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Author: James Shirley
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
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Book Description
Author: James Shirley
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
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Book Description
Author: MARVIN MORILLO
Publisher:
ISBN:
Category :
Languages : en
Pages : 462
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Book Description
Author: James Shirley
Publisher:
ISBN:
Category :
Languages : en
Pages : 626
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Book Description
Author: James Shirley
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 624
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Book Description
Author: Mary J. Mekemson
Publisher: Routledge
ISBN: 0429656777
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Originally published in 1994, this work offers a critical commentary on James Shirley's 1634 play, 'The Opportunity', including chapters on the critical reception, 'The Opportunity as a Social Comedy' and the history of the editions, including the 1640 quarto.
Author: James Shirley
Publisher:
ISBN:
Category :
Languages : en
Pages : 624
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Book Description
Author: William F. Jones
Publisher: Routledge
ISBN: 0429656629
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
Originally published in 1987, An Old-Spelling Critical Edition of James Shirley's The Example, offers a critical examination of James Shirley's 1634 play, The Example, based on collating ten of the twenty-one copies of the play noted in Sir Walter Greg's Bibliography.
Author: Arthur Huntington Nason
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
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Book Description
Author: WILLIAM HOWARD HICKERSON
Publisher:
ISBN:
Category :
Languages : en
Pages : 818
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Book Description
Author: Barbara Ravelhofer
Publisher: Taylor & Francis
ISBN: 1317111524
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
James Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome. This collection considers Shirley within the culture of his time, and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirley’s musical theatre and spoken verse, performance conditions, female agency and politics, and the presentation of his work in manuscript and print. Collectively, the essays assemble a larger picture of Caroline drama, showing it to be more than simply a nostalgic endgame, its poets daintily sipping hemlock on the eve of the Civil Wars. Shirley’s literary versatility and long life, spanning the last days of Queen Elizabeth I to the ascension of Charles II, make him an ideal writer through whom to examine the distinctive qualities of Caroline theatre.
