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Author: Toriyama Sekien
Publisher: Courier Dover Publications
ISBN: 0486800350
Category : Art
Languages : en
Pages : 340
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Book Description
Japanese folklore abounds with bizarre creatures collectively referred to as the yokai ― the ancestors of the monsters populating Japanese film, literature, manga, and anime. Artist Toriyama Sekien (1712–88) was the first to compile illustrated encyclopedias detailing the appearances and habits of these creepy-crawlies from myth and folklore. Ever since their debut over two centuries ago, the encyclopedias have inspired generations of Japanese artists. Japandemonium Illustrated represents the very first time they have ever been available in English. This historically groundbreaking compilation includes complete translations of all four of Sekien's yokai masterworks: the 1776 Gazu Hyakki Yagyō (The Illustrated Demon Horde's Night Parade), the 1779 Konjaku Gazu Zoku Hyakki (The Illustrated Demon Horde from Past and Present, Continued), the 1781 Konjaku Hyakki Shū (More of the Demon Horde from Past and Present), and the 1784 Hyakki Tsurezure Bukuro (A Horde of Haunted Housewares). The collection is complemented by a detailed introduction and helpful annotations for modern-day readers.
Author: Toriyama Sekien
Publisher: Courier Dover Publications
ISBN: 0486800350
Category : Art
Languages : en
Pages : 340
Get Book Here
Book Description
Japanese folklore abounds with bizarre creatures collectively referred to as the yokai ― the ancestors of the monsters populating Japanese film, literature, manga, and anime. Artist Toriyama Sekien (1712–88) was the first to compile illustrated encyclopedias detailing the appearances and habits of these creepy-crawlies from myth and folklore. Ever since their debut over two centuries ago, the encyclopedias have inspired generations of Japanese artists. Japandemonium Illustrated represents the very first time they have ever been available in English. This historically groundbreaking compilation includes complete translations of all four of Sekien's yokai masterworks: the 1776 Gazu Hyakki Yagyō (The Illustrated Demon Horde's Night Parade), the 1779 Konjaku Gazu Zoku Hyakki (The Illustrated Demon Horde from Past and Present, Continued), the 1781 Konjaku Hyakki Shū (More of the Demon Horde from Past and Present), and the 1784 Hyakki Tsurezure Bukuro (A Horde of Haunted Housewares). The collection is complemented by a detailed introduction and helpful annotations for modern-day readers.
Author: Richard Freeman
Publisher:
ISBN: 9781905723546
Category : Nature
Languages : en
Pages : 418
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Book Description
Everyone has heard of vampires and werewolves, but how many have heard of the rokuro-kubi, the tsuchinoki or the sagari? Japan has a wealth of ghosts and monsters, collectively called yokai, which are totally unknown in the West. The bizarre and wonderful folklore of Japan includes giant corpse-eating rabbits, flaming pigs that steal human genitals, perverse water goblins, blood sucking trees, a dragon that impregnates women, cats who animate dead bodies, a zombie whale and a huge flesh eating sea cucumber that grows from a pair of discarded knickers!
Author: Frederick Hadland Davis
Publisher: Library of Alexandria
ISBN: 146560796X
Category : Fiction
Languages : en
Pages : 580
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Book Description
Pierre Loti in Madame Chrysanthème, Gilbert and Sullivan in The Mikado, and Sir Edwin Arnold in Seas and Lands, gave us the impression that Japan was a real fairyland in the Far East. We were delighted with the prettiness and quaintness of that country, and still more with the prettiness and quaintness of the Japanese people. We laughed at their topsy-turvy ways, regarded the Japanese woman, in her rich-coloured kimono, as altogether charming and fascinating, and had a vague notion that the principal features of Nippon were the tea-houses, cherry-blossom, and geisha. Twenty years ago we did not take Japan very seriously. We still listen to the melodious music of The Mikado, but now we no longer regard Japan as a sort of glorified willow-pattern plate. The Land of the Rising Sun has become the Land of the Risen Sun, for we have learnt that her quaintness and prettiness, her fairy-like manners and customs, were but the outer signs of a great and progressive nation. To-day we recognise Japan as a power in the East, and her victory over the Russian has made her army and navy famous throughout the world. The Japanese have always been an imitative nation, quick to absorb and utilise the religion, art, and social life of China, and, having set their own national seal upon what they have borrowed from the Celestial Kingdom, to look elsewhere for material that should strengthen and advance their position. This imitative quality is one of Japan's most marked characteristics. She has ever been loath to impart information to others, but ready at all times to gain access to any form of knowledge likely to make for her advancement. In the fourteenth century Kenkō wrote in his Tsure-dzure-gusa: "Nothing opens one's eyes so much as travel, no matter where," and the twentieth-century Japanese has put this excellent advice into practice. He has travelled far and wide, and has made good use of his varied observations. Japan's power of imitation amounts to genius. East and West have contributed to her greatness, and it is a matter of surprise to many of us that a country so long isolated and for so many years bound by feudalism should, within a comparatively short space of time, master our Western system of warfare, as well as many of our ethical and social ideas, and become a great world-power. But Japan's success has not been due entirely to clever imitation, neither has her place among the foremost nations been accomplished with such meteor-like rapidity as some would have us suppose. We hear a good deal about the New Japan to-day, and are too prone to forget the significance of the Old upon which the present régime has been founded. Japan learnt from England, Germany and America all the tactics of modern warfare. She established an efficient army and navy on Western lines; but it must be remembered that Japan's great heroes of to-day, Togo and Oyama, still have in their veins something of the old samurai spirit, still reflect through their modernity something of the meaning of Bushido. The Japanese character is still Japanese and not Western. Her greatness is to be found in her patriotism, in her loyalty and whole-hearted love of her country. Shintōism has taught her to revere the mighty dead; Buddhism, besides adding to her religious ideals, has contributed to her literature and art, and Christianity has had its effect in introducing all manner of beneficent social reforms. There are many conflicting theories in regard to the racial origin of the Japanese people, and we have no definite knowledge on the subject. The first inhabitants of Japan were probably the Ainu, an Aryan people who possibly came from North-Eastern Asia at a time when the distance separating the Islands from the mainland was not so great as it is to-day. The Ainu were followed by two distinct Mongol invasions, and these invaders had no difficulty in subduing their predecessors; but in course of time the Mongols were driven northward by Malays from the Philippines. "By the year A.D. 500 the Ainu, the Mongol, and the Malay elements in the population had become one nation by much the same process as took place in England after the Norman Conquest. To the national characteristics it may be inferred that the Ainu contributed the power of resistance, the Mongol the intellectual qualities, and the Malay that handiness and adaptability which are the heritage of sailor-men." Such authorities as Baelz and Rein are of the opinion that the Japanese are Mongols, and although they have intermarried with the Ainu, "the two nations," writes Professor B. H. Chamberlain, "are as distinct as the whites and reds in North America." In spite of the fact that the Ainu is looked down upon in Japan, and regarded as a hairy aboriginal of interest to the anthropologist and the showman, a poor despised creature, who worships the bear as the emblem of strength and fierceness, he has, nevertheless, left his mark upon Japan. Fuji was possibly a corruption of Huchi, or Fuchi, the Ainu Goddess of Fire, and there is no doubt that these aborigines originated a vast number of geographical names, particularly in the north of the main island, that are recognisable to this day. We can also trace Ainu influence in regard to certain Japanese superstitions, such as the belief in the Kappa, or river monster.
Author: Molly Roberts
Publisher: David and Charles
ISBN: 1446381048
Category : Body, Mind & Spirit
Languages : en
Pages : 255
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Book Description
Would you believe me if I told you that you're a witch? A crafty enchanter born with the abilities to create beauty, read secret languages, heal the heart and attract the attention of the strange and wonderful? The serendipitous event of this grimoire making its way into your hands is evidence of the buzzing creative power calling out from within you. It's time, Art Witch. This inspirational grimoire invites you to the shimmering primordial crossroad of the imagination where art and magick meet. Discover the basics of art magick: what art magick could be, how to enrich your life with art magick, how to cast potent spells for yourself, loved ones and community, and enjoy the energizing thrill of a creative magickal practice to call your own. Learn how to: Enchant art tools and materials to produce soulful creations. Create sacred spaces, altars and magickal allies for healing, fun and growth. Harness color, celestial aid, poetry and personal symbols to create layers of meaning. Banish creative doubt and strengthen your intuitive instincts. Choose art forms and context for robust spell craft. Uncover your gifts and enchant your world with a wide variety of media. With step-by step instructions and illustrations for over 15 projects, Art Magick reveals how to make an array of bewitched objects and establish your very own art magick practice, including your own pop oracle set, scrying mirrors, magickal mandalas, protection plushies, healing weavings, altar boxes, print process sigils, manifestation mobiles, spirit statuary, dream incubation eggs, otherworldly wands and more. Whether you are a curious beginner, experienced crafter, dabbling magician or recovering creative, Art Witch, Molly Roberts will be your guide as you explore a colorful animated world that lies just beneath the surface;a world where your imagination and personal power collide to create real magick. Are you ready to awaken the Art Witch within?
Author: Hiroko Yoda
Publisher: Tuttle Publishing
ISBN: 1462908926
Category : Comics & Graphic Novels
Languages : en
Pages : 197
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Book Description
Yurei Attack! is a nightmare-inducing one-stop guide to Japan's traditional ghosts and spirits. Surviving encounters with angry ghosts and sexy spectres. Haunted places. Dangerous games and how to play them. And more importantly, a guided tour of what awaits in the world of the dead. Yurei is the Japanese word for "ghost." It's as simple as that. They are the souls of dead people, unable--or unwilling--to shuffle off this mortal coil. Yurei are many things, but "friendly" isn't the first word that comes to mind. Not every yurei is dangerous, but they are all driven by emotions so uncontrollably powerful that they have taken on a life of their own: rage, sadness, devotion, a desire for revenge, or even the firm belief that they are still alive. This book, the third in the authors' bestselling Attack! series, after Yokai Attack! and Ninja Attack! gives detailed information on 39 of the creepiest yurei stalking Japan, along with detailed histories and defensive tactics should you have the misfortune to encounter one. Japanese ghosts include: Oiwa, The Horror of Yotsuya Otsuyu, The Tale of the Peony Lantern The Lady Rokujo, The Tale of Genji Isora, Tales of Moonlight and Rain Orui, The Depths of Kasane Book 3 of 3 in the Yokai Attack! series. Others include Ninja Attack! and Yokai Attack!.
Author: Michael Dylan Foster
Publisher: Univ of California Press
ISBN: 0520271017
Category : History
Languages : en
Pages : 330
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Book Description
Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity. Ê
Author: Kazuhiko Komatsu
Publisher:
ISBN: 9784916055804
Category : Animals, Mythical
Languages : en
Pages : 195
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Book Description
"Since ancient times, the Japanese have lived with superstitions of strange presences and phenomena known as "yōkai," creating a culture by turns infused with unease, fear, and divinity. Tsukimono spirit possessions. Fearsome kappa, oni, and tengu. Yamauba crones. Ghostly yūrei. Otherworldly ijin ... Where did they come from? Why do they remain so popular? Written by Japan's premier scholar of yōkai and strange tales, this book is both an introduction to the rich imagination and spirituality of Japan's yōkai culture and a history of the authors and writings that have shaped yōkai studies as a field"--Back cover.
Author: Utagawa Kuniyoshi
Publisher: Courier Corporation
ISBN: 0486155226
Category : Art
Languages : en
Pages : 114
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Book Description
Kuniyoshi was a master of the warrior woodblock print — and these 18th-century illustrations represent the pinnacle of his craft. Full-color portraits of renowned Japanese samurais pulse with movement, passion, and remarkably fine detail.
Author: Michael Ahskenazi
Publisher: OUP USA
ISBN: 9780195332629
Category : Social Science
Languages : en
Pages : 0
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Book Description
Originally published: Santa Barbara, Calif.: ABC-CLIO, c2003.
Author: Allan Wright
Publisher: Vernon Press
ISBN:
Category : Social Science
Languages : en
Pages : 221
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Book Description
Monster Studies is a rising academic topic. Despite hesitancy at first, the subject is now examined by scholars of various academic interests and backgrounds. However, the dominant monster investigations are from the post-1900s. This volume focuses on Premodern monsters. The purpose of this volume is to examine various monsters from diverse cultures in order to indicate how each monstrous discourse derives from their mythology’s socio-cultural context. The volume examines several Monsters within their socio-cultural matrix. This includes a variety of monstrosities from diverse cultures and periods. Namely, the examined creatures, or perceived creatures, stem from the Hebrew Bible, the New Testament (Pauline epistles), Reformation England, the Japanese Noh play Dōjōji, Yamauba Myths, and Yōkai Relics from early modern Japanese Buddhism.
