Jakob Michael Reinhold Lenz and Jean-Jacques Rousseau PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Jakob Michael Reinhold Lenz and Jean-Jacques Rousseau PDF full book. Access full book title Jakob Michael Reinhold Lenz and Jean-Jacques Rousseau by Norman R. Diffey. Download full books in PDF and EPUB format.
Author: Norman R. Diffey
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
Get Book Here
Book Description
Author: Norman R. Diffey
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
Get Book Here
Book Description
Author: Stipa Madland
Publisher: BRILL
ISBN: 9004654593
Category : Drama
Languages : en
Pages : 178
Get Book Here
Book Description
Author: Alan C. Leidner
Publisher: Boydell & Brewer
ISBN: 9781879751620
Category : Literary Criticism
Languages : en
Pages : 224
Get Book Here
Book Description
Essays on 18th-century Sturm und Drang playwright J.M.R. Lenz, whose work shows many parallels with 20th-century theater. The essays collected in this volume constitute the first collection in English on the German writer Lenz (1751-1792). They grew out of the International J.M.R. Lenz Symposium organized by Professor Madland and held in October 1991at the University of Oklahoma. Jakob Michael Reinhold Lenz, a writer whose work has received increasing attention lately for its prefiguration of the theater of our own century, emerges in these articles written by prominent Germanists and literary critics as a man ahead of his times, bedeviled by the neuroses of modernity. At the beginning of his career in the early 1770s, Lenz was so highly regarded that he was compared to Goethe. But Lenz had trouble establishing himself both socially and as a writer, and only Der Hofmeister was staged during his lifetime. By the time of his death at the age of 42, he had been almost forgotten by his contemporaries. General essays focus on Lenz's interest in linguistic matters, showing that he saw the unlocking of the potential of language as an act of liberation; on literary genre and sexual gender in Lenz's work; and, linking Lenz's characters to those of the twentieth century, on the rise of the lowly hero from Lenz to Georg Büchner to Bertolt Brecht.
Author: Catherine Wilkins
Publisher: Routledge
ISBN: 1351561014
Category : Art
Languages : en
Pages : 280
Get Book Here
Book Description
Landscape Imagery, Politics and Identity in a Divided Germany, 1968-1989 explores the communicative relationship between German landscape painting and the viewing public that developed in the wake of the student revolutions of the late 1960s. The book demonstrates that, contrary to some historical thinking, more similarities than differences characterized the sociopolitical concerns of East and West Germans during the late Cold War Era, and that it was these shared issues that were reflected in the revival of the Romantic painting genre. Catherine Wilkins focuses on recovering the agency of the individual artist and in revising historiography with sensitivity to narration 'from below.' Interdisciplinary in nature, art historians can benefit from the study's analysis of images and artists not widely known outside of Germany. Additionally, the consolidation of statistics and data regarding German postwar cultural policy are relevant for political and cultural historians. The author contributes to the ongoing multidisciplinary debates regarding Histoire Crois?(in arguing that a clear dichotomy between East Germany and West Germany did not exist but rather that the residents of both nations shared a concern over some of the same issues of the period) and memory studies (by using images as primary historical sources, able to be employed in the recovery of potentially 'subversive' memory and identity). Issues related to gender relations, environmentalism, and spiritual belief are addressed by Wilkins, with appeal for scholars working with those particular themes. Poststructuralist and literary theorists as well can find arguments supporting an alternative means of writing history through artworks and private memories.
Author:
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 1028
Get Book Here
Book Description
Author: Steven Howe
Publisher: Camden House
ISBN: 1571135545
Category : Biography & Autobiography
Languages : en
Pages : 250
Get Book Here
Book Description
By reconsidering Kleist's reception of Rousseau and placing it in historical context, this book sheds new light on a range of political and ethical issues at play in Kleist's work. Heinrich von Kleist is renowned as an author who posed a radical challenge to the orthodoxies of his age. Today, his works are frequently seen to relentlessly deconstruct the paradigms of Idealism and to reflect a Romantic, even postmodern, perspective on the ambiguities of the world. Such a view fails, however, to do full justice to the more complex manner in which Kleist articulates the tensions between the securities of Enlightenment thought and the anxieties of the revolutionary age. Steven Howe offers a new angle on Kleist's dialogue with the Enlightenment by reconsidering his investment in the philosophy of Jean-Jacques Rousseau. Where previous critics have trivialized this as intense but fleeting and born of personal identification, Howe here establishes Rousseau's importance as a lasting source of inspiration for the violent constellations of Kleist's fiction. Taking account of both Rousseau'scritique of modernity and his later propositions for working toward the Enlightenment promise of emancipation, the book locates a mode of discourse which, placed in the historical context of the French Revolution and Napoleonic Wars, sheds new light on the political and ethical issues at play in Kleist's work. Steven Howe is Associate Research Fellow at the University of Exeter, UK. He is co-editor, with Ricarda Schmidt and Seán Allan, of Heinrich von Kleist: Konstruktive und Destruktive Funktionen von Gewalt (forthcoming, 2012).
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521332019
Category : Literary Criticism
Languages : en
Pages : 376
Get Book Here
Book Description
Comparative Criticism is an annual journal of comparative literature and cultural studies that has gained an international reputation since its inception in 1979. It contains major articles on literary theory and criticism; on a wide range of comparative topics; and on interdisciplinary debates. It includes translations of literary, scholarly and critical works; substantial reviews of important books in the field; and bibliographies on specialist themes for the year, on individual writers, and on comparative literary studies in Britain and Ireland.
Author: Norman R. Diffey
Publisher:
ISBN:
Category :
Languages : en
Pages : 292
Get Book Here
Book Description
Author: Isaiah Berlin
Publisher: Princeton University Press
ISBN: 9780691086620
Category : Art
Languages : en
Pages : 194
Get Book Here
Book Description
One of the century's most influential philosophers assesses a movement that changed the course of history in this unedited transcript of his 1965 Mellon lecture series. "Exhilaratingly thought-provoking".--"Times London".
Author: Katie Trumpener
Publisher: Princeton University Press
ISBN: 0691223246
Category : Literary Criticism
Languages : en
Pages : 447
Get Book Here
Book Description
This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.
