Author: Angela Moran
Publisher: Cambridge Scholars Publishing
ISBN: 1443843806
Category : Music
Languages : en
Pages : 225
Book Description
Irish music enjoyed popularity across Europe and North America in the second half of the twentieth century. Regional circumstances created a unique reception for such music in the English Midlands. This book is a musical ethnography of Birmingham, 1950–2010. Initially establishing geographical and chronological parameters, the book cites Birmingham’s location at the hub of a road and communications network as key to the development of Irish music across a series of increasingly visible, public sites: Birmingham’s branch of Comhaltas Ceoltóirí Éireann was established in the domestic space of an amateur musician; Birmingham’s folk clubs encouraged a blend of Irish music with socialist politics, from which the Dublin singer Luke Kelly honed his trade; Irish solidarity was fostered in Birmingham’s churches. Each of these examples begins with a performance at Birmingham Town Hall in order to show how a single venue also provides musical representations that are mutable over time. The culmination is Birmingham’s St Patrick’s Parade. This, the largest Irish procession outside Dublin and New York, manifests an incoherent blend of sounds. The audio montage, nevertheless, creates a coherent metanarrative: one in which the local community has conquered a number of challenges (most especially that of the IRA bombings of the area) and has moved Irish music from private arenas to the centre of this large civic event.
Irish Music Abroad
Author: Angela Moran
Publisher: Cambridge Scholars Publishing
ISBN: 1443843806
Category : Music
Languages : en
Pages : 225
Book Description
Irish music enjoyed popularity across Europe and North America in the second half of the twentieth century. Regional circumstances created a unique reception for such music in the English Midlands. This book is a musical ethnography of Birmingham, 1950–2010. Initially establishing geographical and chronological parameters, the book cites Birmingham’s location at the hub of a road and communications network as key to the development of Irish music across a series of increasingly visible, public sites: Birmingham’s branch of Comhaltas Ceoltóirí Éireann was established in the domestic space of an amateur musician; Birmingham’s folk clubs encouraged a blend of Irish music with socialist politics, from which the Dublin singer Luke Kelly honed his trade; Irish solidarity was fostered in Birmingham’s churches. Each of these examples begins with a performance at Birmingham Town Hall in order to show how a single venue also provides musical representations that are mutable over time. The culmination is Birmingham’s St Patrick’s Parade. This, the largest Irish procession outside Dublin and New York, manifests an incoherent blend of sounds. The audio montage, nevertheless, creates a coherent metanarrative: one in which the local community has conquered a number of challenges (most especially that of the IRA bombings of the area) and has moved Irish music from private arenas to the centre of this large civic event.
Publisher: Cambridge Scholars Publishing
ISBN: 1443843806
Category : Music
Languages : en
Pages : 225
Book Description
Irish music enjoyed popularity across Europe and North America in the second half of the twentieth century. Regional circumstances created a unique reception for such music in the English Midlands. This book is a musical ethnography of Birmingham, 1950–2010. Initially establishing geographical and chronological parameters, the book cites Birmingham’s location at the hub of a road and communications network as key to the development of Irish music across a series of increasingly visible, public sites: Birmingham’s branch of Comhaltas Ceoltóirí Éireann was established in the domestic space of an amateur musician; Birmingham’s folk clubs encouraged a blend of Irish music with socialist politics, from which the Dublin singer Luke Kelly honed his trade; Irish solidarity was fostered in Birmingham’s churches. Each of these examples begins with a performance at Birmingham Town Hall in order to show how a single venue also provides musical representations that are mutable over time. The culmination is Birmingham’s St Patrick’s Parade. This, the largest Irish procession outside Dublin and New York, manifests an incoherent blend of sounds. The audio montage, nevertheless, creates a coherent metanarrative: one in which the local community has conquered a number of challenges (most especially that of the IRA bombings of the area) and has moved Irish music from private arenas to the centre of this large civic event.
Focus: Irish Traditional Music
Author: Sean Williams
Publisher: Routledge
ISBN: 1135204144
Category : Music
Languages : en
Pages : 298
Book Description
Focus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland's size relative to Britain or to the mainland of Europe is small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance. Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad.
Publisher: Routledge
ISBN: 1135204144
Category : Music
Languages : en
Pages : 298
Book Description
Focus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland's size relative to Britain or to the mainland of Europe is small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance. Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad.
Turning the Tune
Author: Adam R. Kaul
Publisher: Berghahn Books
ISBN: 9781845456238
Category : Business & Economics
Languages : en
Pages : 204
Book Description
The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the influx of visitors, through a period called "the Revival," in which traditional Irish music was revitalized and transformed, to the modern period, which is dominated by tourism. A large number of incomers, locally known as "blow-ins," have moved to the area, and the traditional Irish music is now largely performed and passed on by them. This fine-grained ethnographic study explores the commercialization of music and culture, the touristic consolidation and consumption of "place," and offers a critique of the trope of "authenticity," all in a setting of dramatic social change in which the movement of people is constant.
Publisher: Berghahn Books
ISBN: 9781845456238
Category : Business & Economics
Languages : en
Pages : 204
Book Description
The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the influx of visitors, through a period called "the Revival," in which traditional Irish music was revitalized and transformed, to the modern period, which is dominated by tourism. A large number of incomers, locally known as "blow-ins," have moved to the area, and the traditional Irish music is now largely performed and passed on by them. This fine-grained ethnographic study explores the commercialization of music and culture, the touristic consolidation and consumption of "place," and offers a critique of the trope of "authenticity," all in a setting of dramatic social change in which the movement of people is constant.
The Companion to Irish Traditional Music
Author: Fintan Vallely
Publisher: NYU Press
ISBN: 9780814788028
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.
Publisher: NYU Press
ISBN: 9780814788028
Category : Literary Criticism
Languages : en
Pages : 506
Book Description
"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.
Ordinary Irish Life
Author: Méabh Ní Fhuartháin
Publisher:
ISBN: 9780716531548
Category : Ireland
Languages : en
Pages : 0
Book Description
Drawing together the strands of music, sport, and popular culture under the umbrella of 'Ordinary Life, ' this engaging new book takes the reader on an entertaining journey through modern Ireland, celebrating the many unique expressions of 'Irishness.' From the folk roots of popular culture in the song The Night Larry Was Stretched, to the showbands and community building among U2 fans; from the Riddle of Ravenhill and the 1954 Irish Rugby International, to The Lion of Lahinch - an IRA man's appearance at the Walker Cup. Everyday life is explored in Corner Boys in Small Town Ireland, while a historical dimension follows the Irish railroad workers to Cuba in 1835. Bringing it back to the present is a chapter on the fascination with talk radio and its development in Ireland, and the general recycling of Irish popular culture. This lively collection contributes to the study of Irish Cultural Studies, and meets the growing interest in Irish music and sports studies in an entertaining and cutting-edge fashion. Accessible for a wide audience, the book captures the spirit of Irish life with examples of events and emotions shared by everyone
Publisher:
ISBN: 9780716531548
Category : Ireland
Languages : en
Pages : 0
Book Description
Drawing together the strands of music, sport, and popular culture under the umbrella of 'Ordinary Life, ' this engaging new book takes the reader on an entertaining journey through modern Ireland, celebrating the many unique expressions of 'Irishness.' From the folk roots of popular culture in the song The Night Larry Was Stretched, to the showbands and community building among U2 fans; from the Riddle of Ravenhill and the 1954 Irish Rugby International, to The Lion of Lahinch - an IRA man's appearance at the Walker Cup. Everyday life is explored in Corner Boys in Small Town Ireland, while a historical dimension follows the Irish railroad workers to Cuba in 1835. Bringing it back to the present is a chapter on the fascination with talk radio and its development in Ireland, and the general recycling of Irish popular culture. This lively collection contributes to the study of Irish Cultural Studies, and meets the growing interest in Irish music and sports studies in an entertaining and cutting-edge fashion. Accessible for a wide audience, the book captures the spirit of Irish life with examples of events and emotions shared by everyone
The SAGE International Encyclopedia of Music and Culture
Author: Janet Sturman
Publisher: SAGE Publications
ISBN: 1483317749
Category : Music
Languages : en
Pages : 2730
Book Description
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Publisher: SAGE Publications
ISBN: 1483317749
Category : Music
Languages : en
Pages : 2730
Book Description
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Irish Folk, Trad & Blues
Author: Colin Harper
Publisher: Collins Press
ISBN:
Category : Music
Languages : en
Pages : 438
Book Description
Publisher: Collins Press
ISBN:
Category : Music
Languages : en
Pages : 438
Book Description
Mojo Mickybo
Author: Owen McCafferty
Publisher: MIT Press
ISBN: 9781854597014
Category : Drama
Languages : en
Pages : 86
Book Description
Mojo Mickybo - The waiting list - I won't dance - Don't ask me.
Publisher: MIT Press
ISBN: 9781854597014
Category : Drama
Languages : en
Pages : 86
Book Description
Mojo Mickybo - The waiting list - I won't dance - Don't ask me.
Music, Postcolonialism, and Gender
Author: Leith Davis
Publisher: University of Notre Dame Press
ISBN:
Category : History
Languages : en
Pages : 352
Book Description
In Music, Postcolonialism, and Gender, Leith Davis studies the construction of Irish national identity from the early eighteenth until the midnineteenth centuries, focusing in particular on how texts concerning Irish music, as well as the social settings within which those texts emerged, contributed to the imagining of Ireland as the Land of Song. Through her considerations of collections of Irish music by the Neals, Edward Bunting, and George Petrie, antiquarian tracts by Joseph Cooper Walker and Charlotte Brooke, lyrics and The Wild Irish Girl by Sidney Owenson, and songs by Thomas Moore and Samuel Lover, Davis suggests that music served as an ideal means through which to address the terms of the colonial relationship between Ireland and England. Davis also explores the gender issues so closely related to the discourses on both music and national identity during the time, and the influence of print culture and consumer capitalism on the representation of Irish music at home and abroad.
Publisher: University of Notre Dame Press
ISBN:
Category : History
Languages : en
Pages : 352
Book Description
In Music, Postcolonialism, and Gender, Leith Davis studies the construction of Irish national identity from the early eighteenth until the midnineteenth centuries, focusing in particular on how texts concerning Irish music, as well as the social settings within which those texts emerged, contributed to the imagining of Ireland as the Land of Song. Through her considerations of collections of Irish music by the Neals, Edward Bunting, and George Petrie, antiquarian tracts by Joseph Cooper Walker and Charlotte Brooke, lyrics and The Wild Irish Girl by Sidney Owenson, and songs by Thomas Moore and Samuel Lover, Davis suggests that music served as an ideal means through which to address the terms of the colonial relationship between Ireland and England. Davis also explores the gender issues so closely related to the discourses on both music and national identity during the time, and the influence of print culture and consumer capitalism on the representation of Irish music at home and abroad.
The Oxford Handbook of Music Revival
Author: Caroline Bithell
Publisher:
ISBN: 0199765030
Category : History
Languages : en
Pages : 721
Book Description
Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal. Interdisciplinary perspectives shed new light on authenticity, recontextualization, transmission, institutionalization, globalization, and post-revival legacies.
Publisher:
ISBN: 0199765030
Category : History
Languages : en
Pages : 721
Book Description
Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal. Interdisciplinary perspectives shed new light on authenticity, recontextualization, transmission, institutionalization, globalization, and post-revival legacies.