Author: Janet Laurence
Publisher: The History Press
ISBN: 0752477331
Category : Fiction
Languages : en
Pages : 418
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Book Description
Accompanying American heiress Belle Seldon on a visit to her ancestral family home in Somerset, Ursula Grandison soon discovers that the decaying stately Mountstanton House and its inhabitants has many secrets, including a crumbling marriage and a missing dowry. When Ursula discovers the drowned body of the nurserymaid, she is determined to reveal the killer and, in doing so, reveals a tangled web of deception and adultery that threatens the reputation of the house of Mountstanton.
Author: Janet Laurence
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
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Book Description
Author: Janet Laurence
Publisher: Chronicle Books (CA)
ISBN: 9780877017431
Category : Cooking
Languages : en
Pages : 64
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Book Description
Offers an introduction to the diverse smorgasbord of Scandinavian cuisine, from open-faced sandwiches, pickled herring, and meat balls, to apple pudding and pancakes layered with fruit.
Author: Janet Laurence
Publisher:
ISBN:
Category :
Languages : en
Pages : 6
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Book Description
Author: JANET. LAURENCE
Publisher:
ISBN: 9780811812894
Category :
Languages : en
Pages : 0
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Book Description
With such traditional and contemporary dishes as Tarte Tatin, Croissants, Ratatouille and Salade Nicoise, French cuisine is rightly regarded as one of the richest in the world, and these recipes add up to a repertoire that most would be happy to eat day after day. Once easily available in any number of modest restaurants, today they are more often found in the home; all the more reason, then, to cook them yourself!
Author: Janet Laurence
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Prudence Gibson
Publisher: punctum books
ISBN: 1947447696
Category : Nature
Languages : en
Pages : 268
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Book Description
Covert Plants contributes to newly emerging discourses on the implications of vegetal life for the arts and culture. This stretches to changes in our perception of 'nature' and to the adapting roles of botany, evolutionary ecology, and environmental aesthetics in the humanities. Its editors and contributors seek various expressions of vegetal life rather than the mere representation of such, and they proceed from the conviction that a rigorous approach to thinking with and through vegetal life must be interdisciplinary. At a time when urgent calls for restorative care and reparative action have been sounded for the environment, this essay volume presents a range of academic and creative perspectives, from evolutionary biology to literary theory, philosophy to poetry, which respond to the perplexing problems and paradoxes of vegetal thinking. Representations of vegetal life often include plant analogies and plant imagery. These representations have at times obscured the diversity of plant behavior and experience. Covert Plants probes the implications of vegetal life for thought and how new plant science is changing our perception of the vegetal - around us and in us. How can we think, speak, and write about plant life without falling into human-nature dyads, or without tumbling into reductive theoretical notions about the always complex relations between cognition and action, identity and value, subject and object? A full view of this shifting perspective requires a 'stereoscopic' lens through which to view plants, but also simultaneously to alter our human-centered viewpoint. Plants are no longer the passive object of contemplation, but are increasingly resembling 'subjects, ' 'stakeholders, ' or 'actors.' As such, the plant now makes unprecedented demands upon the nature of contemplation itself. Moreover, the aesthetic, political, and legal implications of new knowledge regarding plants' ability to communicate, sense, and learn require intensive, cross-disciplinary investigation. By doing this, we can intervene into current attitudes to climate change and sustainability, and hopefully revise, for the better, human philosophies, ethics, and aesthetics that touch upon plant life. TABLE OF CONTENTS// Baylee Brits and Prudence Gibson, "Introduction: Covert Plants" - Prudence Gibson and Michael Marder, "Art Expresses Its Own Appearance: A Conversation with Michael Marder" - Prudence Gibson, "The Colour Green" - Baylee Brits, "Brain Trees: Neuroscientific Metaphor and Botanical Thought" - Dalia Nassar, "Metaphoric Plants: Goethe's Metamorphosis of Plants and the Metaphors of Reason" - Stephen Muecke, "Mixed up with Trees: The Gadgur and the Dreaming" - Monica Gagliano, "Eco-psychology and the Return to the Dream of Nature" - Suzanne Anker, "The Blue Rose" - Susie Pratt, "Trees as Landlords and Other Public Experiments: An Interview with Natalie Jeremijenko" - Tessa Laird, "Spores from Space: Becoming the Alien" - Jennifer Mae Hamilton, "Gardening After the Anthropocene: Creating Different Relations between Humans and Edible Plants in Sydney" - Lucas Ihlein, "Agricultural Inventiveness: Beyond Environmental Management?" - Andrew Belletty, "An Ear to the Ground" - Ben Woodard, "Continuous Green Abstraction: Embodied Knowledge, Intuition, and Metaphor" - Lisa Dowdall, "Figures" - Poems by Luke Fischer, Justin Clemens, Paul Dawson, and Tamryn Bennett.
Author: Laurence Urdang
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 468
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Book Description
Presents a collection of five thousand memorable sayings from advertisements, public service, and political campaigns.
Author: Laurence Ralph
Publisher: University of Chicago Press
ISBN: 022672980X
Category : Social Science
Languages : en
Pages : 267
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Book Description
Torture is an open secret in Chicago. Nobody in power wants to acknowledge this grim reality, but everyone knows it happens—and that the torturers are the police. Three to five new claims are submitted to the Torture Inquiry and Relief Commission of Illinois each week. Four hundred cases are currently pending investigation. Between 1972 and 1991, at least 125 black suspects were tortured by Chicago police officers working under former Police Commander Jon Burge. As the more recent revelations from the Homan Square “black site” show, that brutal period is far from a historical anomaly. For more than fifty years, police officers who took an oath to protect and serve have instead beaten, electrocuted, suffocated, and raped hundreds—perhaps thousands—of Chicago residents. In The Torture Letters, Laurence Ralph chronicles the history of torture in Chicago, the burgeoning activist movement against police violence, and the American public’s complicity in perpetuating torture at home and abroad. Engaging with a long tradition of epistolary meditations on racism in the United States, from James Baldwin’s The Fire Next Time to Ta-Nehisi Coates’s Between the World and Me, Ralph offers in this book a collection of open letters written to protesters, victims, students, and others. Through these moving, questing, enraged letters, Ralph bears witness to police violence that began in Burge’s Area Two and follows the city’s networks of torture to the global War on Terror. From Vietnam to Geneva to Guantanamo Bay—Ralph’s story extends as far as the legacy of American imperialism. Combining insights from fourteen years of research on torture with testimonies of victims of police violence, retired officers, lawyers, and protesters, this is a powerful indictment of police violence and a fierce challenge to all Americans to demand an end to the systems that support it. With compassion and careful skill, Ralph uncovers the tangled connections among law enforcement, the political machine, and the courts in Chicago, amplifying the voices of torture victims who are still with us—and lending a voice to those long deceased.
Author: Dr Jennifer Barrett
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409442497
Category : Art
Languages : en
Pages : 181
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Book Description
In Australia, the artist’s engagement with the museum is traditionally regarded as having an important role in the colonial project but, as times have changed, the post-colonial viewpoint has come to the fore. The authors of Australian Artists and the Museum propose that the artists’ engagement has moved from politically informed critique taking place in museums of fine art, towards a critique of the creation of knowledge taking place in non-art museums, assuming new forms, including the artist acting as curator, art interventions that highlight the use of taxonomic modes of display and categorization, and the engagement with the aesthetics of collections to suggest different readings of objects and artefacts.
