James Bishop

James Bishop PDF Author: James Bishop
Publisher: David Zwirner Books
ISBN: 9781941701034
Category : Art
Languages : en
Pages : 80

Get Book

Book Description
Throughout his career, James Bishop has engaged with European and American traditions of postwar abstraction while developing a subtle, poetic, and highly unique visual language of his own. Alternating between—and at times interweaving—painting and drawing, Bishop’s works explore the ambiguities and paradoxes of material opacity and transparency, flatness and spatiality, as well as linear tectonics and loosely composed forms. Privileging the nuanced and expressive qualities of color and scale, Bishop’s luminous works have been described by American poet and art critic John Ashbery as “half architecture, half air.” In the early 1960s, Bishop developed the vocabulary of color and form that would characterize his paintings on canvas for over twenty years: a reduced but rich palette, the employment of subtle architectonic abstractions, and a consistently large, square format that reinforces the viewer’s sense of scale and space. By overlapping thin but radiant veils of monochrome color, Bishop creates discrete geometric frameworks that suggest doors, windows, cubes, or what the artist describes as an uncertain scaffolding. Published to coincide with James Bishop’s first solo presentation in New York since 1987, which was held at David Zwirner in New York in 2014, this volume includes works spanning the artist’s prolific career. The catalogue presents numerous large paintings on canvas from the 1960s to the early 1980s, as well as small-scale paintings on paper, to which Bishop turned exclusively in 1986 and which he continues to produce today. In addition, the book includes details and installation views, providing further context for understanding the artist’s work.

James Bishop

James Bishop PDF Author: James Bishop
Publisher: David Zwirner Books
ISBN: 9781941701034
Category : Art
Languages : en
Pages : 80

Get Book

Book Description
Throughout his career, James Bishop has engaged with European and American traditions of postwar abstraction while developing a subtle, poetic, and highly unique visual language of his own. Alternating between—and at times interweaving—painting and drawing, Bishop’s works explore the ambiguities and paradoxes of material opacity and transparency, flatness and spatiality, as well as linear tectonics and loosely composed forms. Privileging the nuanced and expressive qualities of color and scale, Bishop’s luminous works have been described by American poet and art critic John Ashbery as “half architecture, half air.” In the early 1960s, Bishop developed the vocabulary of color and form that would characterize his paintings on canvas for over twenty years: a reduced but rich palette, the employment of subtle architectonic abstractions, and a consistently large, square format that reinforces the viewer’s sense of scale and space. By overlapping thin but radiant veils of monochrome color, Bishop creates discrete geometric frameworks that suggest doors, windows, cubes, or what the artist describes as an uncertain scaffolding. Published to coincide with James Bishop’s first solo presentation in New York since 1987, which was held at David Zwirner in New York in 2014, this volume includes works spanning the artist’s prolific career. The catalogue presents numerous large paintings on canvas from the 1960s to the early 1980s, as well as small-scale paintings on paper, to which Bishop turned exclusively in 1986 and which he continues to produce today. In addition, the book includes details and installation views, providing further context for understanding the artist’s work.

James Bishop Paintings on Paper

James Bishop Paintings on Paper PDF Author: Michael Semff
Publisher: Büro Sieveking
ISBN: 9783944874722
Category : Painting, American
Languages : en
Pages : 0

Get Book

Book Description
- In-depth look at James Bishop's outstanding oeuvre: poetic, abstract paintings on paper - The art critic John Ashbery very aptly describes Bishop's work as "half architecture, half air" James Bishop can be called the only real painter of his generation still alive. He has developed a unique, poetic, and sensitive visual vocabulary, and describes himself as "an Abstract Expressionist of the quieter kind." Bishop likes to have his art speak for him, as he believes it has a language of its own: "Artists should neither be seen nor heard, with the exception of opera singers, of course." Although Bishop began his career with stronger colors on large canvases, which speak for themselves, he soon turned to earth tones, and then later grays in square, mostly unmodified, smaller formats. This tendency toward reduction has remained constant from the 1960s until just recently, especially with regard to individual works on paper. Bishop has been on a persistent search for an aesthetic balance among opposing factors: drawing and painting, opacity and transparence, two and three dimensions, open forms and simple tectonic elements. In his work he has succeeded in compellingly interweaving these opposing forces into a subtle tonal relationship, creating a miniature-like, intimate aura. Text in English and German. Contents: Emotional viewing - by Erich Franz; "Bishop's Expressiveness" by Molly Warnock; Biography; Exhibition List.

James Bishop

James Bishop PDF Author: James Bishop
Publisher: Richter Verlag
ISBN:
Category : Art
Languages : en
Pages : 132

Get Book

Book Description
Born in Missouri in 1927, Bishop has lived in Paris since the 1950s. One of the most sensitive lyrical abstract painters, he has devoted the last three decades to small paper works that are transparent, compact, fluid and spatially ambiguous. Herein, works on paper since the 1960s and several paintings.

Simon Hantaï and the Reserves of Painting

Simon Hantaï and the Reserves of Painting PDF Author: Molly Warnock
Publisher: Penn State Press
ISBN: 0271086629
Category : Art
Languages : en
Pages : 281

Get Book

Book Description
The Hungarian-born French painter Simon Hantaï (1922–2008) is best known for abstract, large-format works produced using pliage: the painting of a crumpled, gathered, or systematically pleated canvas that the artist then unfolds and stretches for exhibition. In her study of this profoundly influential artist, Molly Warnock presents a persuasive historical account of his work, his impact on a younger generation of French artists, and the genesis and development of the practice of pliage over time. Simon Hantaï and the Reserves of Painting covers the entirety of Hantaï’s expansive oeuvre, from his first aborted experiments with folding around 1950 to his post-pliage experiments with digital scanning and printing. Throughout, Warnock analyzes the artist’s relentlessly searching studio practice in light of his no less profound engagement with developments in philosophy, psychoanalysis, and critical theory. Engaging both Hantaï’s art and writing to support her argument and paying particular attention to his sustained interrogation of religious painting in the West, Warnock shows how Hantaï’s work evinces a complicated mixture of intentionality and contingency. Appendixes provide English translations of two major texts by the artist, “A Plantaneous Demolition” and “Notes, Deliberately Confounding, Accelerating, and the Like for a ‘Reactionary,’ Nonreducible Avant-Garde.” Original and insightful, this important new book is a central reference for the life, art, and theories of one of the most significant and exciting artists of the twentieth century. It will appeal to art historians and students of modernism, especially those interested in the history of abstraction, materiality and Surrealism, theories of community, and automatism and making.

Elizabeth Bishop

Elizabeth Bishop PDF Author: Elizabeth Bishop
Publisher: Tibor de Nagy Editions
ISBN:
Category : Authors as artists
Languages : en
Pages : 40

Get Book

Book Description
Today established as one of the twentieth century's most important poets, Elizabeth Bishop (1911-1979) was also a gifted artist and collector of art and artifacts, many of which were collected from her years in Brazil. Objects and Apparitions explores for the first time Bishop's art: her delicate, miniaturist watercolors and gouaches of domestic vignettes; her tenderly fabricated, Cornell-esque constructions; and several works of art from her own collection, including family portraits and a bird cage modeled on a medieval cathedral. Many of these are reproduced here for the first time in full color, alongside poems, archival photographs and essays by Bishop scholars Joelle Biele, Dan Chiasson and Lloyd Schwartz that discuss Bishop's art and its relationship to her poetry. Published for a critically acclaimed show at Tibor de Nagy Gallery, this handsomely produced volume shows Bishop's visual instincts to be as flawlessly poised and exquisite as her poetical sensibility.

Art on Paper

Art on Paper PDF Author:
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 610

Get Book

Book Description


New York Magazine

New York Magazine PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 164

Get Book

Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

New York Magazine

New York Magazine PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 128

Get Book

Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

New York Magazine

New York Magazine PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 148

Get Book

Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

New York Magazine

New York Magazine PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 100

Get Book

Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.