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Author: Robert K. Wallace
Publisher: University of Georgia Press
ISBN: 0820333913
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Literary critics such as Virginia Woolf and Lionel Trilling had noted intuitive affinities between the art of Jane Austen and that of Mozart, but this 1983 book was the first to compare their artistic style and individual works in a comprehensive way. Extended comparisons are of course difficult because of the intrinsic differences between prose fiction and instrumental music. In Jane Austen and Mozart, Robert K. Wallace has succeeded in making illuminating comparisons of spirit and form in the work of these two artists. His book celebrates the achievements of Austen and Mozart by comparing their stylistic significance in the history of their separate arts and by offering comparisons of three Austen novels with three Mozart piano concertos. In exploring precise similarities between the two artists, Wallace shows how the art and criticism of one field can illuminate the art and criticism of another. Above all, Jane Austen and Mozart attempts to show the degree to which three masterpieces by each artist have comparable meaning and value.
Author: Robert K. Wallace
Publisher: University of Georgia Press
ISBN: 0820333913
Category : Literary Criticism
Languages : en
Pages : 310
Get Book Here
Book Description
Literary critics such as Virginia Woolf and Lionel Trilling had noted intuitive affinities between the art of Jane Austen and that of Mozart, but this 1983 book was the first to compare their artistic style and individual works in a comprehensive way. Extended comparisons are of course difficult because of the intrinsic differences between prose fiction and instrumental music. In Jane Austen and Mozart, Robert K. Wallace has succeeded in making illuminating comparisons of spirit and form in the work of these two artists. His book celebrates the achievements of Austen and Mozart by comparing their stylistic significance in the history of their separate arts and by offering comparisons of three Austen novels with three Mozart piano concertos. In exploring precise similarities between the two artists, Wallace shows how the art and criticism of one field can illuminate the art and criticism of another. Above all, Jane Austen and Mozart attempts to show the degree to which three masterpieces by each artist have comparable meaning and value.
Author: Jane Glover
Publisher: Pan Macmillan
ISBN: 0330470507
Category : Music
Languages : en
Pages : 436
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Book Description
Mozart was fascinated, amused, aroused, hurt, and betrayed by women. He loved and respected them, composed for them, performed with them. This unique biography looks at his interaction with each, starting with his family (his mother, Maria Anna and beloved and talented sister, Nannerl), and his marriage (which brought his 'other family', the Weber sisters). His relationships with his artists are examined, in particular those of his operas, through whose characters Mozart gave voice to the emotions of women who were, like his entire female acquaintance, restrained by the conventions and structures of eighteenth-century society. This is their story as well as his -- and shows once again that a great part of the composer’s genius was in his understanding and musical expression of human nature. Evocative and beautifully written, Mozart’s Women illuminates the music, the man, and above all the women who inspired him. 'Jane Glover has pulled off a coup des livres with her fresh take on Mozart's life and work’ Sunday Telegraph ‘Readable, informative and moving...Her passion for the music shines through this touching, vividly told story' Sunday Times
Author: Robert K. Wallace
Publisher: University of Georgia Press
ISBN: 082033295X
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
When Emily Brontë was studying music in Brussels in 1842, she was drawn into the city's appreciation of Beethoven. After her exposure to the works of the great composer, Brontë's creativity flourished and she went on to compose what was to be her only novel--Wuthering Heights. In Emily Brontë and Beethoven, Robert K. Wallace continues to work from the perspective he developed in his Jane Austen and Mozart--integrating two fields that have traditionally been kept apart. Wallace compares Brontë and Beethoven through a close examination of the Romantic traits that their works share. Innovative and stimulating, Wallace's study extends literary criticism into a new context where equilibrium, balance, proportion and symmetry serve as a fulcrum to launch the reader into a new understanding of the formal parallels, the moods and emotions that connect music and literature.
Author: Virginia Euwer Wolff
Publisher: Square Fish
ISBN: 1466887028
Category : Juvenile Fiction
Languages : en
Pages : 265
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Book Description
"Remember, what's down inside you, all covered up—the things of your soul. The important, secret things . . . The story of you, all buried, let the music caress it out into the open." When Allegra was a little girl, she thought she would pick up her violin and it would sing for her—that the music was hidden inside her instrument. Now that Allegra is twelve, she believes the music is in her fingers, and the summer after seventh grade she has to teach them well. She's the youngest contestant in the Ernest Bloch Young Musicians' Competition. She knows she will learn the notes to the concerto, but what she doesn't realize is she'll also learn how to close the gap between herself and Mozart to find the real music inside her heart. The Mozart Season includes an interview with author Virginia Euwer Wolff.
Author: Robert K. Wallace
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
Street Corner Society is one of a handful of works that can justifiably be called classics of sociological research. William Foote Whyte's account of the Italian American slum he called "Cornerville"—Boston's North End—has been the model for urban ethnography for fifty years. By mapping the intricate social worlds of street gangs and "corner boys," Whyte was among the first to demonstrate that a poor community need not be socially disorganized. His writing set a standard for vivid portrayals of real people in real situations. And his frank discussion of his methodology—participant observation—has served as an essential casebook in field research for generations of students and scholars. This fiftieth anniversary edition includes a new preface and revisions to the methodological appendix. In a new section on the book's legacy, Whyte responds to recent challenges to the validity, interpretation, and uses of his data. "The Whyte Impact on the Underdog," the moving statement by a gang leader who became the author's first research assistant, is preserved. "Street Corner Society broke new ground and set a standard for field research in American cities that remains a source of intellectual challenge."—Robert Washington, Reviews in Anthropology
Author: Lucy Worsley
Publisher: St. Martin's Press
ISBN: 125013160X
Category : Biography & Autobiography
Languages : en
Pages : 418
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Book Description
A trip back to the world of Jane Austen and the homes she lived in with noted historian Lucy Worsley.
Author: Rachel McMillan
Publisher: Thomas Nelson
ISBN: 078523506X
Category : Fiction
Languages : en
Pages : 369
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Book Description
No matter how you might try to hide in a war to escape your past, it is always close at hand. Lady Sophia Huntington Villiers is no stranger to intrigue, as her work with Alan Turing’s Bombe Machines at Bletchley Park during the war attests. Now, as part of Simon Barre’s covert team in post-war Vienna, she uses her inimitable charm and code name Starling to infiltrate the world of relics: uncovering vital information that could tilt the stakes of the mounting Cold War. When several influential men charge her with finding the death mask of Mozart, Sophie wonders if there is more than the composer’s legacy at stake and finds herself drawn to potential answers in Prague. Simon Barrington, the illegitimate heir of one of Sussex’s oldest estates, used the previous war to hide his insecurities about his past. Now, he uses his high breeding to gain access to all four allied quarters of the ruined city in an attempt to slow the fall of the Iron Curtain. He has been in love with Sophie Villiers since the moment he met her, and a marriage of convenience to save Simon’s estate has always kept her close. Until now, when Sophie’s mysterious client in Prague forces him to wonder if her allegiance to him—and their cause—is in question. Torn between his loyalty to his cause and his heart, Simon seeks answers about Sophie only to learn that everything he thought he knew about his involvement in both wars is based on a lie. “Murky espionage and burgeoning passion twine beautifully together in The Mozart Code’s superbly evocative prose—an enchanting read!” —Kate Quinn, New York Times bestselling author of The Rose Code “Vienna is the new Paris in The Mozart Code, a World War II spy novel with deft, chess-like plotting, and plenty of old-fashioned romance.” —Susan Elia MacNeal, New York Times bestselling author of the Maggie Hope novels and Mother Daughter Traitor Spy “The Mozart Code is a smart, luscious romance, a thrilling suspense, and a thunderously good read. McMillan is a rising star in historical fiction.” —Aimie K. Runyan, bestselling author of The School for German Brides “Rife with secret codes, haunting melodies, betrayal and sacrifice, at its heart this is a story about the courage it takes to love and be loved. Highly recommended!” —Kimberly Brock, author of The Lost Book of Eleanor Dare “Beautifully lush and atmospheric, The Mozart Code is a novel full of nuances and brimming with danger, romance, and intrigue.” —Jenni L. Walsh, author of Becoming Bonnie and The Call of the Wrens “The Mozart Code left me breathless.” —Joy Callaway, international bestselling author of The Fifth Avenue Artists Society and The Greenbrier Resort Post World War II historical romance Stand-alone novel (features characters from The London Restoration) Book length: 95,000 words Includes discussion questions for book clubs
Author: Bruce Coville
Publisher: Houghton Mifflin Harcourt
ISBN: 0547540965
Category : Juvenile Fiction
Languages : en
Pages : 177
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Book Description
In this magical fantasy adventure by the award-winning author of Jeremy Thatcher, Dragon Hatcher, a talking toad takes a girl on a wild ride. Jennifer Murdley has always wanted to be pretty. That’s why she’s so surprised to leave Mr. Elives’s magic shop with a particularly ugly toad. As her worst enemy says, “A toad for a toad.” But this toad can talk. And what it has to say sets Jennifer off on a journey that leads her into the company of the Immortal Vermin and straight to the Beauty Parlor of Doom . . . where she comes face-to-face with her deepest fears and dreams. Jennifer Murdley would give anything to be beautiful. But sometimes anything is too high a price to pay. “Endlessly funny . . . . A roller-coaster ride of a story, full of humor and even wisdom.” —Kirkus Reviews “Fast-moving with slapstick humor . . . . Recommended.” —Horn Book
Author: Susan Larson
Publisher:
ISBN: 9781939113337
Category :
Languages : en
Pages : 218
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Book Description
If you attended the opera in the 18th century, you could buy a program booklet with side-by-side translations of the text and a list of the participants. Think of "The Murder of Figaro" as one such souvenir booklet. Just add music--and imagination: It's 1786, and "The Marriage of Figaro," a new comic opera by Amadé Mozart and Lorenzo Da Ponte, has just begun its first onstage rehearsal when a corpse is discovered in the wings: it's the universally-loathed Imperial Censor. Despite a verdict of suicide, Da Ponte is arrested, and singers accuse each other of murder. In a desperate scramble to save "Figaro," Da Ponte, and their lives, Mozart and his clever wife Constanze set out to solve this deadly mystery. If they fail, "Figaro" will never play in Vienna! Boston diva Susan Larson was a professional concert and operatic soprano for thirty years. She not only sang a string of Mozart's most iconic soprano roles (Cherubino, Donna Anna, Papagena, Fiordiligi, etc.), she has read his collected letters and researched the lives of his contemporaries to create this antic vision of what might have been: Mozart plays Sherlock Holmes "The Marriage of Figaro" started life as a scandalous stage play by Beaumarchais, and became a scandalous opera by Mozart and Da Ponte. The unusual opera libretto format is divided into the classical five acts. Monologues become arias, and dialogs become duets. Since operas of the time often started with multiple overtures, "The Murder of Figaro" has three. The plot follows that of the opera in an extremely loose fashion, with lots of coffee breaks and detours into Shakespeare, other Mozart operas, hot news and scandals of the day, and the American Revolution. Says Larson about her approach to the book: "The original singers in "Figaro" have always fascinated me. They are largely forgotten, but were hard-working international stars in their day. Did they love the music written for them by the brash young upstart Mozart? Did they squabble and throw prima-donna fits? I invented rather messy lives for them, based on the lives of the many opera singers I have known in my life; sometimes behaving nobly sometimes abominably." Regarding Mozart himself, she adds: "I was a professional concert and operatic soprano for thirty years. Mozart was my hero and idol. We were teacher and pupil. I believe we were friends."
Author: Harrison Gradwell Slater
Publisher: NAL
ISBN: 9780451209726
Category : Fiction
Languages : en
Pages : 516
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Book Description
This dazzling debut novel is about a down-on-his-luck scholar who acquires what may or may not be the diary of a young Mozart, and is thrust into a decadent European world--where passion and intrigue build to a crescendo of murder.
