Author: James Edward Abbe
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 148
Book Description
James Abbe
Author: James Edward Abbe
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 148
Book Description
I Photograph Russia
Author: James E. Abbe
Publisher: Spencer Press
ISBN: 1446509923
Category : Photography
Languages : en
Pages : 362
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.
Publisher: Spencer Press
ISBN: 1446509923
Category : Photography
Languages : en
Pages : 362
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.
Shooting Stalin
Author: James Edward Abbe
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 368
Book Description
Although he was a contemporary of Alfred Eisenstaedt and Erich Salomon--and was just as smart and foolhardy--James Abbe is by no means as famous as his legendary colleagues. American-born Abbe published superb photo documentaries featuring Stalin's Moscow, the last years of the Weimar Republic and the battlefields of the Spanish Civil War. Obsessive and fearless, Abbe got close to the dictators of Europe--Hitler, Mussolini, Franco--and in 1932, he was the only American given permission to photograph Stalin. Eventually, photographing world leaders became his specialty. In pursuit of various interests, Abbe made contact with Russian film directors and artists such as Sergej Eisenstein, Dziga Vertov and Vsevolod Meyerhold, indulging his passion for film, theater, dance and, above all, the mysteries of whatever happened backstage. Many of his pictures--portraits of Rudolph Valentino, Mae West, Josephine Baker and Charlie Chaplin--have become icons of modern photography. Others, like his portrait of Thomas Mann, remained unknown until their recent discoveries. Shown here is a cross-section of the rich catalogue of Abbe's work, in more than 300 tritones.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 368
Book Description
Although he was a contemporary of Alfred Eisenstaedt and Erich Salomon--and was just as smart and foolhardy--James Abbe is by no means as famous as his legendary colleagues. American-born Abbe published superb photo documentaries featuring Stalin's Moscow, the last years of the Weimar Republic and the battlefields of the Spanish Civil War. Obsessive and fearless, Abbe got close to the dictators of Europe--Hitler, Mussolini, Franco--and in 1932, he was the only American given permission to photograph Stalin. Eventually, photographing world leaders became his specialty. In pursuit of various interests, Abbe made contact with Russian film directors and artists such as Sergej Eisenstein, Dziga Vertov and Vsevolod Meyerhold, indulging his passion for film, theater, dance and, above all, the mysteries of whatever happened backstage. Many of his pictures--portraits of Rudolph Valentino, Mae West, Josephine Baker and Charlie Chaplin--have become icons of modern photography. Others, like his portrait of Thomas Mann, remained unknown until their recent discoveries. Shown here is a cross-section of the rich catalogue of Abbe's work, in more than 300 tritones.
Biographical Review
Author:
Publisher:
ISBN:
Category : Delaware County (N.Y.)
Languages : en
Pages : 1162
Book Description
Publisher:
ISBN:
Category : Delaware County (N.Y.)
Languages : en
Pages : 1162
Book Description
Still
Author: David S. Shields
Publisher: University of Chicago Press
ISBN: 022601343X
Category : Performing Arts
Languages : en
Pages : 416
Book Description
The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
Publisher: University of Chicago Press
ISBN: 022601343X
Category : Performing Arts
Languages : en
Pages : 416
Book Description
The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
Historical Perspectives on Climate Change
Author: James Rodger Fleming
Publisher: Oxford University Press
ISBN: 0198024061
Category : Science
Languages : en
Pages : 209
Book Description
This intriguing volume provides a thorough examination of the historical roots of global climate change as a field of inquiry, from the Enlightenment to the late twentieth century. Based on primary and archival sources, the book is filled with interesting perspectives on what people have understood, experienced, and feared about the climate and its changes in the past. Chapters explore climate and culture in Enlightenment thought; climate debates in early America; the development of international networks of observation; the scientific transformation of climate discourse; and early contributions to understanding terrestrial temperature changes, infrared radiation, and the carbon dioxide theory of climate. But perhaps most important, this book shows what a study of the past has to offer the interdisciplinary investigation of current environmental problems.
Publisher: Oxford University Press
ISBN: 0198024061
Category : Science
Languages : en
Pages : 209
Book Description
This intriguing volume provides a thorough examination of the historical roots of global climate change as a field of inquiry, from the Enlightenment to the late twentieth century. Based on primary and archival sources, the book is filled with interesting perspectives on what people have understood, experienced, and feared about the climate and its changes in the past. Chapters explore climate and culture in Enlightenment thought; climate debates in early America; the development of international networks of observation; the scientific transformation of climate discourse; and early contributions to understanding terrestrial temperature changes, infrared radiation, and the carbon dioxide theory of climate. But perhaps most important, this book shows what a study of the past has to offer the interdisciplinary investigation of current environmental problems.
Sonnet's Shakespeare
Author: Sonnet L'Abbe
Publisher: McClelland & Stewart
ISBN: 0771073100
Category : Poetry
Languages : en
Pages : 194
Book Description
Bronwen Wallace Memorial Award-winning poet Sonnet L'Abbé returns with her third collection, in which a mixed-race woman decomposes her inheritance of Shakespeare by breaking open the sonnet and inventing an entirely new poetic form. DOROTHY LIVESAY POETRY PRIZE FINALIST RAYMOND SOUSTER AWARD FINALIST How can poetry grapple with how some cultures assume the place of others? How can English-speaking writers use the English language to challenge the legacy of colonial literary values? In Sonnet's Shakespeare, one young, half-dougla (mixed South Asian and Black) poet tries to use "the master's tools" on the Bard's "house," attempting to dismantle his monumental place in her pysche and in the poetic canon. In a defiant act of literary patricide and a feat of painstaking poetic labour, Sonnet L'Abbé works with the pages of Shakespeare's sonnets as a space she will inhabit, as a place of power she will occupy. Letter by letter, she sits her own language down into the white spaces of Shakespeare's poems, until she overwhelms the original text and effectively erases Shakespeare's voice by subsuming his words into hers. In each of the 154 dense new poems of Sonnet's Shakespeare sits one "aggrocultured" Shakespearean sonnet--displaced, spoken over, but never entirely silenced. L'Abbé invented the process of Sonnet's Shakespeare to find a way to sing from a body that knows both oppression and privilege. She uses the procedural techniques of Oulipian constraint and erasure poetries to harness the raw energies of her hyperconfessional, trauma-forged lyric voice. This is an artist's magnum opus and mixed-race girlboy's diary; the voice of a settler on stolen Indigenous territories, a sexual assault survivor, a lover of Sylvia Plath and Public Enemy. Touching on such themes as gender identity, pop music, nationhood, video games, and the search for interracial love, this book is a poetic achievement of undeniable scope and significance.
Publisher: McClelland & Stewart
ISBN: 0771073100
Category : Poetry
Languages : en
Pages : 194
Book Description
Bronwen Wallace Memorial Award-winning poet Sonnet L'Abbé returns with her third collection, in which a mixed-race woman decomposes her inheritance of Shakespeare by breaking open the sonnet and inventing an entirely new poetic form. DOROTHY LIVESAY POETRY PRIZE FINALIST RAYMOND SOUSTER AWARD FINALIST How can poetry grapple with how some cultures assume the place of others? How can English-speaking writers use the English language to challenge the legacy of colonial literary values? In Sonnet's Shakespeare, one young, half-dougla (mixed South Asian and Black) poet tries to use "the master's tools" on the Bard's "house," attempting to dismantle his monumental place in her pysche and in the poetic canon. In a defiant act of literary patricide and a feat of painstaking poetic labour, Sonnet L'Abbé works with the pages of Shakespeare's sonnets as a space she will inhabit, as a place of power she will occupy. Letter by letter, she sits her own language down into the white spaces of Shakespeare's poems, until she overwhelms the original text and effectively erases Shakespeare's voice by subsuming his words into hers. In each of the 154 dense new poems of Sonnet's Shakespeare sits one "aggrocultured" Shakespearean sonnet--displaced, spoken over, but never entirely silenced. L'Abbé invented the process of Sonnet's Shakespeare to find a way to sing from a body that knows both oppression and privilege. She uses the procedural techniques of Oulipian constraint and erasure poetries to harness the raw energies of her hyperconfessional, trauma-forged lyric voice. This is an artist's magnum opus and mixed-race girlboy's diary; the voice of a settler on stolen Indigenous territories, a sexual assault survivor, a lover of Sylvia Plath and Public Enemy. Touching on such themes as gender identity, pop music, nationhood, video games, and the search for interracial love, this book is a poetic achievement of undeniable scope and significance.
The Blue Book of the Screen
Author: Ruth Wing
Publisher:
ISBN:
Category : California
Languages : en
Pages : 394
Book Description
Publisher:
ISBN:
Category : California
Languages : en
Pages : 394
Book Description
Once Upon a Tune
Author: James Mayhew
Publisher:
ISBN: 9781913074036
Category : Juvenile Fiction
Languages : en
Pages : 96
Book Description
Once Upon a Tune brings you six wonderful stories from many lands, all of which inspired great music. You can battle trolls with Peer Gynt in The Hall of the Mountain King; grapple with a magic broom in The Sorcerer's Apprentice, meet the evil Witch of the North in The Swan of Tuonela, sail the seven seas with Sinbad the Sailor in Scheherazade; be a prince disguised as a bee in The Flight of the Bumblebee, and become a fearless hero in William Tell. The stories are excitingly told and stunningly illustrated by James Mayhew. Includes Musical Notes with more information about the stories and music, plus James's recommended recordings to download and listen to.
Publisher:
ISBN: 9781913074036
Category : Juvenile Fiction
Languages : en
Pages : 96
Book Description
Once Upon a Tune brings you six wonderful stories from many lands, all of which inspired great music. You can battle trolls with Peer Gynt in The Hall of the Mountain King; grapple with a magic broom in The Sorcerer's Apprentice, meet the evil Witch of the North in The Swan of Tuonela, sail the seven seas with Sinbad the Sailor in Scheherazade; be a prince disguised as a bee in The Flight of the Bumblebee, and become a fearless hero in William Tell. The stories are excitingly told and stunningly illustrated by James Mayhew. Includes Musical Notes with more information about the stories and music, plus James's recommended recordings to download and listen to.
The Black Jacobins
Author: C.L.R. James
Publisher: Vintage
ISBN: 0593687337
Category : History
Languages : en
Pages : 465
Book Description
A powerful and impassioned historical account of the largest successful revolt by enslaved people in history: the Haitian Revolution of 1791–1803 “One of the seminal texts about the history of slavery and abolition.... Provocative and empowering.” —The New York Times Book Review The Black Jacobins, by Trinidadian historian C. L. R. James, was the first major analysis of the uprising that began in the wake of the storming of the Bastille in France and became the model for liberation movements from Africa to Cuba. It is the story of the French colony of San Domingo, a place where the brutality of plantation owners toward enslaved people was horrifyingly severe. And it is the story of a charismatic and barely literate enslaved person named Toussaint L’Ouverture, who successfully led the Black people of San Domingo against successive invasions by overwhelming French, Spanish, and English forces—and in the process helped form the first independent post-colonial nation in the Caribbean. With a new introduction (2023) by Professor David Scott.
Publisher: Vintage
ISBN: 0593687337
Category : History
Languages : en
Pages : 465
Book Description
A powerful and impassioned historical account of the largest successful revolt by enslaved people in history: the Haitian Revolution of 1791–1803 “One of the seminal texts about the history of slavery and abolition.... Provocative and empowering.” —The New York Times Book Review The Black Jacobins, by Trinidadian historian C. L. R. James, was the first major analysis of the uprising that began in the wake of the storming of the Bastille in France and became the model for liberation movements from Africa to Cuba. It is the story of the French colony of San Domingo, a place where the brutality of plantation owners toward enslaved people was horrifyingly severe. And it is the story of a charismatic and barely literate enslaved person named Toussaint L’Ouverture, who successfully led the Black people of San Domingo against successive invasions by overwhelming French, Spanish, and English forces—and in the process helped form the first independent post-colonial nation in the Caribbean. With a new introduction (2023) by Professor David Scott.