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Author: Jennifer M. Hudson
Publisher: Lexington Books
ISBN: 1498559271
Category : History
Languages : en
Pages : 369
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Book Description
The Cold War is often viewed in absolutist terminology: the United States and the Soviet Union characterized one another in oppositional rhetoric and pejorative propaganda. State-sanctioned communications stressed the inherent dissimilarity between their own citizens and those of their Cold War foe. Such rhetoric exacerbated geopolitical tensions and heightened Cold War paranoia, most notably during the Red Scare and brinkmanship incidents. Government leaders stressed the reactive defensive foreign policies they implemented to retaliate against their counterparts’ offensive maneuvers. Only brief periods of détente gave glimpses into the possibility of concerted peaceful coexistence. Yet such characterizations neglect the complexities and rhetorical nuances that created fissures throughout the long-standing ideological conflict. Grassroots diplomacy rarely coalesced with official governmental rhetoric and often contradicted the discourse emanating from the White House and the Kremlin. Organizations such as Women Strike for Peace (WSP), the Committee for Nonviolent Action (CNVA), and the Moscow Trust Group (MTG) defied policy directives and sought to establish genuine peaceful coexistence. Traveling citizens posited that U.S. and Soviet citizens possessed more underlying commonalities than their governmental leaders cared to admit – phenomena underscored in events such as the San-Francisco-to-Moscow Walk for Peace. Spacebridge programs railed against the Strategic Defense Initiative (SDI) and proclaimed that figurative and literal links between their country and the “Other” proved more conducive to public opinion than “Star Wars.” Iron Curtain Twitchers examines such juxtaposing rhetorics through three lexical themes: contamination, containment, and coexistence. It analyzes the disparate perspectives of public politicians and private citizens throughout the Cold War’s duration and its aftermath to better understand the political, cultural, and geopolitical nuances of U.S.-Russia relations. Vacillating rhetoric among politicians, journalists, and traveling citizens complicated geopolitical relationships, sociopolitical disagreements, and cultural characterizations. These dialogues are contrasted with the cultural mediums of film and political cartoons to underscore fluctuating Cold War identity dynamics. Manifestations of one’s own country contrasted with propagations of the “Other” and indicate that the Cold War lasted much longer and remains more virulent than previously conceived.
Author: Jennifer M. Hudson
Publisher: Lexington Books
ISBN: 1498559271
Category : History
Languages : en
Pages : 369
Get Book Here
Book Description
The Cold War is often viewed in absolutist terminology: the United States and the Soviet Union characterized one another in oppositional rhetoric and pejorative propaganda. State-sanctioned communications stressed the inherent dissimilarity between their own citizens and those of their Cold War foe. Such rhetoric exacerbated geopolitical tensions and heightened Cold War paranoia, most notably during the Red Scare and brinkmanship incidents. Government leaders stressed the reactive defensive foreign policies they implemented to retaliate against their counterparts’ offensive maneuvers. Only brief periods of détente gave glimpses into the possibility of concerted peaceful coexistence. Yet such characterizations neglect the complexities and rhetorical nuances that created fissures throughout the long-standing ideological conflict. Grassroots diplomacy rarely coalesced with official governmental rhetoric and often contradicted the discourse emanating from the White House and the Kremlin. Organizations such as Women Strike for Peace (WSP), the Committee for Nonviolent Action (CNVA), and the Moscow Trust Group (MTG) defied policy directives and sought to establish genuine peaceful coexistence. Traveling citizens posited that U.S. and Soviet citizens possessed more underlying commonalities than their governmental leaders cared to admit – phenomena underscored in events such as the San-Francisco-to-Moscow Walk for Peace. Spacebridge programs railed against the Strategic Defense Initiative (SDI) and proclaimed that figurative and literal links between their country and the “Other” proved more conducive to public opinion than “Star Wars.” Iron Curtain Twitchers examines such juxtaposing rhetorics through three lexical themes: contamination, containment, and coexistence. It analyzes the disparate perspectives of public politicians and private citizens throughout the Cold War’s duration and its aftermath to better understand the political, cultural, and geopolitical nuances of U.S.-Russia relations. Vacillating rhetoric among politicians, journalists, and traveling citizens complicated geopolitical relationships, sociopolitical disagreements, and cultural characterizations. These dialogues are contrasted with the cultural mediums of film and political cartoons to underscore fluctuating Cold War identity dynamics. Manifestations of one’s own country contrasted with propagations of the “Other” and indicate that the Cold War lasted much longer and remains more virulent than previously conceived.
Author: Triona Holden
Publisher: The History Press
ISBN: 0750999225
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
'Joan Rhodes's story is a colourful tale, full of grit and glamour: the strongwoman who entertained on the streets and in front of royalty.' – Kate Adie With her hourglass figure and Marilyn Monroe looks, Joan Rhodes would leave audiences speechless as she bent steel bars with her teeth, ripped large phone books into quarters, and lifted two men at a time. And what she did was real. Joan had a superstrength, forged out of desperation to survive. Born into poverty in 1920s London and abandoned by her parents, Joan endured a spell in the workhouse and earned scraps busking on the streets. Despite the worst possible start, she made it to the top of her profession to rub sequined shoulders with the likes of Fred Astaire, Bob Hope and Sammy Davis Jnr. Joan's crowning glory was to perform for the queen and Prince Philip at Windsor Castle, and along the way she forged lifelong friendships with Marlene Dietrich, Quentin Crisp and Dame Laura Knight, kindred spirits who lived as fearlessly as she did. Biographer Triona Holden met Joan in her later years. When Joan passed away, Triona set out to secure her beloved friend's place in history. She appeared on the BBC television show The Repair Shop to tell the strongwoman's story and sifted through archives to retrace her journey to stardom. Joan saw herself as a freak, but in truth she was a champion for the so-called fairer sex. Set at a time when most women were still groomed for marriage and motherhood, An Iron Girl in a Velvet Glove tells the fascinating and tumultuous story of a woman who followed her own unique path.
Author: Ben Yagoda
Publisher: Penguin
ISBN: 0698172515
Category : Biography & Autobiography
Languages : en
Pages : 321
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Book Description
From an acclaimed cultural critic, a narrative and social history of the Great American Songwriting era. Everybody knows and loves the American Songbook. But it’s a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn’t Gershwin, Porter, and Berlin, but “Come on-a My House” and “How Much Is That Doggie in the Window?” Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews—the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert—the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It’s destined to become a classic of American musical history.
Author: Sue A’Hern
Publisher: AuthorHouse
ISBN: 1546283110
Category : Poetry
Languages : en
Pages : 367
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Book Description
Poems from the Cwtch Whats Cwtch? Thats a Welsh word. And in Swansea, where I come from, its used as a word for small spaces that you huddle up inside or a cuddle. So if I wanted to give you a cuddle, I might say, Give me a cwtch. Or if I wanted you to put something in a cupboard, I might say, Put it in the cwtch. So this book is my small cuddle space, filled with some very personal poems.
Author: Andrew Akal
Publisher: Troubador Publishing Ltd
ISBN: 1805149393
Category : Fiction
Languages : en
Pages : 125
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Book Description
Geoff has a habit of getting himself into sticky situations. His dream of owning his own motorhome creeps closer with early retirement and he persuades his long-suffering wife Janice to seek out their new ‘home from home’ at a local motorhome exhibition. Geoff’s dream soon becomes Janice’s nightmare and when he decides to explore the most expensive motorhome on show, he could never have imagined what would happen next. He escapes the scene, but will anyone link him to the disaster that unfolded? When Woody, their brand-new addition to the family, eventually arrives on the driveway, Geoff can’t contain his excitement. With teenage daughter Gail and cocker spaniel Mabel in tow, they embark on their first adventure. But things do not go according to plan as Geoff struggles to blend into the camping way of life. A bouncer, campsite wardens, an angler and a pair of emus are just some of the adversaries Geoff finds himself up against but with Janice by his side, will he survive to fight another day and will the disaster at the exhibition come back to haunt him…?
Author: Nicholas Tochka
Publisher: Oxford University Press
ISBN: 0197566510
Category : Music
Languages : en
Pages : 249
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Book Description
Progressive and libertarian, anti-Communist and revolutionary, Democratic and Republican, quintessentially American but simultaneously universal. By the late 1980s, rock music had acquired a dizzying array of political labels. These claims about its political significance shared one common thread: that the music could set you free. Rocking in the Free World explains how Americans came to believe they had learned the truth about rock 'n' roll, a truth shaped by the Cold War anxieties of the Fifties, the countercultural revolutions (and counter-revolutions) of the Sixties and Seventies, and the end-of-history triumphalism of the Eighties. How did rock 'n' roll become enmeshed with so many different competing ideas about freedom? And what does that story reveal about the promise-and the limits-of rock music as a political force in postwar America?
Author: United States. Congress. House
Publisher:
ISBN:
Category :
Languages : en
Pages : 2568
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Book Description
Author: United States. Congress. House. Committee on the Judiciary
Publisher:
ISBN:
Category :
Languages : en
Pages : 1644
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Book Description
Author: United States. Congress. House. Committee on the Judiciary
Publisher:
ISBN:
Category : Public utilities
Languages : en
Pages : 740
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Book Description
Author: United States. Congress. House. Committee on the Judiciary. Subcommittee No. 5
Publisher:
ISBN:
Category : Antitrust law
Languages : en
Pages : 1666
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Book Description
Committee Serial No. 22. pt.1/v.1: Includes CAB report "Transcontinental Coach-Type Service Case," Nov. 7, 1951 (p. 421-515). pt.1/v. 2: Includes S. Rpt. 82-540 "Report on Role of Irregular Airlines in U.S. Air Transportation Industry," July 10, 1951 (p. 851-941). pt.2/v.1: Includes FCC Order No. 37, docket No. 5060 "Report on Chain Broadcasting," May, 1941 (p. 3533-3690) and FCC "Sixth Report and Order," Apr. 14, 1925 (p. 3785-3956). pt. 2/v. 2: Includes discussion of television industry impact on songwriter royalties. Hearings were held in NYC. pt. 2/v.3: Includes Columbia Broadcasting System report "Network Practices," June 1956 (p. 5099-5245); and Cravath, Swaine, and Moore report "Opinion of Counsel and Memorandum Concerning the Applicability of the Antitrust Laws to the Television Broadcast Activities of Columbia Broadcasting System, Inc.," June 4, 1956 (p. 5313-5406); and Columbia Broadcasting System report "Analysis of Senator John W. Bricker's Report Entitled "The Network Monopoly, "' June 1956 (p. 5407-5486).
