Italian Panel Painting of the Early Renaissance in the Collection of the Los Angeles Museum of Art PDF Download
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Author: Los Angeles County Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 144
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Book Description
Published in conjunction with a 1994-95 exhibition at the Los Angeles County Museum of Art. Historical and technical introductions precede extensive discussion of two altarpieces of the early Renaissance and a catalogue of the Museum's collection. Elegantly designed and produced, with color and bandw reproductions. 9x12 Annotation copyright by Book News, Inc., Portland, OR
Author: Los Angeles County Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 144
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Book Description
Published in conjunction with a 1994-95 exhibition at the Los Angeles County Museum of Art. Historical and technical introductions precede extensive discussion of two altarpieces of the early Renaissance and a catalogue of the Museum's collection. Elegantly designed and produced, with color and bandw reproductions. 9x12 Annotation copyright by Book News, Inc., Portland, OR
Author:
Publisher:
ISBN:
Category : Altarpieces, Italian
Languages : en
Pages : 534
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages :
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Book Description
Author: Katherine Renell Smith Abbott
Publisher: Middlebury College Press
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
Generously illustrated exhibition catalogue explores the demand for and production of devotional works in early fifteenth-century Italy
Author: Joseph Archer Crowe
Publisher: Parkstone International
ISBN: 1783103922
Category : Art
Languages : en
Pages : 200
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Book Description
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.
Author: Alison Wright
Publisher: Yale University Press
ISBN: 0300238843
Category : Art
Languages : en
Pages : 354
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Book Description
Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.
Author: Laurie Schneider Adams
Publisher: Routledge
ISBN: 0429963661
Category : Art
Languages : en
Pages : 420
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Book Description
"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
Author: Péter Bokody
Publisher: Harvey Miller
ISBN: 9781912554263
Category : Metacognition
Languages : en
Pages : 348
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Book Description
The volume offers an overview of meta-pictorial tendencies in book illumination, mural and panel painting during the Italian and Northern Renaissance. It examines visual forms of self-awareness in the changing context of Latin Christianity and claims the central role of the Renaissance in the establishment of the modern condition of art. Meta-painting refers to the ways in which artworks playfully reveal or critically expose their own fictiveness, and is considered a constitutive aspect of Western art. Its rise was connected to changes in the consumption of religious imagery in the sixteenth century and to the advent of the portable framed canvas, the single most important medium of modernity. While the key initial contributions of some Renaissance painters from Jan van Eyck to Andrea Mantegna have always been acknowledged, in the principal narrative the Renaissance has largely remained the naïve moment of realistic experimentation to be ultimately superseded by the complex reflexive developments in Early Modern art, following the Reformation.
