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Author: Philip Vellacott
Publisher: Cambridge University Press
ISBN: 9780521205900
Category : History
Languages : en
Pages : 280
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Book Description
Author: Philip Vellacott
Publisher: Cambridge University Press
ISBN: 9780521205900
Category : History
Languages : en
Pages : 280
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Book Description
Author: Jack Eugene Frisch
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 500
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Book Description
Author: William Storm
Publisher: Cambridge University Press
ISBN: 1139499424
Category : Drama
Languages : en
Pages : 267
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Book Description
Irony and theatre share intimate kinships, not only regarding dramatic conflict, dialectic or wittiness, but also scenic structure and the verbal or situational ironies that typically mark theatrical speech and action. Yet irony today, in aesthetic, literary and philosophical contexts especially, is often regarded with skepticism - as ungraspable, or elusive to the point of confounding. Countering this tendency, William Storm advocates a wide-angle view of this master trope, exploring the ironic in major works by playwrights including Chekhov, Pirandello and Brecht, and in notable relation to well-known representative characters in drama from Ibsen's Halvard Solness to Stoppard's Septimus Hodge and Wasserstein's Heidi Holland. To the degree that irony is existential, its presence in the theatre relates directly to the circumstances and the expressiveness of the characters on stage. This study investigates how these key figures enact, embody, represent and personify the ironic in myriad situations in the modern and contemporary theatre.
Author: Pol Popovic Karic
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 158
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Book Description
Irony can provide a means to communication, catharsis, and freedom that a person needs in order to survive in a world of permanent chaos and oppression. Ironic Samuel Beckett offers an unorthodox look at Waiting for Godot, Endgame, and Happy Days from the perspective of irony. This analysis questions the notion the Beckett's "theater of the absurd" is essentially circular or based on nothingness, and invites the reader to reconsider established notions about Beckett and his work.
Author: Bert O. States
Publisher: Cornell University Press
ISBN: 1501743597
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Professor States provides nothing less than a new theory of the drama based upon the principles of irony and dialectic. Very close in approach to the Continental structuralists, he treats irony, not as a literary device or as an attitude in the mind of the playgoer, but as a means of confronting reality—a way of testing and resolving conflicting ideas. Pointing out the limitations of conventional categories such as comedy, tragedy, and tragicomedy, he views drama instead as a vehicle for perceiving and ordering the possibilities of human experience. After setting forth his thesis boldly and persuasively, Professor States explores other mod es such as the epic and the lyric and shows how they interact with the dramatic principle. He manages to cover, in a minimum amount of space, the entire range of dramatic styles and periods, placing special emphasis on playwrights of universal appeal like Sophocles, Shakespeare, Chekhov, Ibsen, Shaw, and Beckett.
Author: Paul A. Mankin
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111698203
Category : Language Arts & Disciplines
Languages : en
Pages : 196
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Book Description
To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.
Author: D. C. Muecke
Publisher: Taylor & Francis
ISBN: 1315388332
Category : Literary Criticism
Languages : en
Pages : 129
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Book Description
First published in 1970 and revised in 1982, this work provides a critical overview of the concept of irony in literary criticism. After establishing the relationship of the ironical and the non-ironical, it summarises the history of the concept of irony, before isolating and discussing its basic aspects and the variable features that determine its nature, effect and quality. The book will be a useful resource for those studying irony and English Literature.
Author: Lilie Chouliaraki
Publisher: John Wiley & Sons
ISBN: 0745664334
Category : Social Science
Languages : en
Pages : 398
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Book Description
WINNER of the 2015 ICA Outstanding Book Award This path-breaking book explores how solidarity towards vulnerable others is performed in our media environment. It argues that stories where famine is described through our own experience of dieting or or where solidarity with Africa translates into wearing a cool armband tell us about much more than the cause that they attempt to communicate. They tell us something about the ways in which we imagine the world outside ourselves. By showing historical change in Amnesty International and Oxfam appeals, in the Live Aid and Live 8 concerts, in the advocacy of Audrey Hepburn and Angelina Jolie as well as in earthquake news on the BBC, this far-reaching book shows how solidarity has today come to be not about conviction but choice, not vision but lifestyle, not others but ourselves – turning us into the ironic spectators of other people’s suffering.
Author: Eric Smith
Publisher: Abrams
ISBN: 1647004772
Category : Young Adult Fiction
Languages : en
Pages : 267
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Book Description
A timely and gutsy YA novel based on the Tony and Grammy Award winning musical from Alanis Morissette, Diablo Cody, and Glen Ballard! Swallow it down—what a jagged little pill . . . Jagged Little Pill: The Novel follows the intertwining lives of five teens whose world is changed forever after the events at a party. Adopted Frankie struggles to see eye-to-eye with her mother—who would rather ignore a problem and preserve their “perfect” life than stand up for what’s right. Jo just wants her mom to accept her queer identity—and is totally crushed when Frankie, the only person who really gets her, finds herself infatuated with someone new. Phoenix tries to find his place at the new school and balance wanting to spend time with Frankie but knowing he also has to help out with his sick sister at home. Bella wants to enjoy the end of high school and just head off to college without a hitch. Everyone expects Frankie's brother Nick to be the golden boy, but even though he just got into his dream school, he’s not even sure he's a good person. Each of their stories intersects when Bella is sexually assaulted at a party, and it looks like the perpetrator might get away with it. Moving, heartfelt, and raw, Jagged Little Pill: The Novel draws on the musical’s story and gives readers deeper glimpses of the characters. It’s a story about the power of voicing your pain, standing up for what’s right, and finding healing and connection.
Author: Kenneth Elliott
Publisher: University of Iowa Press
ISBN: 1609389204
Category : Biography & Autobiography
Languages : en
Pages : 210
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Book Description
Beyond Ridiculous tells the story of Theatre-in-Limbo, a downtown band of actors formed in 1984 by director Kenneth Elliott and playwright and drag legend Charles Busch. They launched Vampire Lesbians of Sodom at the Limbo Lounge, a raffish club in the fringes of the East Village, but it would later become the longest-running non-musical in off-Broadway history. From 1984 to 1991, Busch starred in eight Limbo productions, always in outrageously fabulous drag. In Beyond Ridiculous, Elliott narrates in first-person the company’s Cinderella tale of fun, heartbreak, and dishy drama. At the center of the book is a young Charles Busch, an unforgettable personality fighting to be seen, be heard, and express his unique style as a writer-performer in plays such as Psycho Beach Party and The Lady in Question. The tragedy of AIDS among treasured friends in the company, the struggle for mainstream acceptance of LGBTQ+ theatre during the reign of President Ronald Reagan, and the exploration of new ways of being a gay theatre artist make the book a bittersweet and joyous ride.
