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Languages : en
Pages :
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Languages : en
Pages :
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Author: S. Eizenshtein
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Category :
Languages : en
Pages :
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Author: Pavel Florensky
Publisher: Reaktion Books
ISBN: 1861896395
Category : Art
Languages : en
Pages : 396
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Book Description
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
Author: National Library of Medicine (U.S.)
Publisher:
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Category : Medicine
Languages : en
Pages : 932
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Includes subject section, name section, and 1968-1970, technical reports.
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Category : Union catalogs
Languages : en
Pages : 1032
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Includes entries for maps and atlases.
Author: Library of Congress. Processing Dept
Publisher:
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Category : Russian literature
Languages : en
Pages : 1374
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Author: Library of Congress. Processing Department
Publisher:
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Category : Russian imprints
Languages : en
Pages : 948
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Author: Edward Allworth
Publisher: Duke University Press
ISBN: 9780822315216
Category : History
Languages : en
Pages : 676
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Book Description
**** BCL3 lists the predecessor version carrying the subtitle A century of Russian rule (1967). A needed revision of the classic. Deals with the people, their intellectual lives, the land, history, nationalism, agriculture, industry, modernization. A cloth edition is reported at $57.50; we've not seen it. **** The first edition, titled Central Asia: A Century of Russian Rule (1967), is cited in BCL3. The present edition is a revision of Central Asia: 120 Years of Russian Rule (1989). This new, augmented edition preserves the previous 17 chapters intact. Besides writing a new final chapter that focuses mainly on the eventful period 1989-93, the editor has also revised the preface and notes about contributors, and has enlarged and updated the bibliography of English-language sources and readings. Paper edition (unseen), $26.95. Annotation copyright by Book News, Inc., Portland, OR
Author: Ellendea Proffer
Publisher: Ann Arbor, [Mich.] : Ardis
ISBN:
Category : Literary Criticism
Languages : en
Pages : 440
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Author: Solomon R. Guggenheim Museum
Publisher: ABRAMS
ISBN: 9780810968684
Category : Art, Modern
Languages : en
Pages : 0
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"In this volume, which accompanies the largest exhibition ever mounted at the Guggenheim Museum, twenty-one essays by eminent scholars from Germany, Great Britain, Russia, and the United States explore the activity of the Russian and Soviet avant-garde in all its diversity and complexity. These essays trace the work of Malevich's Unovis (Affirmers of the New Art) collective in Vitebsk, which introduced Suprematism's all-encompassing geometries into the design of textiles, ceramics, and indeed whole environments; the postrevolutionary reform of art education and the creation of Moscow's Vkhutemas (Higher Artistic-Technical Workshops), where the formal and analytical princples of the avant-garde were the basis of instruction; the debates over a "proletarian art" and the transition to Constructivism, "production art," and the "artist-constructor"; the organization of new artist-administered "museums of artistic culture"; the "third path" in non-objective art taken by Mikhail Larionov; the return to figuration in the mid-1920s by the young artists - and former students of the avant-garde - in Ost (the Society of Easel Painters); the debates among photographers, in the late 1920s and early 1930s, on the superiority of the fragmented or continuous image as a representation of the new socialist reality; book, porcelain, fabric, and stage design; and the evolution of a new architecture, from the experimental projects of Zhivskul'ptarkh (the Synthesis of Painting, Sculpture, and Architecture Commission) to the multistage competition, in 1931-32, for the Palace of Soviets, which "proved" the inapplicability of a Modernist architecture to the Bolshevik Party's aspirations."
