Sources in Irish Art

Sources in Irish Art PDF Author: Fintan Cullen
Publisher: Cork University Press
ISBN: 9781859181553
Category : Architecture
Languages : en
Pages : 332

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Book Description
"The publication of these texts in a single volume enables the reader to create useful historical comparisons as well as facilitating the careful examination of historical documents. Sources in Irish Art: A Reader will be an ideal text for Irish Studies and relevant Art History courses both at undergraduate and postgraduate levels."--BOOK JACKET.

50 Works of Irish Art You Need to Know

50 Works of Irish Art You Need to Know PDF Author: Síghle Bhreathnach-Lynch
Publisher: Gill Books
ISBN: 9780717166558
Category : Art
Languages : en
Pages : 144

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Book Description
Ireland's incredible artistic heritage is celebrated in this entertaining, enlightening book. From the Newgrange kerbstone to Francis Bacon's studio, Bhreathnach-Lynch takes us through a history of Irish art in 50 works, celebrating each along the way.

Irish Art Masterpieces

Irish Art Masterpieces PDF Author: Catherine Marshall
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128

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Book Description
A brief history of Irish art masterpieces offers many fine illustrations.

Irish Fine Art in the Early Modern Period

Irish Fine Art in the Early Modern Period PDF Author: Jane Fenlon
Publisher:
ISBN: 9781911024354
Category : Art
Languages : en
Pages : 0

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Book Description
This richly illustrated book presents the latest research into Irish fine art from the 17th and 18th centuries. It is comprised of a rich selection of case studies into artistic practice that showcase the burgeoning nature of fine art media in Ireland, the quality of production, and the breadth of patronage. Investigating these signifiers of a 'cultured' lifestyle - their production, consumption, appreciation, display, and discourse - provides fascinating insights into the sensibility of Ireland's minority-rule elites, and the practitioners it fostered. Featuring contributions from emergent and established art historians, 'Irish Fine Art in the Early Modern Period' takes its subject matter beyond the realms of academic journals, exhibitions and conferences, and presents it within a lavishly designed and vital publication that presents substantial new insights into Ireland's artistic and social history.

Treasures of Early Irish Art, 1500 B.C. to 1500 A.D.

Treasures of Early Irish Art, 1500 B.C. to 1500 A.D. PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991647
Category : Art, Ancient
Languages : en
Pages : 228

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Book Description


Art, Ireland and the Irish Diaspora

Art, Ireland and the Irish Diaspora PDF Author: Éimear O'Connor
Publisher:
ISBN: 9781788551496
Category : Art, Irish
Languages : en
Pages : 0

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Book Description
Art, Ireland and the Irish Diaspora reveals a labyrinth of social and cultural connections that conspired to create and sustain an image of Ireland for the nation and for the Irish diaspora between 1893 and 1939. This era saw an upsurge of interest among patrons and collectors in New York and Chicago in the 'Irishness' of Irish art, which was facilitated by gallery owners, émigrés, philanthropists, and art-world celebrities. Leading Irish art historian, Éimear O'Connor, explores the ongoing tensions between those in Ireland and the expatriate community in the US, split as they were between tradition and modernity, and between public expectation and political rhetoric, as Ireland sought to forge a post-Treaty international identity through its visual artists. Featuring a glittering cast of players including Jack. B. Yeats, George Russell (AE), Lady Gregory, and Seán Keating, and richly illustrated in colour with images from archives on both sides of the Atlantic, Art, Ireland and the Irish Diaspora presents a wealth of new research, and draws together, for the first time, a series of themes that bound the Dublin art scene with that in New York and Chicago through complex networks and contemporary publications at an extraordinary time in Ireland's history.

Celtic Art

Celtic Art PDF Author: Venceslas Kruta
Publisher: Phaidon Press Limited
ISBN:
Category : Art
Languages : en
Pages : 248

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Book Description
The essential sourcebook on Celtic art

Sources in Irish Art

Sources in Irish Art PDF Author: Fintan Cullen
Publisher: Cork University Press
ISBN: 9781859181553
Category : Architecture
Languages : en
Pages : 332

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Book Description
"The publication of these texts in a single volume enables the reader to create useful historical comparisons as well as facilitating the careful examination of historical documents. Sources in Irish Art: A Reader will be an ideal text for Irish Studies and relevant Art History courses both at undergraduate and postgraduate levels."--BOOK JACKET.

The Reading Figure in Irish Art in the Long Nineteenth Century

The Reading Figure in Irish Art in the Long Nineteenth Century PDF Author: Tricia Cusack
Publisher: Anthem Nineteenth-Century
ISBN: 9781839988707
Category : Art
Languages : en
Pages : 0

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Book Description
This book examines Irish portraits during the long nineteenth century in which figures read or hold a book. Reading fiction was cast as unmanly, while 'silent reading' allowed women of means to read widely and privately. Portraits of such women helped construct the idea of the 'New Woman' in Ireland.

The Irish Art of Controversy

The Irish Art of Controversy PDF Author: Lucy McDiarmid
Publisher: Cornell University Press
ISBN: 1501728695
Category : History
Languages : en
Pages : 302

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Book Description
Controversies are high drama: in them people speak lines as colorful and passionate as any recited on stage. In the years before the 1916 Rising, public battles were fought in Ireland over French paintings, a maverick priest, Dublin slum children, and theatrical censorship. Controversy was "popular," wrote George Moore, especially "when accompanied with the breaking of chairs."In her new book, Lucy McDiarmid offers a witty and illuminating account of these and other controversies, antagonistic exchanges with no single or no obvious high ground. They merit attention, in her view, not because the Irish are more combative than other peoples, but because controversies functioned centrally in the debate over Irish national identity. They offered to everyone direct or vicarious involvement in public life: the question they articulated was not "Irish Ireland or English Ireland" but "whose Irish Ireland" would dominate when independence was finally achieved.The Irish Art of Controversy recovers the histories of "the man who died for the language," Father O'Hickey, who defied the bishops in his fight for Irish Gaelic; Lady Gregory and Bernard Shaw's defense of the Abbey Theatre against Dublin Castle; and the 1913 "Save the Dublin Kiddies" campaign, in which priests attacked socialists over custody of Catholic children. The notorious Roger Casement—British consul, Irish rebel, humanitarian, poet—forms the subject of the last chapter, which offers the definitive commentary on the long-lasting controversy over his diaries.McDiarmid's use of archival sources, especially little-known private letters, indicates the way intimate exchanges, as well as cartoons, ballads, and editorials, may exist within a public narrative. In its original treatment of the rich material Yeats called "intemperate speech," The Irish Art of Controversy suggests new ways of thinking about modern Ireland and about controversy's bluff, bravado, and improvisational flair.

British and Irish Paintings in Public Collections

British and Irish Paintings in Public Collections PDF Author: Christopher Wright
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950

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Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.