Author: Amelia Jones
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
A revisionist history of New York Dada, with appearances by Baroness Elsa as the embodiment of irrational modernism.
Irrational Modernism
Author: Amelia Jones
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
A revisionist history of New York Dada, with appearances by Baroness Elsa as the embodiment of irrational modernism.
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
A revisionist history of New York Dada, with appearances by Baroness Elsa as the embodiment of irrational modernism.
Improper Modernism
Author: Daniela Caselli
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754652007
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Daniela Caselli raises timely questions about Djuna Barnes, biography and feminist criticism, identity and authority, and modernist canon formation and tackles a central issue in Barnes: intertextuality. Caselli shows that throughout Barnes's corpus, the repetition of texts, by other authors (from Blake to Middleton) and by Barnes herself, forces us to rethink the relationship between authority and gender in modernism.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754652007
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Daniela Caselli raises timely questions about Djuna Barnes, biography and feminist criticism, identity and authority, and modernist canon formation and tackles a central issue in Barnes: intertextuality. Caselli shows that throughout Barnes's corpus, the repetition of texts, by other authors (from Blake to Middleton) and by Barnes herself, forces us to rethink the relationship between authority and gender in modernism.
American Modernism
Author: Catherine Morley
Publisher: Cambridge Scholars Publishing
ISBN: 1527556719
Category : Literary Criticism
Languages : en
Pages : 215
Book Description
Encompassing writers from Edith Wharton, Ezra Pound and T.S. Eliot to Willa Cather, Theodore Dreiser and Gertrude Stein, American Modernism: Cultural Transactions is a comprehensive and informative companion to the field of American literary modernism. This groundbreaking new book explores the changing patterns of American literary culture in the early years of the 20th century, in the aftermath of the great American Renaissance, when the United States was well on its way to becoming the most economically powerful and culturally influential nation in the world. It brings together some of the most eminent British and European scholars to investigate how the United States’s unique cultural position is in fact the by-product of a range of cultural transactions between the United States and Europe, between the visual and the literary arts, and between the economic and aesthetic worlds. And it presents a stunning re-examination of the social, cultural and artistic contours of American modernism, from the impact of a liberal Scottish speaker on T.S. Eliot’s considerations of Shakespeare to the generic hybridity of Edith Wharton’s writing, from the influence of Oscar Wilde on Hart Crane to the effect of Anglo-European experimentalism on Native American fiction – and much more. Through close textual and archival analysis, backed up with compelling historical insights, these nine new essays explore the nature and limits of American modernism. They address such topical issues as geomodernism, transnationalism and the nature of American identity; they examine the ways writers embraced or rejected the emerging modern world; and they take a fresh look at American literature in the broad context of international modernism.
Publisher: Cambridge Scholars Publishing
ISBN: 1527556719
Category : Literary Criticism
Languages : en
Pages : 215
Book Description
Encompassing writers from Edith Wharton, Ezra Pound and T.S. Eliot to Willa Cather, Theodore Dreiser and Gertrude Stein, American Modernism: Cultural Transactions is a comprehensive and informative companion to the field of American literary modernism. This groundbreaking new book explores the changing patterns of American literary culture in the early years of the 20th century, in the aftermath of the great American Renaissance, when the United States was well on its way to becoming the most economically powerful and culturally influential nation in the world. It brings together some of the most eminent British and European scholars to investigate how the United States’s unique cultural position is in fact the by-product of a range of cultural transactions between the United States and Europe, between the visual and the literary arts, and between the economic and aesthetic worlds. And it presents a stunning re-examination of the social, cultural and artistic contours of American modernism, from the impact of a liberal Scottish speaker on T.S. Eliot’s considerations of Shakespeare to the generic hybridity of Edith Wharton’s writing, from the influence of Oscar Wilde on Hart Crane to the effect of Anglo-European experimentalism on Native American fiction – and much more. Through close textual and archival analysis, backed up with compelling historical insights, these nine new essays explore the nature and limits of American modernism. They address such topical issues as geomodernism, transnationalism and the nature of American identity; they examine the ways writers embraced or rejected the emerging modern world; and they take a fresh look at American literature in the broad context of international modernism.
Modernism and Mourning
Author: Patricia Rae
Publisher: Bucknell University Press
ISBN: 9780838756171
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
The essays in Modernism and Mourning examine the work of mourning in modernist literature, or more precisely, its propensity for resisting this work. Drawing from recent developments in the theory and cultural history of mourning, its contributors explore the various ways in which modernist writers repudiate Freud's famous injunction to mourners to work through their grief, endorsing instead a resistant, or melancholic mourning that shapes both their themes and their radical experiments with form. The emerging picture of the pervasive influence of melancholic mourning in modernist literature casts new light on longstanding critical arguments, especially those about the politics of modernism. It also makes clear the pertinence of this literature to the present day, in which the catastrophic losses of 9/11, of retaliatory war, of racially motivated genocide, of the AIDS epidemic, have made the work of mourning a subject of widespread interest and debate. Patricia Rae is Head of the Department of English at Queen's University.
Publisher: Bucknell University Press
ISBN: 9780838756171
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
The essays in Modernism and Mourning examine the work of mourning in modernist literature, or more precisely, its propensity for resisting this work. Drawing from recent developments in the theory and cultural history of mourning, its contributors explore the various ways in which modernist writers repudiate Freud's famous injunction to mourners to work through their grief, endorsing instead a resistant, or melancholic mourning that shapes both their themes and their radical experiments with form. The emerging picture of the pervasive influence of melancholic mourning in modernist literature casts new light on longstanding critical arguments, especially those about the politics of modernism. It also makes clear the pertinence of this literature to the present day, in which the catastrophic losses of 9/11, of retaliatory war, of racially motivated genocide, of the AIDS epidemic, have made the work of mourning a subject of widespread interest and debate. Patricia Rae is Head of the Department of English at Queen's University.
Modernist Wastes
Author: Caroline Knighton
Publisher: Bloomsbury Publishing
ISBN: 1350129046
Category : Literary Criticism
Languages : en
Pages : 437
Book Description
Modernist Wastes is a profound new critical reflection on the ways in which women writers and artists have been discarded and recovered in established definitions of modernism. Exploring the collaborative auto/biographical writings of Djuna Barnes and the artist, poetic and Dada performer Baroness Elsa von Freytag-Loringhoven, Caroline Knighton reveals how these very processes of discarding, recovery and re-use can open up new ways of understanding a distinctively female modernist artistic practice. Illustrated throughout with artworks, original letters and manuscript facsimiles, the book draws on new archival discoveries to place the feminist recovery of neglected female voices at the heart of our understanding of modernist and avant-garde literary culture.
Publisher: Bloomsbury Publishing
ISBN: 1350129046
Category : Literary Criticism
Languages : en
Pages : 437
Book Description
Modernist Wastes is a profound new critical reflection on the ways in which women writers and artists have been discarded and recovered in established definitions of modernism. Exploring the collaborative auto/biographical writings of Djuna Barnes and the artist, poetic and Dada performer Baroness Elsa von Freytag-Loringhoven, Caroline Knighton reveals how these very processes of discarding, recovery and re-use can open up new ways of understanding a distinctively female modernist artistic practice. Illustrated throughout with artworks, original letters and manuscript facsimiles, the book draws on new archival discoveries to place the feminist recovery of neglected female voices at the heart of our understanding of modernist and avant-garde literary culture.
Wharton, Hemingway, and the Advent of Modernism
Author: Lisa Tyler
Publisher: LSU Press
ISBN: 0807171298
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Wharton, Hemingway, and the Advent of Modernism is the first book to examine the connections linking two major American writers of the twentieth century, Edith Wharton and Ernest Hemingway. In twelve critical essays, accompanied by a foreword from Wharton scholar Laura Rattray and a critical introduction by volume editor Lisa Tyler, contributors reveal the writers’ overlapping contexts, interests, and aesthetic techniques. Thematic sections highlight modernist trends found in each author’s works. To begin, Peter Hays and Ellen Andrews Knodt argue for reading Wharton as a modernist writer, noting how her works feature characteristics that critics customarily credit to a younger generation of writers, including Hemingway. Since Wharton and Hemingway each volunteered for humanitarian medical service in World War I, then drew upon their experiences in subsequent literary works, Jennifer Haytock and Milena Radeva-Costello analyze their powerful perspectives on the cataclysmic conflict traditionally viewed as marking the advent of modernism in literature. In turn, Cecilia Macheski and Sirpa Salenius consider the authors’ passionate representations of Italy, informed by personal sojourns there, in which they observed its beautiful landscapes and culture, its liberating contrast with the United States, and its period of fascist politics. Linda Wagner-Martin, Lisa Tyler, and Anna Green focus on the complicated gender politics embedded in the works of Wharton and Hemingway, as evidenced in their ideas about female agency, sexual liberation, architecture, and modes of transportation. In the collection’s final section, Dustin Faulstick, Caroline Chamberlin Hellman, and Parley Ann Boswell address suggestive intertextualities between the two authors with respect to the biblical book of Ecclesiastes, their serialized publications in Scribner’s Magazine, and their affinities with the literary and cinematic tradition of noir. Together, the essays in this engaging collection prove that comparative studies of Wharton and Hemingway open new avenues for understanding the pivotal aesthetic and cultural movements central to the development of American literary modernism.
Publisher: LSU Press
ISBN: 0807171298
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Wharton, Hemingway, and the Advent of Modernism is the first book to examine the connections linking two major American writers of the twentieth century, Edith Wharton and Ernest Hemingway. In twelve critical essays, accompanied by a foreword from Wharton scholar Laura Rattray and a critical introduction by volume editor Lisa Tyler, contributors reveal the writers’ overlapping contexts, interests, and aesthetic techniques. Thematic sections highlight modernist trends found in each author’s works. To begin, Peter Hays and Ellen Andrews Knodt argue for reading Wharton as a modernist writer, noting how her works feature characteristics that critics customarily credit to a younger generation of writers, including Hemingway. Since Wharton and Hemingway each volunteered for humanitarian medical service in World War I, then drew upon their experiences in subsequent literary works, Jennifer Haytock and Milena Radeva-Costello analyze their powerful perspectives on the cataclysmic conflict traditionally viewed as marking the advent of modernism in literature. In turn, Cecilia Macheski and Sirpa Salenius consider the authors’ passionate representations of Italy, informed by personal sojourns there, in which they observed its beautiful landscapes and culture, its liberating contrast with the United States, and its period of fascist politics. Linda Wagner-Martin, Lisa Tyler, and Anna Green focus on the complicated gender politics embedded in the works of Wharton and Hemingway, as evidenced in their ideas about female agency, sexual liberation, architecture, and modes of transportation. In the collection’s final section, Dustin Faulstick, Caroline Chamberlin Hellman, and Parley Ann Boswell address suggestive intertextualities between the two authors with respect to the biblical book of Ecclesiastes, their serialized publications in Scribner’s Magazine, and their affinities with the literary and cinematic tradition of noir. Together, the essays in this engaging collection prove that comparative studies of Wharton and Hemingway open new avenues for understanding the pivotal aesthetic and cultural movements central to the development of American literary modernism.
Cultural Theory and the Problem of Modernity
Author: Alan Swingewood
Publisher: Bloomsbury Publishing
ISBN: 1349268305
Category : Social Science
Languages : en
Pages : 202
Book Description
This book presents a critical analysis of the relation between sociological theory and recent debates in cultural studies. A distinctive sociological perspective is developed based on the work of Marx, Weber, Bourdieu and Bakhtin. The book examines the problems of theorising issues such as modernity, mass culture and postmodernity by advocating a historical and context-based approach.
Publisher: Bloomsbury Publishing
ISBN: 1349268305
Category : Social Science
Languages : en
Pages : 202
Book Description
This book presents a critical analysis of the relation between sociological theory and recent debates in cultural studies. A distinctive sociological perspective is developed based on the work of Marx, Weber, Bourdieu and Bakhtin. The book examines the problems of theorising issues such as modernity, mass culture and postmodernity by advocating a historical and context-based approach.
Reason and Unreason
Author: Michael Rustin
Publisher: A&C Black
ISBN: 056706722X
Category : Philosophy
Languages : en
Pages : 257
Book Description
The justification and legitimacy of psychoanalytic knowledge and its relevance to social and political questions.
Publisher: A&C Black
ISBN: 056706722X
Category : Philosophy
Languages : en
Pages : 257
Book Description
The justification and legitimacy of psychoanalytic knowledge and its relevance to social and political questions.
Remade in America
Author: Joanna Pawlik
Publisher: Univ of California Press
ISBN: 0520309049
Category : Art
Languages : en
Pages : 295
Book Description
Re-viewing surrealism in Charles Henri Ford's Poem posters (1964-5) -- Encountering surrealism : Nadja (1928) and autobiographical beat writing -- Blackening surrealism : Ted Joans' ethnographic surrealist historiography -- Turning on surrealism : queer psychedelia -- Hystericising surrealism : the marvelous in popular culture.
Publisher: Univ of California Press
ISBN: 0520309049
Category : Art
Languages : en
Pages : 295
Book Description
Re-viewing surrealism in Charles Henri Ford's Poem posters (1964-5) -- Encountering surrealism : Nadja (1928) and autobiographical beat writing -- Blackening surrealism : Ted Joans' ethnographic surrealist historiography -- Turning on surrealism : queer psychedelia -- Hystericising surrealism : the marvelous in popular culture.
Anything That Burns You
Author: Terese Svoboda
Publisher: IPG
ISBN: 193618298X
Category : Biography & Autobiography
Languages : en
Pages : 684
Book Description
The first full-length biography of Lola Ridge, a trailblazer for women, poetry, and human rights far ahead of her time This rich and detailed account of the life and world of Lola Ridge, poet, artist, editor, and activist for the cause of women's rights, workers' rights, racial equality and social reform. From her childhood as a newly arrived Irish immigrant in the grim mining towns of New Zealand to her years as a budding poet and artist in Sydney, Australia, to her migration to America and the cities of San Francisco, Chicago, and New York. At one time considered one of the most popular poets of her day, she later fell out of critical favor due to her realistic and impassioned verse that looked head on at the major social woes of society. Moreover, her work and appearances alongside the likes of Margaret Sanger, Emma Goldman, Will Durant, and other socialists and radicals put her in the line of fire not only of the police and government, but also the literary pundits who criticized her activism as being excessive and melodramatic. This lively portrait gives a veritable who's who of all the key players in the arts, literature, and radical politics of the time, in which Lola Ridge stood front and center.
Publisher: IPG
ISBN: 193618298X
Category : Biography & Autobiography
Languages : en
Pages : 684
Book Description
The first full-length biography of Lola Ridge, a trailblazer for women, poetry, and human rights far ahead of her time This rich and detailed account of the life and world of Lola Ridge, poet, artist, editor, and activist for the cause of women's rights, workers' rights, racial equality and social reform. From her childhood as a newly arrived Irish immigrant in the grim mining towns of New Zealand to her years as a budding poet and artist in Sydney, Australia, to her migration to America and the cities of San Francisco, Chicago, and New York. At one time considered one of the most popular poets of her day, she later fell out of critical favor due to her realistic and impassioned verse that looked head on at the major social woes of society. Moreover, her work and appearances alongside the likes of Margaret Sanger, Emma Goldman, Will Durant, and other socialists and radicals put her in the line of fire not only of the police and government, but also the literary pundits who criticized her activism as being excessive and melodramatic. This lively portrait gives a veritable who's who of all the key players in the arts, literature, and radical politics of the time, in which Lola Ridge stood front and center.