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Author: Arthur K. Wheelock
Publisher: Yale University Press
ISBN: 9780300142136
Category : Art, Dutch
Languages : en
Pages : 0
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Book Description
Jan Lievens (1607-1674) was one of the most fascinating and enigmatic Dutch artists of the 17th century. Daring and innovative as a painter, printmaker, and draftsman, he created powerful character studies, genre scenes, landscapes, formal portraits, and religious and allegorical images that were widely praised and valued during his lifetime. This beautiful book, the first overview of the full range of Lievens' career, features more than 50 paintings--many of them newly discovered in private collections--and more than 75 prints and drawings, providing a reassessment of his place in the history of art. Lievens began his career in his native Leiden, where he worked closely with his compatriot Rembrandt, who admired and collected Lievens' works. Lievens then moved to London, Antwerp, and Amsterdam, and his peripatetic career and multitude of working styles, say the authors of this book, may explain why his reputation today is not as high as it should be. This book offers a necessary corrective, returning to Lievens the esteem he deserves. Published in association with the National Gallery of Art, Washington Exhibition Schedule: National Gallery of Art, Washington (October 26, 2008 - January 11, 2009) Milwaukee Art Museum (February 7 - April 26, 2009) Rembrandthuis, Amsterdam (May 17 - August 9, 2009)
Author: Arthur K. Wheelock
Publisher: Yale University Press
ISBN: 9780300142136
Category : Art, Dutch
Languages : en
Pages : 0
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Book Description
Jan Lievens (1607-1674) was one of the most fascinating and enigmatic Dutch artists of the 17th century. Daring and innovative as a painter, printmaker, and draftsman, he created powerful character studies, genre scenes, landscapes, formal portraits, and religious and allegorical images that were widely praised and valued during his lifetime. This beautiful book, the first overview of the full range of Lievens' career, features more than 50 paintings--many of them newly discovered in private collections--and more than 75 prints and drawings, providing a reassessment of his place in the history of art. Lievens began his career in his native Leiden, where he worked closely with his compatriot Rembrandt, who admired and collected Lievens' works. Lievens then moved to London, Antwerp, and Amsterdam, and his peripatetic career and multitude of working styles, say the authors of this book, may explain why his reputation today is not as high as it should be. This book offers a necessary corrective, returning to Lievens the esteem he deserves. Published in association with the National Gallery of Art, Washington Exhibition Schedule: National Gallery of Art, Washington (October 26, 2008 - January 11, 2009) Milwaukee Art Museum (February 7 - April 26, 2009) Rembrandthuis, Amsterdam (May 17 - August 9, 2009)
Author: Bernhard Schnackenburg
Publisher:
ISBN: 9783731903338
Category : Painting, Dutch
Languages : en
Pages : 0
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Book Description
Jan Lievens (1607-1674), Rembrandt's boyhood friend, who embarked on an artistic career even earlier than his companion, once again is as highly regarded as during his lifetime, thanks to numerous recent publications and several exhibitions. The present monograph and catalogue raisonné discuss and analyze for the first time the extensive output of his early Leiden years: his paintings, drawings, and etchings from 1623 to 1632. Besides the book's comprehensiveness and consideration of the artist's work in the context of his Netherlandish contemporaries from Haarlem, Utrecht, and Antwerp, special emphasis is placed on establishing the chronology of his oeuvre. Only a solid foundation such as this would make it possible to determine more precisely than before Lievens's much discussed relationship to Rembrandt. What transpired was a most lively give and take between two young artists intensely searching for new ways of artistic expression whose later development after their respective move from Leiden took very different paths. Consequently, the careful examination of Lievens's early oeuvre sheds new light on Rembrandt's Leiden work.
Author: Onno Blom
Publisher: W. W. Norton & Company
ISBN: 0393531783
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
A captivating exploration of the little-known story of Rembrandt’s formative years by a prize-winning biographer. Rembrandt van Rijn’s early years are as famously shrouded in mystery as Shakespeare’s, and his life has always been an enigma. How did a miller’s son from a provincial Dutch town become the greatest artist of his age? How in short, did Rembrandt become Rembrandt? Seeking the roots of Rembrandt’s genius, the celebrated Dutch writer Onno Blom immersed himself in Leiden, the city in which Rembrandt was born in 1606 and where he spent his first twenty-five years. It was a turbulent time, the city having only recently rebelled against the Spanish. There are almost no written records by or about Rembrandt, so Blom tracked down old maps, sought out the Rembrandt family house and mill, and walked the route that Rembrandt would have taken to school. Leiden was a bustling center of intellectual life, and Blom, a native of Leiden himself, brings to life all the places Rembrandt would have known: the university, library, botanical garden, and anatomy theater. He investigated the concerns and tensions of the era: burial rites for plague victims, the renovation of the city in the wake of the Spanish siege, the influx of immigrants to work the cloth trade. And he examined the origins and influences that led to the famous and beloved paintings that marked the beginning of Rembrandt’s celebrated career as the paramount painter of the Dutch Golden Age. Young Rembrandt is a fascinating portrait of the artist and the world that made him. Evocatively told and beautifully illustrated with more than 100 color images, it is a superb biography that captures Rembrandt for a new generation.
Author: Lara Yeager-Crasselt
Publisher: University of Pennsylvania Press
ISBN: 1734733829
Category : Art
Languages : en
Pages : 80
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Book Description
An Inner World, the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van Tol, Willem van Mieris, and Jacob Toorenvliet demonstrate how these artists developed a sustained interest in an inner world—figures in interior spaces, and in moments of contemplation or quiet exchange, achieved through their meticulous technique of fine painting. In this lavishly illustrated catalogue, essays penned by specialists in the field of early modern Dutch painting illuminate the exhibition's themes and lesser known artists, and shed new light on the fijnschilders, or fine painters, of Leiden. Yeager-Crasselt's essay explores the central themes of An Inner World through the lens of Leiden as a university city and Dutch artists' interests in the illusionism of space, candlelight, and painted surfaces. Shira Brisman examines the use of candlelight in seventeenth-century paintings and its role as a source of illumination as well as an indicator of the larger issue of the wax trade and the "outer world" of commerce. Last, Eric Jorink reflects on the confluence of art, science, and religion in the Dutch Golden Age.
Author: Blaise Ducos
Publisher: Art Book Magazine Distribution
ISBN: 2821601131
Category : Art
Languages : en
Pages : 193
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Book Description
Accompanying the exhibition at Louvre Abu Dhabi, the catalogue Rembrandt, Vermeer and the Dutch Golden Age provides an image-rich overview of the artworks exhibited, complimented by four essays. The first situates The Leiden Collection within the context of the Dutch Golden Age. The second and third describe the major role that the Netherlands played on a global scale in the in the 17th century, the specificities of the Dutch Golden Age as well as the work of Rembrandt and his contemporaries, rooted in the society of that time and place. The fourth essay sheds light on the particular role that drawing played in the creative process of Dutch artists.
Author: Alan Chong
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 324
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Book Description
This stunning book presents the very best still lifes produced in the Netherlands at the height of the genre, from the early beginnings in the 16th century, with Pieter Aertsen and Joachim Beuckelaer, to the late highlights in the 18th century, with Rachel Ruysch and Jan van Huysum. Despite the popularity and abundance of flower paintings in modern collections, the book includes a wide range of subjects and styles, from the simple to the complex, the charmingly small to the opulent and extravagant, and from flowers to hunting still lifes or objects in the corner of a painter's studio, along with an occasional trompe l'oeil. The visual delights of still-life painting have a strong historical context. Collectors and connoisseurs purchased them because of their realism, visual appeal, and relevance to their own lives. Poets praised the wonders of still-life paintings and evoked the power of painting to transcend the seasons and the passing of time. Contemporary observers lauded the expensive and elaborate objects often on display. The book therefore considers the visual achievement of the Netherlandish still life painters in the context of contemporary reactions to pictures, art theory, and issues of patronage. Numerous artists were tempted to try their hand at still life, drawn by a new and enchanting genre that allowed an artist to create independent worlds of inanimate objects on the flat surface of a picture -- imaginary realms that had an exceptional following among connoisseurs of the time. These images continue to work their magic on present-day art lovers.
Author: Roland E. Fleischer
Publisher: Princeton Architectural Press
ISBN: 9780915773107
Category : Art
Languages : en
Pages : 330
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Book Description
Contents 1. Rembrandt Self-Portraits: The Creation of a Myth - Arthur K. Wheelock, Jr., National Gallery of Art, Washington 2. Reconstructing Rembrandt and His Circle: More on the Workshop Hypothesis - Walter Liedtke, The Metropolitan Museum of Art 3. Rembrandt at the Threshold - Susan Donahue Kuretsky, Vassar College 4. Comments on Rubens' Coup de Lance: Its Iconography, Style, and Importance for Eugène Delacroix - J. Richard Judson, Prof. Emeritus, University of North Carolina at Chapel Hill 5. Rubens, His Patrons and Style - Walter Liedtke, The Metropolitan Museum of Art 6. Gender Issues in Seventeenth-Century Dutch Portraiture: A New Look - Alison McNeil Kettering, Carleton College 7. Remarks on Love, Woman, and the Garden in Netherlandish Art: A Study in the Iconology of the Garden - Sara M. Wages, The University of Maryland 8. The Strange Case of Jan Torrentius: Art, Sex, and Heresy in Seventeenth-Century Haarlem - Christopher Brown, The National Gallery, London 9. The Soothsayer by Jan Lievens in Berlin: An Attempt at an Interpretation - Maarten Wurfbain, Oegstgeest, The Netherlands 10. Ludolf de Jongh's The Refused Glass and Its Effects on the Art of Vermeer and De Hooch -Roland E. Fleischer, Prof. Emeritus, The Pennsylvania State University
Author: Stephanie Dickey
Publisher:
ISBN: 9789462984004
Category : Art
Languages : en
Pages : 0
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Book Description
"This book owes its genesis to a series of conferences held in 2009, 2011, and 2013 at Queen's University's Bader International Study Centre at Herstmonceux Castle in East Sussex, UK." (Acknowledgements).
Author: David De Witt
Publisher: School of Policy Studies Queen's University
ISBN:
Category : Art
Languages : en
Pages : 352
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Book Description
The Bader Collection stands among the great private collections of its kind in the world. For the past 40 years Dr. Alfred Bader of Milwaukee has donated works to the Agnes Etherington Art Centre at his Canadian alma mater, Queens University, where the entire Bader Collection will be housed . This extraordinary collection demonstrates a rich interplay of interests and insights, at the same time drawing back the curtain on the motivations and principles behind these remarkable acquisitions, whose history dates back to 1950. This scholarly publication presents 200 Dutch and Flemish Baroque paintings that form the collections focus. Exhaustively researched, the richly illustrated entries present each painting in detail. An introductory essay explores the life of this remarkable collector and the motivations that drive his pursuit of the art of the Age of Rembrandt with such passion and insight.
Author: Christiaan Vogelaar
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
"This book shows that there are in fact grounds to believe that Rembrandt used members of his direct family as models. In the seventeenth century it was common practice for artists to depict their family members. Rembrandt's mother is one of the best-known models in the history of painting. These are not portraits in the true sense, but penetrating images with religious overtones in which the old woman is usually rendered reading or praying."--BOOK JACKET.
