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Author: Jarlath Killeen
Publisher: Edinburgh University Press
ISBN: 0748690816
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance.
Author: Jarlath Killeen
Publisher: Edinburgh University Press
ISBN: 0748690816
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance.
Author: Steve Lally
Publisher: The History Press
ISBN: 0750990368
Category : Fiction
Languages : en
Pages : 278
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Book Description
In the four provinces of Ireland there are thirty-two counties. Each county and its people have their own traditions, beliefs and folklore – and each one is also inhabited by the Sidhe: an ancient and magical race. Some believe they are descended from fallen angels, whilst others say they are the progeny of Celtic deities. They go by many names: the good folk, the wee folk, the gentle people and the fey, but are most commonly known as 'the fairies'. These are not the whimsical fairies of Victorian and Edwardian picture books. They are feared and revered in equal measure, and even in the twenty-first century are spoken of in hushed tones. The fairies are always listening. Storyteller Steve Lally and his wife singer-songwriter Paula Flynn Lally have compiled this magnificent collection of magical fairy stories from every county in Ireland. Filled with unique illustrations that bring these tales to life, Irish Gothic Fairy Stories will both enthral and terrify readers for generations to come.
Author: Margot Gayle Backus
Publisher: Post-Contemporary Intervention
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Uses 19th and 20th-century Irish Gothic literary texts to argue that capitalism, the nuclear patriarchal family and Protestantism coincided with and reinforced the conditions for the plantation of Ireland and the colonization which followed.
Author: Ronald Kelly
Publisher: Crossroad Press
ISBN:
Category : Fiction
Languages : en
Pages : 139
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Book Description
When Irish eyes are dying Breath chills till time is over, Death pulls slowly graveward To rest ’neath sod and clover… Ireland… Sweet Erin…The Emerald Isle. In the bright and bonnie light of day, it is a place of beauty, history, and good humor. Of rolling green hills and stone walls at every step of a mile. A kind blessing for health and happiness, and a pint in your hand at the village pub… as well as the sound of fife and fiddle, the lilting tune of laughter, and the cheerful dance of a jig. But, as the sun takes leave and dusk descends, deep shadows and the dank of an evening mist claim the Land of Saints. Within the cloak of night, boogies and beasties roam the moors, keen for the echo of lonesome footsteps and the alluring scent of fear and dread. Banshee, selkie, leprechaun, and fairy alike. The restless spirit of the Sluagh and the bestial form of the werewolf, hungry and on the prowl. In Irish Gothic: Tales of Celtic Horror, Ronald Kelly returns to the land of his ancestry and explores the dark superstition and frightful folklore of Ol’ Éire. Seven stories of Celtic gothic terror… tales to quicken the beat of the heart and chill one’s bones to the very marrow.
Author: Jarlath Killeen
Publisher: Four Courts Press
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 248
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Book Description
This book examines the formation of Anglican identity in Ireland throughout the long, 18th century. Beginning with the 1641 Rebellion, which constitutes the inaugurating event of Anglican Ireland, the book traces the convolutions of this identity through to the Act of Union in 1801. It argues that Gothicism is the basic modality in which Anglican Ireland found expression, and traces the themes and modes of Gothic writing in political tracts, philosophical pamphlets, graveyard poetry, aesthetic treatises, and Gothic novels. In linking these diffuse modes of writing through their common recourse to a Gothic language, this book produces a psycho-history of the Anglican mind.
Author: Christina Morin
Publisher: Palgrave Macmillan
ISBN: 9781349474233
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
Scholarly interest in 'the Irish Gothic' has grown at a rapid pace in recent years, but the debate over exactly what constitutes this body of literature remains far from settled. This collection of essays explores the rich complexities of the literary gothic in eighteenth- and nineteenth-century Ireland.
Author: Jerrold E. Hogle
Publisher: Cambridge University Press
ISBN: 1107494486
Category : Literary Criticism
Languages : en
Pages : 526
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Book Description
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.
Author: Sam Hirst
Publisher: Anthem Press
ISBN: 1839981555
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
Theology in the Early British and Irish Gothic, 1764–1832 reassesses the relationship between contemporary theology and the Gothic. Investigating Gothic aesthetics, depictions of the supernatural and portrayals of religious organisations, it explores how the Gothic engages with contemporary theologies, both Dissenting and Anglican. Moving away from the emphasis on either a monolithic Protestantism or on the Gothic as a secular mode, it shows the ways in which the Gothic exploration of the transcendent and the obscure cannot be separated from the diverse theologies of its day. The project maps how the Gothic not only reflects but actively engages in the theological debates and controversies contemporary to its efflorescence.
Author: Christina Morin
Publisher: Manchester University Press
ISBN: 1526122316
Category : Literary Criticism
Languages : en
Pages : 143
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The gothic novel in Ireland, c. 1760–1829 offers a compelling account of the development of gothic literature in late-eighteenth and early-nineteenth century Ireland. Countering traditional scholarly views of the ‘rise’ of ‘the gothic novel’ on the one hand, and, on the other, Irish Romantic literature, this study persuasively re-integrates a body of now overlooked works into the history of the literary gothic as it emerged across Ireland, Britain, and Europe between 1760 and 1829. Its twinned quantitative and qualitative analysis of neglected Irish texts produces a new formal, generic, and ideological map of gothic literary production in this period, persuasively positioning Irish works and authors at the centre of a new critical paradigm with which to understand both Irish Romantic and gothic literary production.
Author: Alison Milbank
Publisher:
ISBN: 0198824467
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.
