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Author:
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ISBN:
Category : English imprints
Languages : en
Pages : 468
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Author:
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 468
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Book Description
Author: William De Lange
Publisher: Psychology Press
ISBN: 9781873410684
Category : Language Arts & Disciplines
Languages : en
Pages : 248
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Book Description
In Japan, the kisha-clubs are the focal point between the authorities and the media - they are not the counterpart of the leisurely, informal nature of western press clubs of which the free access to information is of the essence.
Author: Basil Stewart
Publisher: Courier Corporation
ISBN: 9780486238098
Category : Art
Languages : en
Pages : 586
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Book Description
British connoisseur describes in detail the subject of famous Japanese color prints using 274 reproductions of works by Hokusai, Hiroshige, Utamaro, Shunyei, and other masters. Bibliography. Index.
Author: Robert Kennaway Douglas
Publisher:
ISBN:
Category : Japanese literature
Languages : en
Pages : 416
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Book Description
Author: Julie Nelson Davis
Publisher: University of Hawaii Press
ISBN: 0824889339
Category : Art
Languages : en
Pages : 225
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Today we think of ukiyo-e—“the pictures of the floating world”—as masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World, Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, and described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers—both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e’s history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production.
Author:
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Category : English imprints
Languages : en
Pages : 1294
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Author: Alicia Volk
Publisher: University of Washington Press
ISBN: 9780295985022
Category : Art
Languages : en
Pages : 123
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Book Description
Made in Japan examines the artistic dialogue between East and West as it played out between 1945 and 1970. During this post-World War II period, Japanese printmakers effectively acted as ambassadors, bringing their aesthetic traditions into fruitful interaction with contemporary American trends and forging ties with artists, scholars, museums, and collectors. This volume presents for the first time an integrated history of innovative visual experimentation and pioneering cultural patronage. The creative print (sosaku hanga) movement originated in the early twentieth century, when Japanese artists sought to modernize their practice by embracing Euro-American concepts of originality and autonomy. The movement matured in the decades following World War II, when second- and third-generation sosaku hanga printmakers continued to experiment in stylistic, technical, and thematic terms. From the early 1950s, Japanese printmakers participated in a newly global art scene, achieving great success at international art exhibitions sponsored by the American and Japanese governments. The prints in this book range widely in treatment and medium, embracing woodcut, stencil, lithography, etching, mezzotint, aquatint, and screenprint. Made in Japan includes essays by Alicia Volk and Helen Nagata and biographies of the artists.
Author: Shirley V. King
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 140
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Author: British Museum. Department of Oriental Printed Books and Manuscripts
Publisher:
ISBN:
Category : Japanese imprints
Languages : en
Pages : 402
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Author:
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ISBN:
Category : Bibliography
Languages : en
Pages : 812
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