oskar Schlemmer once wrote, »finally becoming as hard as stone. Lacquer can be colourless, as clear as glass and as bright as water, or range from yellow or gold through brown to deepest black. Through the addition of powdered pigments we can make lacquers in any colour, which likewise shine, flow smoothly and harden as they dry.« Resin, the highest quality of which can be found in the lacquer trees that thrive in temperate to hot zones of East and South-East Asia, constitues the basic ingredient of all lacquer. It is therefore not surprising that East Asian lacquerwork boasts an ancient heritage. The magnificence and aesthetic perfection that Europeans encountered when they first came into contact with Chinese and Japanese lacquer artefacts resulted in the opening of extensive trade routes which, by the 17th century, were bringing a constant flow of porcelain and lacquerware to Europe. It was in 1772, however, that the French lacquerer Jean-Félix Watin stated "What immense sums leave Europe every year and are swallowed up in the vast regions of Asia," thereby giving voice to a common motivation for bringing lacquerware production to Europe, where in the previous two centuries it had, so to speak, only been simmering. This opulent catalogue narrates in vivid images and illuminating essays the comparatively young though rich tradition of European lacquer.
From White to Yellow
Author: Rotem Kowner
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773596844
Category : History
Languages : en
Pages : 707
Book Description
When Europeans first landed in Japan they encountered people they perceived as white-skinned and highly civilized, but these impressions did not endure. Gradually the Europeans' positive impressions faded away and Japanese were seen as yellow-skinned and relatively inferior. Accounting for this dramatic transformation, From White to Yellow is a groundbreaking study of the evolution of European interpretations of the Japanese and the emergence of discourses about race in early modern Europe. Transcending the conventional focus on Africans and Jews within the rise of modern racism, Rotem Kowner demonstrates that the invention of race did not emerge in a vacuum in eighteenth-century Europe, but rather was a direct product of earlier discourses of the "Other." This compelling study indicates that the racial discourse on the Japanese, alongside the Chinese, played a major role in the rise of the modern concept of race. While challenging Europe's self-possession and sense of centrality, the discourse delayed the eventual consolidation of a hierarchical worldview in which Europeans stood immutably at the apex. Drawing from a vast array of primary sources, From White to Yellow traces the racial roots of the modern clash between Japan and the West.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773596844
Category : History
Languages : en
Pages : 707
Book Description
When Europeans first landed in Japan they encountered people they perceived as white-skinned and highly civilized, but these impressions did not endure. Gradually the Europeans' positive impressions faded away and Japanese were seen as yellow-skinned and relatively inferior. Accounting for this dramatic transformation, From White to Yellow is a groundbreaking study of the evolution of European interpretations of the Japanese and the emergence of discourses about race in early modern Europe. Transcending the conventional focus on Africans and Jews within the rise of modern racism, Rotem Kowner demonstrates that the invention of race did not emerge in a vacuum in eighteenth-century Europe, but rather was a direct product of earlier discourses of the "Other." This compelling study indicates that the racial discourse on the Japanese, alongside the Chinese, played a major role in the rise of the modern concept of race. While challenging Europe's self-possession and sense of centrality, the discourse delayed the eventual consolidation of a hierarchical worldview in which Europeans stood immutably at the apex. Drawing from a vast array of primary sources, From White to Yellow traces the racial roots of the modern clash between Japan and the West.
A Treatise of Japaning and Varnishing
Author: John Stalker
Publisher: Hansebooks
ISBN: 9783337826260
Category :
Languages : en
Pages : 146
Book Description
A Treatise of Japaning and Varnishing - being a compleat discovery of those arts is an unchanged, high-quality reprint of the original edition of 1688. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Publisher: Hansebooks
ISBN: 9783337826260
Category :
Languages : en
Pages : 146
Book Description
A Treatise of Japaning and Varnishing - being a compleat discovery of those arts is an unchanged, high-quality reprint of the original edition of 1688. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Burmese Lacquerware
Author: Sylvia Fraser-Lu
Publisher: White Orchid Press
ISBN: 9789748304830
Category : Art
Languages : en
Pages : 222
Book Description
A highly illustrated study into the art, craft and techniques of Burmese lacquerware from ancient times to the present. Beginning with the origins, the book covers process, technique, decoration, design, motifs, usage (secular, religious and ceremonial), craft centres in Burma and collections.
Publisher: White Orchid Press
ISBN: 9789748304830
Category : Art
Languages : en
Pages : 222
Book Description
A highly illustrated study into the art, craft and techniques of Burmese lacquerware from ancient times to the present. Beginning with the origins, the book covers process, technique, decoration, design, motifs, usage (secular, religious and ceremonial), craft centres in Burma and collections.