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Author: Talinn Grigor
Publisher: Reaktion Books
ISBN: 1780233094
Category : Art
Languages : en
Pages : 295
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Book Description
In the first comprehensive look at Iranian art and visual culture since the 1979 revolution, Talinn Grigor investigates the official art sponsored by the Islamic Republic, the culture of avant-garde art created in the studio and its display in galleries and museums, and the art of the Iranian diaspora within Western art scenes. Divided into three parts—street, studio, and exile—the book argues that these different areas of artistic production cannot be understood independently, revealing how this art offers a mirror of the sociopolitical turmoil that has marked Iran’s recent history. Exploring the world of galleries, museums, curators, and art critics, Grigor moves between subversive and daring art produced in private to propaganda art, martyrdom paraphernalia, and museum interiors. She examines the cross-pollination of kitsch and avant-garde, the art market, state censorship, the public-private domain, the political implications of art, and artistic identity in exile. Providing an astute analysis of the workings of artistic production in relation to the institutions of power in the Islamic Republic, this beautifully illustrated book is essential reading for anyone interested in Iranian history and contemporary art.
Author: Talinn Grigor
Publisher: Reaktion Books
ISBN: 1780233094
Category : Art
Languages : en
Pages : 295
Get Book Here
Book Description
In the first comprehensive look at Iranian art and visual culture since the 1979 revolution, Talinn Grigor investigates the official art sponsored by the Islamic Republic, the culture of avant-garde art created in the studio and its display in galleries and museums, and the art of the Iranian diaspora within Western art scenes. Divided into three parts—street, studio, and exile—the book argues that these different areas of artistic production cannot be understood independently, revealing how this art offers a mirror of the sociopolitical turmoil that has marked Iran’s recent history. Exploring the world of galleries, museums, curators, and art critics, Grigor moves between subversive and daring art produced in private to propaganda art, martyrdom paraphernalia, and museum interiors. She examines the cross-pollination of kitsch and avant-garde, the art market, state censorship, the public-private domain, the political implications of art, and artistic identity in exile. Providing an astute analysis of the workings of artistic production in relation to the institutions of power in the Islamic Republic, this beautifully illustrated book is essential reading for anyone interested in Iranian history and contemporary art.
Author: Pamela Karimi
Publisher: Stanford University Press
ISBN: 1503631818
Category : Art
Languages : en
Pages : 431
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Book Description
Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. While many of these venues operate independently, others are fully sanctioned by the state. Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief the extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi discloses the push-and-pull between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, this book provides entry into unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.
Author: Fereshteh Daftari
Publisher: Asia Society Museum
ISBN:
Category : Art
Languages : en
Pages : 266
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Book Description
'Iran Modern' offers a timely exploration of the cultural diversity and production of avant-garde art in Iran after World War II and up to the revolution, from 1950 through to 1979.
Author: Hamid Keshmirshekan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
Exploration of Iranian art and artists over the past 100 years.
Author: Sussan Babaie
Publisher: Phaidon Press
ISBN: 9780714873527
Category : Art
Languages : en
Pages : 0
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Book Description
The first and only book on one of the finest private collections of contemporary Iranian art This sumptuous volume features almost 250 contemporary artworks and a selection of medieval and early modern Islamic art - the heralded collection of Mohammed Afkhami, a prominent player at the cultural and regional front line of Middle Eastern art. Honar (meaning 'art' in Farsi, the language of Iran), includes works ranging from the disturbingly subversive to exquisitely inclusive, exhibiting the pain of exile, the querying of ideology, and the artistic insistence on personal independence.
Author: Linda Komaroff
Publisher: Prestel
ISBN: 9783791357386
Category : ART
Languages : en
Pages : 0
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Book Description
"Published in conjunction with the exhibition In The Fields of Empty Days: The Intersection of Past and Present in Iranian Art, at the Los Angeles County Museum of Art, May 6-September 9, 2018"--Colophon.
Author: Rose Issa
Publisher: Booth-Clibborn
ISBN:
Category : Art
Languages : en
Pages : 156
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Book Description
Published to accompany the exhibition at the Curve Gallery, Barbican Centre, London, 12 April - 3 June 2001.
Author: Fereshteh Daftari
Publisher:
ISBN: 9781788316620
Category : Art, Iranian
Languages : en
Pages : 267
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Book Description
The modern and contemporary art of Iran has often been understood, and positioned by commercial institutions, as decorative or ethnic--hence the focus on calligraphy and veiled women. While at a scholarly level it has been characterised as a comment on the socio-political context of the country: repressed inside Iran and, among artists in diaspora, as a focus for a complex identity discourse. Viewing Iranian art as neither a commodity, nor an illustration of theory, Fereshteh Daftari approaches the modern art of Iran as a democratic space where pluralism--a range of different styles and ideas--can thrive. This art historical exploration offers new insights into Iranian art, from the late 19th century Qajar period, via the Saqqakhaneh movement of the 1960s and into the contemporary world. In the process the author comments on the concept of modernism in a non-Western environment. She takes both a specific and a panoramic view of Iranian art to expose new themes like the subversive appropriation of traditional art, whilst also tackling more perennial issues like gender. With experience as an international curator, Daftari analyses the way Iranian artists have been represented outside the country and discusses the different routes by which modern Iranian art has been introduced to a Western audience, explaining the process by which Iranian art has developed and how it navigates between the individual and the political.
Author: Donna Stein
Publisher:
ISBN: 9788857244341
Category :
Languages : en
Pages : 208
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Book Description
How a unique alliance between two women in the 1970s led to the acquisition of a treasure trove of modern art now worth billions In the 1970s, American curator Donna Stein served as the art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi's patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection--most of which continues to languish in storage--is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and Iis a vivid account of Stein's experience at the helm of this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today's art world.
Author: Abbas Daneshvari
Publisher:
ISBN: 9781568592657
Category : Art, Iranian
Languages : en
Pages : 0
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Book Description
