The Oxford Handbook of Byzantine Art and Architecture PDF Download
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Author: Ellen C. Schwartz
Publisher: Oxford University Press
ISBN: 0190277351
Category : Architecture
Languages : en
Pages : 665
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Book Description
"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--
Author: Ellen C. Schwartz
Publisher: Oxford University Press
ISBN: 0190277351
Category : Architecture
Languages : en
Pages : 665
Get Book Here
Book Description
"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--
Author: Kurt Weitzmann
Publisher: Dumbarton Oaks
ISBN: 9780884020387
Category : Antiques & Collectibles
Languages : en
Pages : 218
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Book Description
Author: Anthony Cutler
Publisher: Dumbarton Oaks
ISBN: 9780884021476
Category : Art
Languages : en
Pages : 76
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Book Description
This booklet is an examination of the nature of ivory, both as substance of certain consistent characteristics as well as material of varying availability treated by craftsmen in various and peculiar ways. The framework of this approach is defined by the geographical and chronological limits of the ivories at Dumbarton Oaks.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870997777
Category : Art, Byzantine
Languages : en
Pages : 604
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Book Description
Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Wilma Olch Stern
Publisher: BRILL
ISBN: 9004158189
Category : Art
Languages : en
Pages : 457
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Book Description
Parts of crossed-leg chairs and richly decorated fragments of bone and ivory excavated at Kenchreai, the Eastern port of Corinth, include scenes of an emperor and a miniature ivory Corinthian arcade that decorated luxurious furniture produced in late Roman Egypt.
Author: Ioli Kalavrezou
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 902
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Book Description
Author: Wilma Stern
Publisher: BRILL
ISBN: 9047421167
Category : History
Languages : en
Pages : 456
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Book Description
Hundreds of richly decorated ivory and bone fragments from furniture and parts from at least three crossed-leg chairs, survived under seawater in an apsidal room at Kenchreai, the Eastern port of ancient Corinth. These excavated remains include fragments of an incised bone panel with a scene of an emperor and attendants, a thiasos, bucolic and hunt scenes, seated philosophers, erotes, and a miniature ivory Corinthian order supporting a bone arcade decorated with erotes. Decorative moldings and large bone rings suggest that most of these belonged to a luxuriously decorated chest. Dating to the fourth century, these objects provide an important addition to our knowledge of the artistic production of late Roman Egypt and the working of ivory, bone, and wood.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991795
Category : Art, Ancient
Languages : en
Pages : 786
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Book Description
Betrifft die Handschrift Cod. 318 der Burgerbibliothek Bern (Nr. 192).
Author: Maria G. Parani
Publisher: BRILL
ISBN: 9789004124622
Category : Social Science
Languages : en
Pages : 720
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Book Description
This examination of realia in Byzantine religious painting provides valuable information on Byzantine dress, household effects and implements, while introducing at the same time an alternative, literally 'objective', approach to the study of the formative processes of Byzantine art.
Author: Mati Meyer
Publisher: Pindar Press
ISBN: 1915837227
Category : Art
Languages : en
Pages : 571
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Book Description
Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.
