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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
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Book Description
Author: Patrice Baldwin
Publisher: A&C Black
ISBN: 1441169350
Category : Education
Languages : en
Pages : 253
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Book Description
In this new and updated edition, Patrice Baldwin brings together key findings from brain research and best practice to highlight the benefits that drama and imagined experience can have on learning, creativity, motivation and self-esteem, and explains why and how drama supports learning. The book offers sound advice on planning and managing drama across the curriculum from ages 5-14, and provides carefully annotated schemes of work complete with photocopiable resource sheets and online templates. Both experienced teachers of drama and non-specialists will appreciate the up-to-date research, new pedagogic examples, multisensory drama techniques and links to contemporary developments in education, such as play-based learning, learning outside the classroom and Philosophy for Children (P4C). With Drama in Mind is an invaluable source of inspiration for revitalising your teaching and stimulating pupils' imaginations.
Author: Edward Sakamoto
Publisher: University of Hawaii Press
ISBN: 9780824817268
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
In The Taste of Kona Coffee, two nisei brothers, Aki and Tosh, fight to free themselves from the prison of old-world traditions and poverty only to find themselves bound by the constraints of neocolonialism. In Manoa Valley, set some thirty years later, Tosh, now a successful building contractor in Honolulu, must reconcile his image of the future with that of his son, Spencer, who dreams of life in mainland America. The third play, The Life of the Land, is set in 1980. Spencer has achieved his goals but at the cost of alienating himself from his family and his culture. Hawaii No Ka Oi presents an important aspect of Japanese American social history in Hawaii, yet it reflects the immigrant experience of other ethnic groups. These are plays with which Americans of all backgrounds can identify.
Author: Frank Nack
Publisher: Springer
ISBN: 3319482793
Category : Computers
Languages : en
Pages : 473
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Book Description
This book constitutes the refereed proceedings of the 9th International Conference on Interactive Digital Storytelling, ICIDS 2016, held in Los Angeles, CA, USA, in November 2016. The 26 revised full papers and 8 short papers presented together with 9 posters, 4 workshop, and 3 demonstration papers were carefully reviewed and selected from 88 submissions. The papers are organized in topical sections on analyses and evaluation systems; brave new ideas; intelligent narrative technologies; theoretical foundations; and usage scenarios and applications.
Author: Diana Looser
Publisher: University of Hawaii Press
ISBN: 082484775X
Category : History
Languages : en
Pages : 328
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Book Description
Since the late 1960s, drama by Pacific Island playwrights has flourished throughout Oceania. Although many Pacific Island cultures have a broad range of highly developed indigenous performance forms—including oral narrative, clowning, ritual, dance, and song—scripted drama is a relatively recent phenomenon. Emerging during a period of region-wide decolonization and indigenous self-determination movements, most of these plays reassert Pacific cultural perspectives and performance techniques in ways that employ, adapt, and challenge the conventions and representations of Western theater. Drawing together discussions in theater and performance studies, historiography, Pacific studies, and postcolonial studies, Remaking Pacific Pasts offers the first full-length comparative study of this dynamic and expanding body of work. It introduces readers to the field with an overview of significant works produced throughout the region over the past fifty years, including plays in English and in French, as well as in local vernaculars and lingua francas. The discussion traces the circumstances that have given rise to a particular modern dramatic tradition in each site and also charts routes of theatrical circulation and shared artistic influences that have woven connections beyond national borders. This broad survey contextualizes the more detailed case studies that follow, which focus on how Pacific dramatists, actors, and directors have used theatrical performance to critically engage the Pacific’s colonial and postcolonial histories. Chapters provide close readings of selected plays from Hawai‘i, Aotearoa/New Zealand, New Caledonia/Kanaky, and Fiji that treat events, figures, and legacies of the region’s turbulent past: Captain Cook’s encounters, the New Zealand Wars, missionary contact, the overthrow of the Hawaiian monarchy, and the Fiji coups. The book explores how, in their remembering and retelling of these pasts, theater artists have interrogated and revised repressive and marginalizing models of historical understanding developed through Western colonialism or exclusionary indigenous nationalisms, and have opened up new spaces for alternative historical narratives and ways of knowing. In so doing, these works address key issues of identity, genealogy, representation, political parity, and social unity, encouraging their audiences to consider new possibilities for present and future action. This study emphasizes the contribution of artistic production to social and political life in the contemporary Pacific, demonstrating how local play production has worked to facilitate processes of creative nation building and the construction of modern regional imaginaries. Remaking Pacific Pasts makes valuable contributions to Pacific literature, world theater history, Pacific studies, and postcolonial studies. The book opens up to comparative critical discussion a geopolitical region that has received little attention from theater and performance scholars, extending our understanding of the form and function of theater in different cultural contexts. It enriches existing discussions in postcolonial studies about the decolonizing potential of literary and artistic endeavors, and it suggests how theater might function as a mode of historical enquiry and debate, adding to discussions about ways in which Pacific histories might be developed, challenged, or recalibrated. Consequently, the book stimulates new discussions in Pacific studies where theater has, to date, suffered from a lack of critical exposure. Carefully researched and original in its approach, Remaking Pacific Pasts will appeal to scholars, graduate students, and upper-level undergraduate students in theater and performance studies and Pacific Islands studies; it will also be of interest to cultural historians and to specialists in cultural studies and postcolonial studies.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 758
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Book Description
Author: Brian Woolland
Publisher: Routledge
ISBN: 1317863518
Category : Education
Languages : en
Pages : 249
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Book Description
Assuming no prior knowledge or experience of drama teaching, Brian Woolland’sTeaching Primary Drama offers a comprehensive introduction to the teaching of drama in the primary school, and focuses on current initiatives in primary education including the primary literacy strategy. The text is an invaluable resource for any teacher wishing to adopt a creative approach to teaching in their classroom. It offers guidance on different drama methods, and each practical idea translates to all areas of the curriculum. “[Teaching Primary Drama] is written in simple terms, uncluttered by references, is refreshingly straightforward and succinct and does not fall into the trap of making a complex subject sound complex; a trait of some texts which can push non-specialists away.”Amanda Kipling, London Drama Magazine, Summer 2010 issue.
Author: Mary Ellen Hannibal
Publisher: Rowman & Littlefield
ISBN: 0762788828
Category : Nature
Languages : en
Pages : 291
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Book Description
As climate change encroaches, natural habitats are shifting while human development makes islands of even the largest nature reserves, stranding the biodiversity within them. The Spine of the Continent profiles the most ambitious conservation effort ever made: to create linked protected areas from the Yukon to Mexico. Backed by blue-ribbon scientific foundations, the Spine is a grassroots, cooperative effort among NGOs large and small and everyday citizens. It aims not only to make physical connections so nature will persist but also to make connections between people and the land. In this fascinating and important account, Mary Ellen Hannibal travels the length of the Spine and shares stories of the impassioned activists she meets and the critters they love.
Author: Susan J. Fernandez
Publisher: University Press of Florida
ISBN: 0813072387
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
Florida has been the location and subject of hundreds of feature films, from Cocoanuts (1929) to Monster (2004). Portraying the state and its people from the silent era to the present, these films have explored the multitude of Florida images and cliches that have captured the public's imagination--a nature lover's paradise, a wildlife refuge, a tourist destination, home to the "cracker," and a haven for the retired, the rich, the immigrant, and the criminal. Sunshine in the Dark is the first complete study of how the movie industry has immortalized Florida’s extraordinary scenery, characters, and history on celluloid. Historians Fernández and Ingalls have identified more than 300 films about Florida--many of them shot on location in the state--to analyze how filmmakers from the Marx Brothers and John Huston to Oliver Stone and Francis Ford Coppola have portrayed the state and its people. Prior to the 1960s, cinematic trips to Florida usually brought happy endings in movies like Moon Over Miami (1942), but since the 1970s, films like Scarface (1982) have emphasized the state's menacing aspects. In the authors' analysis of the films, which examines location settings, plotlines, and characters, they find a bevy of Florida stereotypes among the leading characters--from the struggling crackers in The Yearling (1946) to the drug-addicted con man in Adaptation (2002). Featuring more than 100 still photographs from movies, as well as filmographies by year and genre, the book is an encyclopedic resource for movie fans and anyone interested in Florida popular culture.
