Author: Shakuntala Prakash Chavan
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 352
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Book Description
An Account Of Development Of Janism In Southern Karnataka, By Examining Inscriptions, Historical Monuments And Literary Works Of The Time. It Discusses The Physiography And Formation Of Modern Karnataka, To Under Stand The Spread Of Jainism As A Religion And Philosophy And Its Influence On The Social And Political Life Of The People.
Author: Lalit Chugh
Publisher: Notion Press
ISBN: 9352068254
Category : Architecture
Languages : en
Pages : 552
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Book Description
You may have a lot of questions about the art and architecture of Karnataka. There may be queries about the various heritage touring circuits. You might like to understand what went into designing, planning and constructing monuments over a thousand year ago. You may still wish to know how art and architecture progressed during the ancient and medieval times in Karnataka. This book attempts to answer a lot of these questions, for example: 1.What is the name of the first established Village in South India and where is it located? 2.Where did the earliest gold miners live in Karnataka? 3.Which was the first Agrahara established in Karnataka? 4.Which is the first existing temple dedicated to Siva in Karnataka? 5.Which is the first existing temple dedicated to Krishna in Karnataka? 6.What roles did temples have other than being the places of worship? 7.Which is the first temple dedicated to Rama in Karnataka? 8.What was Karnataka referred to as in the Puranic times? 9.Which is the first existing temple dedicated to Shakti in Karnataka? 10.How old is the Kannada language?
Author: Lipika Maitra
Publisher: Taylor & Francis
ISBN: 1000918793
Category : Art
Languages : en
Pages : 498
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Book Description
Through a curated collection of key Jain paintings, this volume offers a glimpse into the way people lived in western India during the medieval times: What they wore, how they ornamented themselves, what they amused themselves with, what furniture they sat on, which modes of transport they used. It includes Jain paintings from various collections in India and abroad to underscore the value of pictorial evidence in piecing together the past. The book takes the reader on a breath-taking visual journey through the varied costumes, exquisite textiles, handcrafted ornaments, curiously shaped vessels and containers, musical instruments, arms and armour, conveyances, and many such articles of everyday use. These articles of everyday use are corroborated with the descriptions left by foreign travellers passing through western India at that time. It explores contemporary lexicons and vernacular literature from this period, for possible names in vogue for the articles of Material Culture. The work is richly illustrated with line drawings by the author to highlight the objects being referred to. What comes across clearly through this book is that art is the mirror of the times, and as such, paintings reflect the society in which they are created. A magnificent read, this book will be essential for scholars and researchers of Indian painting, art history, Indian art, arts and aesthetics, Jainism, visual arts, South Asian history, Indian history, heritage studies and cultural history. It will also be a must-have for history and visual arts enthusiasts all over the world.
Author: Arun Kumar Jain
Publisher: Gyan Publishing House
ISBN: 9788178357232
Category : Religion
Languages : en
Pages : 386
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Book Description
Preface 1. Jainism: An Introduction 2. History The Ancientness of Jainism, Origin, Early History, Medieval History, Modem History, References 3. Philosophy Basic Philosophy, Divine Laws, Primary Beliefs, Jiva, Ajiva, Asrava, Bandha, Samvara, Nirjara, Moksh, Ethics, Metaphysics, Jainism: A Scientific Religion, Difference between Jainism and Vedic Hindu Religion, References 4. Concept of God Defining God, Arihant, Siddha, Dimensions of God, Deities, Yakshas and Yakshanis, Philosophy of God, Messengers of God, Tirthankar, Nirvana, References 5. Main Figures Main Figures in Early Period, Ajitnath, Sambhavnath, Abhinandannatha, Sumatinatha, Padmaprabha, Suparshavnatha, Chandraprabha, Pushpadanta, Sheetalnath, Shreyansanath, Vasupujya Swami, Vimalnath, Anantnath, Dharmanath, Shantinath, Kunthunath, Aranath, Mallinath, Main Figures in Medieval Period, Unisuvrata, Naminath, Neminatha, Parshavanath, Bhagwan Mahavir, Main Figures in Modem Period, Kundakunda, Acharya Hemachandra, References 6. Scriptures Divine Words, Namokar Mantra, Religious Scriptures, Agam Literature, Ang-agams, Ang-bahya-agams, Classification of Angbahya- agams, Digambar Jain Literature, Shatkhand-agam, Kashaypahud, Four Anuyogas, Details, Non-Religious Scriptures, References Faith & Philosophy of Jainism 7. Teachings Spiritual Teachings, Redemption, Devotion to God, Ethical Actions, Message of Harmony and Love, References 8. Moral Value System Moral Values, Morality in Life, Moral Values for Leader, Moral Duties of Subjects, Moral values in Society, Pratimas, Practical Aspects, References 9. Movements Religious Movements, The Sthanakvasi, Terapanth, The Kanji Swami Panth, Shrimad Rajachandra, Reform Movements, Reform Movements in the Digambar Sect, Reform Movements in the Shvetambar Sect, Revivalist Movements, References 10. Reformers Reformers in Early Period, Kundakunda, Acharya Bhadrabahu, Tiruvalluvar, Siddhasen Diwakar, Reformers in Medieval Period, Pujyapada, Haribhadra, Acharya Hemachandra, Reformers in Modern Period, Acharya Bhikshu, Acharya Rajendrasuri, Acharya Tulsi, Acharya Mahapragya, References 11. Major Sects Digambar Sect, Sub Sects, Shvetambar Sect, Sub Sects, References 12. Demographic Propagation Origin, Early Rise, Factors Responsible for Rise, Jainism in other Parts of World, Demographics, References 13. Socio-Political Influence Socio-Political Identity, Jainism and Politics, Fundamentalism, Contemporary Politics, References 14. Religious Rituals and Traditions 15. Society Social Order, Social Conduct, Social Ethics, Traditional Values, Caste System, Status of Women, References 16. Festivals Bhagwan Mahavir Jayanti, Paryusana Parva, Diwali, New Year, Gyan Panchami, Paush dashami, Akshay Tritiya Tapa, Maun-agiyaras, Navapad Oli, Yaksha Puja, Snatra Mahotsav, Atthai Mahotsav, References 17. Religious Places 18. Art and Iconography 19. Mahatma Gandhi, Jainism and Indias Freedom Struggle Gandhis Life, Gandhi and Jainism, Gandhi & Jainism Principle of Ahimsa, Doctrine of Ahimsa and Freedom Movement, References 20. Jainism in Modern World Diaspora, Modem Religious Movements, Spiritual Revolution, Future, Jainism as a Global Religion, Great Mens Views on Jainism, References Bibliography Index
Author: Mr. Rohit Manglik
Publisher: EduGorilla Community Pvt. Ltd.
ISBN: 9366891918
Category : Education
Languages : en
Pages : 14834
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Book Description
EduGorilla Publication is a trusted name in the education sector, committed to empowering learners with high-quality study materials and resources. Specializing in competitive exams and academic support, EduGorilla provides comprehensive and well-structured content tailored to meet the needs of students across various streams and levels.
Author: Lalit Chugh
Publisher: Notion Press
ISBN: 1947137360
Category : Architecture
Languages : en
Pages : 525
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Book Description
Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva. Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni. Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.
Author: 
Author: 
Author: Karnatak University
Author: Jyotiprasāda Jaina
Author: Jyotiprasāda Jaina