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Author: Averil King
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 134
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Book Description
This is the first western study of the renowned Russian nineteenth-century landscape painter, Isaak Levitan (1860-1900). Published to coincide with the recent opening of the 'Russian Landscape Painting' exhibition in Groningen, Netherlands. Born into a poor Jewish family in Lithuania, Levitan was able to enrol at the Moscow School of Painting when aged only thirteen and made rapid progress, the great merchant collector, Pavel Tretyakov buying one of his early paintings. In 1876 he sketched in the Crimea and during the summers of 1887 and 1890 he painted in the Volga region. These years saw the development of his long friendship with the future playwright Anton Chekhov and the creation of his first 'mood landscapes'. Levitan travelled extensively, if briefly, in Europe, visiting Berlin, Paris, north Italy, Switzerland, Munich and Vienna and was thus, unlike most of his Russian comtemporaries, well aware of the artistic trends in the west. His experience of European painting added considerably to the breadth of his vision in depicting the Russian terrain. In doing this Levitan sought simple but well-loved motifs of the countryside, portraying them in an increasingly laconic and intelligent way. Levitan's scenes of fields and forests at twilight achieve an extraordinary atmospheric veracity, while his joyful evocations of the Russian spring are noted for their expressive lyricism. His work was greatly admired by Diaghilev, the legendary theatre manager Stanislavsky, and the world-famous opera singer Chaliapin. Towards the end of his short life Levitan exhibited regularly with the Itinerants (the Russian association for travelling exhibitions) and with the Munich Secession and was responsible for revitalising the teaching of landscape painting in Moscow.
Author: Averil King
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 134
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Book Description
This is the first western study of the renowned Russian nineteenth-century landscape painter, Isaak Levitan (1860-1900). Published to coincide with the recent opening of the 'Russian Landscape Painting' exhibition in Groningen, Netherlands. Born into a poor Jewish family in Lithuania, Levitan was able to enrol at the Moscow School of Painting when aged only thirteen and made rapid progress, the great merchant collector, Pavel Tretyakov buying one of his early paintings. In 1876 he sketched in the Crimea and during the summers of 1887 and 1890 he painted in the Volga region. These years saw the development of his long friendship with the future playwright Anton Chekhov and the creation of his first 'mood landscapes'. Levitan travelled extensively, if briefly, in Europe, visiting Berlin, Paris, north Italy, Switzerland, Munich and Vienna and was thus, unlike most of his Russian comtemporaries, well aware of the artistic trends in the west. His experience of European painting added considerably to the breadth of his vision in depicting the Russian terrain. In doing this Levitan sought simple but well-loved motifs of the countryside, portraying them in an increasingly laconic and intelligent way. Levitan's scenes of fields and forests at twilight achieve an extraordinary atmospheric veracity, while his joyful evocations of the Russian spring are noted for their expressive lyricism. His work was greatly admired by Diaghilev, the legendary theatre manager Stanislavsky, and the world-famous opera singer Chaliapin. Towards the end of his short life Levitan exhibited regularly with the Itinerants (the Russian association for travelling exhibitions) and with the Munich Secession and was responsible for revitalising the teaching of landscape painting in Moscow.
Author: Alexei Fiodorov-Davydov
Publisher: Parkstone International
ISBN: 1644618796
Category : Art
Languages : en
Pages : 145
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Book Description
Isaac Levitan was one of the greatest landscape painters of the nineteenth century not only in Russian, but in European art as well. He created works of undying artistic merit. His art is for all time and for all people because it absorbed into itself the woes, the joys and the social realities of its age, because it converted that which men lived by into sublime works of art and translated the author’s emotions into lyrical images of his native land. At the end of the nineteenth century the landscape was one of the foremost genres in Russian painting. It was this influence that shaped Levitan’s art, an art fully and by right symbolic of the finest achievements of Russian landscape painting.
Author: Isaak Ilʹich Levitan
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 174
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Book Description
Author: Evgenija N. Petrova
Publisher:
ISBN: 9783940761651
Category : Art, Russian
Languages : en
Pages : 132
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Book Description
Author: Serge Vladimir Gregory
Publisher:
ISBN: 9780875807317
Category : BIOGRAPHY & AUTOBIOGRAPHY
Languages : en
Pages : 0
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Book Description
Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia's greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan's life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory's highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic. In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan's paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan's "landscapes of mood" have much in common with the way that Chekhov's characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists' similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow's leading cultural figures; and the influence of Levitan's personal life on Chekhov's stories and plays. He emphasizes the facts of Levitan's life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements. Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies.
Author: Ivan Alekseevich Bunin
Publisher: Northwestern University Press
ISBN: 0810123886
Category : Biography & Autobiography
Languages : en
Pages : 231
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Book Description
Seven years after the death of Anton Chekhov, his sister, Maria, wrote to a friend, "You asked for someone who could write a biography of my deceased brother. If you recall, I recommended Iv. Al. Bunin . . . . No one writes better than he; he knew and understood my deceased brother very well; he can go about the endeavor objectively. . . . I repeat, I would very much like this biography to correspond to reality and that it be written by I.A. Bunin." In About Chekhov Ivan Bunin sought to free the writer from limiting political, social, and aesthetic assessments of his life and work, and to present both in a more genuine, insightful, and personal way. Editor and translator Thomas Gaiton Marullo subtitles About Chekhov "The Unfinished Symphony," because although Bunin did not complete the work before his death in 1953, he nonetheless fashioned his memoir as a moving orchestral work on the writers' existence and art. . . . "Even in its unfinished state, About Chekhov stands not only as a stirring testament of one writer's respect and affection for another, but also as a living memorial to two highly creative artists." Bunin draws on his intimate knowledge of Chekhov to depict the writer at work, in love, and in relation with such writers as Tolstoy and Gorky. Through anecdotes and observations, spirited exchanges and reflections, this memoir draws a unique portrait that plumbs the depths and complexities of two of Russia's greatest writers.
Author: Isaak Ilʹič Levitan
Publisher:
ISBN:
Category : Painters
Languages : ru
Pages : 40
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Book Description
Author: Tricia Cusack
Publisher: Syracuse University Press
ISBN: 9780815629047
Category : Art
Languages : en
Pages : 256
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Book Description
Painted riverscapes such as Claude Monet's impressions of the Seine, Isaak Levitan's Volga views, or Thomas Cole's Hudson scenery became iconic not least because they embodied nationalist ideas about place and about culture. At a time when nationalism was taking root across Europe and the United States, the riverscape played an important role in transforming the abstract idea of the nation into a potent visual image. It not only offered a picture of the nation's physical character, but through aspects such as style, the figures portrayed, and the nature of the implied spectator, it presented a cultural ideal. In this highly original book, Tricia Cusak explores significance of painted riverscapes to the creation of national identities in nineteenth and early twentieth century Europe and America. Focusing on five rivers, the Hudson, the Volga, the Seine, the Thames, and the Shannon, the author outlines the history of the development of national landscapes, elaborating on the distinctive nature of riverscapes. Drawing on the symbolic potential of rivers to represent life and time, the riverscape provided a metaphor for the mythic stream of national history flowing unimpeded out of the past and into the future.
Author: Alexandre Benois
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Author: Victoria Charles
Publisher: Parkstone International
ISBN: 1783100818
Category : Art
Languages : en
Pages : 200
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Book Description
Russian countryside is some of the world’s most lovely, from the celebrated explosions of wild flowers that fill its forests in the spring, to the icy winter tundra that defeated the advances of Napoleon and Hitler, and provided the backdrop for the drama of many of Russian literature’s celebrated scenes. And no one immortalized it better than Ivan Shishkin (1832-1898), a Russian landscape painter. In this comprehensive work of scholarship, Irina Shuvalova and Victoria Charles make a thorough examination of Shishkin’s work.
