Italian Drawings in the Department of Prints and Drawings in the British Museum: -[9] Artists working in Rome, c. 1550 to c. 1640 [by] J.A. Gere and Philip Pouncey with the assistance of Rosalind Wood. Catalogue. Plates PDF Download
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![Italian Drawings in the Department of Prints and Drawings in the British Museum: -[9] Artists working in Rome, c. 1550 to c. 1640 [by] J.A. Gere and Philip Pouncey with the assistance of Rosalind Wood. Catalogue. Plates PDF](https://books.google.com/books/content/images/frontcover/t92tx_voPRwC?fife=w150-h200)
Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 264
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Book Description
![Italian Drawings in the Department of Prints and Drawings in the British Museum: -[9] Artists working in Rome, c. 1550 to c. 1640 [by] J.A. Gere and Philip Pouncey with the assistance of Rosalind Wood. Catalogue. Plates PDF](https://books.google.com/books/content/images/frontcover/t92tx_voPRwC?fife=w80-h100)
Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 264
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Book Description
Author: Max Marmor
Publisher: ALA Editions
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 928
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Book Description
"This bibliography supplements the greatest of modern art bibliographies, Etta Arntzen and Robert Rainwater's Guide to the literature of art history (ALA, 1980)"--Preface.
Author: Arthur James Wells
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1706
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Book Description
Author: William Griswold
Publisher: Metropolitan Museum of Art
ISBN: 0870996886
Category : Drawing
Languages : en
Pages : 284
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Book Description
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR
Author: Leo Steinberg
Publisher: Garland Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 516
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Book Description
Author: Charles De Tolnay
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 204
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Book Description
Author: Robert L. Bonn
Publisher: Robert Bonn
ISBN: 9781884092121
Category : Art
Languages : en
Pages : 204
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Book Description
As you read this book, you will see how Bruegel's scenes capture the universal conditions of conflict, work, play, folly and chaos, as well as innumerable pieces of biblical and folk wisdom."--BOOK JACKET.
Author: Peter Gillgren
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668688
Category : Art
Languages : en
Pages : 352
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Book Description
Focusing on what he calls 'the performative gaze', the author explores the artistic world of the Urbino painter Federico Barocci in the context of Renaissance culture; his overview includes analysis of works by artists such as Botticelli, Titian, Velázquez and others. The volume contains a brief catalogue of Barocci's paintings, presented in a chronological order, with a full bibliography and with details about the original locations of the paintings.
Author: Ian Verstegen
Publisher: Penn State University Press
ISBN: 9781612481326
Category : Art patronage
Languages : en
Pages : 0
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Book Description
In 1586, Federico Barocci delivered his Visitation of the Virgin and St. Elizabeth to the Chiesa Nuova in Rome. For the next quarter century, Barocci dominated the art scene in Rome; there was no other artist from whom it was harder to get work and no other artist charged such high prices. Having two important altarpieces in the Chiesa Nuova and two additional commissions discussed was an impressive feat for an artist living exclusively in Urbino. Why did the Oratorians monopolize Barocci's talents in Rome and why does it seem that Barocci was their first choice when considering artists to decorate their church? What was it about Barocci's art that appealed to Oratorian sensibilities and their vision of the artistic program for decoration of their church? This book examines the relationship between Barocci and the Congregation of the Oratory, arguing for a distinct physiognomy of Oratorian patronage and exposing the function the Oratorians expected of religious imagery in contrast to other groups of their time. While explaining Oratorian patronage, it thus deals with a thorny question in social science: how can a collective body have unified intentions and actions? The result is a contribution both to the history of Italian painting and to art historical methodology.
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022669013X
Category : Art
Languages : en
Pages : 316
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Book Description
Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading. Steinberg’s perceptions evolved from long, hard looking at his objects of study. Almost everything he wrote included passages of formal analysis, but always put into the service of interpretation. This volume begins and ends with thematic essays on two fundamental precepts of Steinberg’s art history: how dependence on textual authority mutes the visual truths of images and why artists routinely copy or adapt earlier artworks. In between are fourteen chapters on masterpieces of renaissance and baroque art, with bold and enlightening interpretations of works by Mantegna, Filippo Lippi, Pontormo, El Greco, Caravaggio, Steen and, finally, Velázquez. Four chapters are devoted to some of Velázquez’s best-known paintings, ending with the famously enigmatic Las Meninas. Renaissance and Baroque Art is the third volume in a series that presents Steinberg’s writings, selected and edited by his longtime associate Sheila Schwartz.
