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Author: Kadoi Yuka Kadoi
Publisher: Edinburgh University Press
ISBN: 1474469671
Category : Art
Languages : en
Pages : 304
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Book Description
The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.Key Features*Covers various media of decorative and pictorial arts from Iran, Central Asia and China*Deals with a diverse range of issues related to the East-West artistic relationship in the Middle Ages*Features in-depth studies of style, technique and iconography in Iranian art under the Mongols*Includes 125 illustrations, 24 in colour
Author: Kadoi Yuka Kadoi
Publisher: Edinburgh University Press
ISBN: 1474469671
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.Key Features*Covers various media of decorative and pictorial arts from Iran, Central Asia and China*Deals with a diverse range of issues related to the East-West artistic relationship in the Middle Ages*Features in-depth studies of style, technique and iconography in Iranian art under the Mongols*Includes 125 illustrations, 24 in colour
Author: Peter Jackson
Publisher: Yale University Press
ISBN: 030012533X
Category : History
Languages : en
Pages : 641
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Book Description
The Ilkhanate: from Tegüder Aḥmad to Öljeitü -- Muslim Ilkhans, the Buddhists and the People of the Book -- Rashīd al-Dīn, Islam and the Mongols -- The Islam of Ghazan, his generals and his minister: the view from outside -- EPILOGUE -- Legitimation by Chinggisid descent -- Allegiance to Mongol norms and institutions -- Turkicization -- The exodus of Muslims from the Mongol world -- The spread of Islam across Eurasia -- The movement of peoples and the emergence of new ethnicities -- The integration of Eurasia within a single disease zone: the Black Death -- CONCLUSION -- APPENDIX 1 Glossary of Technical Terms -- APPENDIX 2 Genealogical Tables and Lists of Rulers -- NOTES -- BIBLIOGRAPHY -- INDEX
Author: Bruce B. Lawrence
Publisher: John Wiley & Sons
ISBN: 1118780000
Category : Religion
Languages : en
Pages : 196
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Book Description
Discover the essence of the Islamicate Cosmopolitan Spirit and what it has contributed to societies across the ages In Islamicate Cosmopolitan Spirit, author and expert, Bruce B. Lawrence, delivers a spiritual elan filtered through cultural practices and artefacts. Neither juridical nor creedal, the book expresses a desire for the just and the beautiful. The author sets out an original and fascinating theory, that Islamicate cosmopolitanism marks a new turn in global history. An unceasing, self-critical pursuit of truth, hitched to both beauty and justice, its history is marked by male elites who were scientific exemplars in the pre-modern period. In the modern period, these exemplars include women as well as men, artists as well as scientists. The Islamicate Cosmopolitans have had special impact across the Afro-Eurasian ecumene at the heart of civilized exchange between multiple groups with competing yet convergent interests. The Islamicate Cosmopolitan Spirit is a boundary busting challenge to those who think of the world merely in terms of an “Arab” Middle East. Readers will also benefit from: A thorough introduction to the Islamicate Cosmopolitan Spirit across time and space An exploration of premodern Afro-Eurasia and Persianate Culture in the Indian Ocean A practical discussion of the future of the Islamicate Cosmopolitan Spirit Perfect for all students of Islamicate civilization, both traditional and progressive, Islamicate Cosmopolitan Spirit will also earn a place in the libraries of general readers of world history and those grounded in the larger history of Islamicate Asia will find a perspective that centers their own contribution to the Islamicate Cosmopolitan Spirit.
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author: Jackson Cailah Jackson
Publisher: Edinburgh University Press
ISBN: 1474451500
Category : Art
Languages : en
Pages : 343
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Book Description
Between the Mongol invasions in the mid-13th century and the rise of the Ottomans in the late 14th century, the Lands of Rum were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here in this extensively illustrated volume. Meticulously analysing 15 beautifully decorated Arabic and Persian manuscripts, including Qur'ans, mirrors-for-princes, historical chronicles and Sufi works, Cailah Jackson traces the development of calligraphy and illumination in late medieval Anatolia. She shows that the central Anatolian city of Konya, in particular, was a dynamic centre of artistic activity and that local Turcoman princes, Seljuk bureaucrats and Mevlevi dervishes all played important roles in manuscript production and patronage.
Author: Massumeh Farhad
Publisher: Smithsonian Institution
ISBN: 1588345785
Category : Art
Languages : en
Pages : 385
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Book Description
Published on the occasion of the exhibition The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts, Istanbul, held at the Arthur M. Sackler Gallery, Washington, D.C., October 15, 2016-February 20, 2017.
Author:
Publisher: BRILL
ISBN: 9004525246
Category : History
Languages : en
Pages : 694
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Book Description
The Historian of Islam at Work is a volume in honor of Hugh N. Kennedy. It offers thirty contributions by three generations of prominent scholars in the field of pre-modern Middle Eastern studies, covering the many areas of Islamic historical inquiry in which Hugh Kennedy has been active throughout his career. Grouped around four major themes - Caliphate and power, economy and society, Abbasids, and frontiers and the others - the contributions deal with the history, archaeology, architecture and literature of the Middle East, North Africa and beyond, from the time of the Prophet until the fifteenth century.
Author:
Publisher: BRILL
ISBN: 9004323481
Category : History
Languages : en
Pages : 690
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Book Description
The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book marks an important contribution to the understanding of the development of illustrative imagery in the Persianate world and its later perception. Contributors are: Serpil Bağcı, Barbara Brend, Massumeh Farhad, Julia Gonnella, Claus-Peter Haase, Oliver Hahn, Robert Hillenbrand, Yuka Kadoi, Charles Melville, Gülru Necipoğlu, Bernard O'Kane, Filiz Ҫakır Phillip, Yves Porter, Julian Raby, Christoph Rauch, Simon Rettig, David J. Roxburgh, Karin Rührdanz, Zeren Tanındı, Lâle Uluç, Ching-Ling Wang, and Friederike Weis.
Author: China National Silk Museum
Publisher: UNESCO Publishing
ISBN: 9231005391
Category : Political Science
Languages : en
Pages : 401
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Book Description
Author: Mohammad Gharipour
Publisher: Routledge
ISBN: 131742722X
Category : Architecture
Languages : en
Pages : 249
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Book Description
Historiography is the study of the methodology of writing history, the development of the discipline of history, and the changing interpretations of historical events in the works of individual historians. Exploring the historiography of Persian art and architecture requires a closer look at a diverse range of sources, including chronicles, historical accounts, travelogues, and material evidence coming from archaeological excavations. The Historiography of Persian Architecture highlights the political, cultural, and intellectual contexts that lie behind the written history of Persian architecture in the twentieth century, presenting a series of investigations on issues related to historiography. This book addresses the challenges, complexities, and contradictions regarding historical and geographical diversity of Persian architecture, including issues lacking in the 20th century historiography of Iran and neighbouring countries. This book not only illustrates different trends in Persian architecture but also clarifies changing notions of research in this field. Aiming to introduce new tools of analysis, the book offers fresh insights into the discipline, supported by historical documents, archaeological data, treatises, and visual materials. It brings together well-established and emerging scholars from a broad range of academic spheres, in order to question and challenge pre-existing historiographical frameworks, particularly through specific case studies. Overall, it provides a valuable contribution to the study of Persian architecture, simultaneously revisiting past literature and advancing new approaches. This book would be of interest to students and scholars of Middle East and Iranian Studies, as well as Architectural History, including Islamic architecture and historiography.
