Jacob French (1754-1817)

Jacob French (1754-1817) PDF Author: Daniel Charles Lloyd Jones
Publisher:
ISBN:
Category : Choral music
Languages : en
Pages : 24

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Jacob French (1754-1817)

Jacob French (1754-1817) PDF Author: Daniel Charles Lloyd Jones
Publisher:
ISBN:
Category : Choral music
Languages : en
Pages : 24

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Book Description


Jacob French (1754-1817)

Jacob French (1754-1817) PDF Author:
Publisher:
ISBN:
Category : Choral music
Languages : en
Pages : 0

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Book Description


The Life and Music of Jacob French, 1754-1817, Colonial American Composer

The Life and Music of Jacob French, 1754-1817, Colonial American Composer PDF Author: Marvin Charles Genuchi
Publisher:
ISBN:
Category : Anthems
Languages : en
Pages :

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Book Description


Jacob French (1754-1817)

Jacob French (1754-1817) PDF Author:
Publisher:
ISBN:
Category : Choral music
Languages : en
Pages : 24

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Book Description


Jacob French (1754-1817): The Collected Works

Jacob French (1754-1817): The Collected Works PDF Author: Daniel C. Jones
Publisher: Routledge
ISBN: 113562237X
Category : Music
Languages : en
Pages : 362

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Book Description
Jacob French, a student of William Billings, was one of the most talented postrevolutionary composers of Protestant sacred music in New England. He compiled most of his music in three printed tunebooks, comprising choral pieces of great rhythmic and contrapuntal variety. He felt many excellently crafted, expressive compositions that should find interest among today's choral directors and singers.

The Life and Music of Jacob French (1754-1817) Colonial American Composer

The Life and Music of Jacob French (1754-1817) Colonial American Composer PDF Author: Marvin Charles Genuchi
Publisher:
ISBN:
Category : Anthems
Languages : en
Pages : 322

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Book Description


Oliver Holden (1765-1844)

Oliver Holden (1765-1844) PDF Author: David W. Music
Publisher: Routledge
ISBN: 1135626294
Category : Music
Languages : en
Pages : 327

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Book Description
First Published in 1998. This series presents the music of early American composers of sacred music—psalmody, as it was called—in collected critical editions. Each volume has been prepared by a scholar who has studied the musical history of the period and the stylistic qualities of the composer. The purpose of the series is to present the music of important early American composers in accurate editions for both performance and study. This volume presents selected music by one of the best known and most prolific composers of New England psalmody during the late eighteenth and early nineteenth centuries. Oliver Holden was a native and life-long resident of Massachusetts.

Samuel Babcock (ca. 1760-1813)

Samuel Babcock (ca. 1760-1813) PDF Author: Laurie Sampsel
Publisher: Routledge
ISBN: 1135622930
Category : Music
Languages : en
Pages : 204

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Book Description
Samuel Babcock was an active Boston-area composer who made a significant contribution to the repertory of American psalmody. Best known for his tunebook, Middlesex Harmony, Babcock composed extended and plain psalm tunes, set pieces, fuging tunes, and anthems, and frequently used three-part vocal textures. He uniquely combined elements of both traditional and newer Methodist styles of psalmody. This edition includes 75 works known to be by Babcock, plus six of unknown attribution.

Eliakim Doolittle (1772-1850) and Timothy Olmsted (1759-1848)

Eliakim Doolittle (1772-1850) and Timothy Olmsted (1759-1848) PDF Author: Maxine Fawcett-Yeske
Publisher: Routledge
ISBN: 1135623775
Category : Music
Languages : en
Pages : 304

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Book Description
This volume brings together 79 sacred tunes by two Connecticut composers: Eliakim Doolittle, who wrote psalm and fuging tunes in an unpretentious, familiar idiom, and Timothy Olmsted, who wrote psalm tunes in a more sophisticated, florid musical style. This final edition in the Music of the New American Nation series includes a comprehensive index of tune names and first lines for all fifteen volumes.

A Companion to the New Harp of Columbia

A Companion to the New Harp of Columbia PDF Author: Marion J. Hatchett
Publisher: Univ. of Tennessee Press
ISBN: 9781572332034
Category : History
Languages : en
Pages : 532

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Book Description
"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.