Author: Geoff Quinn
Publisher:
ISBN:
Category :
Languages : en
Pages : 70

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Book Description

Author: Lucienne Roberts
Publisher: Bloomsbury Publishing
ISBN: 1350035262
Category : Design
Languages : en
Pages : 200

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Book Description
Consider this simple conundrum: is it possible to be a bad good designer or a good bad designer for that matter? If the answer is yes then which is preferable and what does this reveal about the relationship between ethics and design practice? Good: An Introduction to Ethics in Graphic Design seeks to answer these questions. Graphic design is in ethical flux. Good comes at a time of growing disenchantment with style-led design solutions and the pursuit of self-expression alone and yet vacuous design judgements are still made without any real analysis of the criteria used. The terms good and bad are repeatedly applied without qualification whilst the relationship between personal and professional ethics is far too contentious to do any more than give cursory consideration. Despite recent manifestos and themed publications on design for good graphic designers have yet to examine what such terms really mean: in a time of relativism it has been far too divisive to do so. Good takes philosophy as its starting point but is not a philosophy book. It seeks to marry abstract ideas with practical application, removing some of the mystique that surrounds philosophy and highlighting its relevance for us all. Designers are people. This book seeks to engage designers in a debate about their profession and in an analysis of their value and worth. The decisions we make define us, in our ethical choices we reveal who we are.

Author: Eileen MacAvery Kane
Publisher: Eileen Macavery Kane
ISBN: 9780615405650
Category : Design
Languages : en
Pages : 54

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Book Description
This guide provides a framework to explore and discuss ethics in graphic design through three different lenses: 1) legalities - the rules that govern the profession including copyright law, piracy , plagiarism, fair use , and photo manipulation; 2) integrity - principles of right conduct including spec work, crowdsourcing, and responsibility to clients and contracts; 3) morality - the general nature of moral choices to be made including sustainability, social responsibility and cultural influence.

Author: Laura Scherling
Publisher: Bloomsbury Publishing
ISBN: 1350077038
Category : Design
Languages : en
Pages : 269

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Book Description
This timely collection brings together critical, analytic, historical, and practical studies to address what ethics means in the practice of design. Designers face the same challenges as everyone else in the complex conditions of contemporary cultural life-choices about consumption, waste, exploitation, ecological damage, and political problems built into the supply chains on which the global systems of inequity currently balance precariously. But designers face the additional dilemma that their paid work is often entangled with promoting the same systems such critical approaches seek to redress: how to reconcile this contradiction, among others, in seeking to chart an ethical course of action while still functioning effectively in the world. Ethics in Design and Communication acknowledges the complexity of this subject matter, while also demonstrating that in the ongoing struggle towards an equitable and sustainable world, the talents of design and critical thought are essential. Featured case studies include graphic design internships today, the dark web, and media coverage of the 2016 US presidential election. The fact that within this book such a wide array of practitioners, scholars, critics, and professionals commit to addressing current injustices is already a positive sign. Nonetheless, it is essential that we guard against confusing the coercive force of moral imperatives with ethical deliberation when conceiving a foundation for action.

Author: Neil Leonard
Publisher: Bloomsbury Publishing
ISBN: 135003410X
Category : Design
Languages : en
Pages : 312

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Book Description
Design Research shows readers how to choose the best method of research in order to save time and get the right results.The book makes readers aware of all the different research methods, as well as how to carry out the most appropriate research for their graphic design projects. All stages of the research process are considered in a dynamic and entertaining style, covering audience, context, trends, sources, documentation, dissemination and more. Students and designers can benefit from this text by learning fresh ways to analyse information obtained by data gathering, and how best to test and prove decisions. The resulting, well-rounded solutions will be informed, innovative, and aesthetically fitting for the brief.

Author: Steven Heller
Publisher: Simon and Schuster
ISBN: 1581159676
Category : Design
Languages : en
Pages : 735

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Book Description
Completely updated, this compelling collection of essays, interviews, and course syllabi is the ideal tool to help teachers and students keep up in the rapidly changing field of graphic design. Contributors, including Milton Glaser, Lou Danziger, Jessica Helfand, Paula Scher, Maud Lavin, Armin Vit, and Marty Newmeier, offer original theories and proposals on design education concerns. Personal anecdotes from these stars about their own education, their mentors, and their students make this an entertaining and illuminating idea book.

Author: Katie Sickman
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 37

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Book Description
My thesis center around modern currents and the use of technology in the graphic design industry and academic programs at the collegiate level. It expresses a major concern with the reliance placed upon technology by those within the profession, the misconceptions this creates about the actual roles of graphic designers, and the abuse of professionals by non-designers and/or clients that this behavior encourages. This project has developed from the combined years I have spent as a student, educator, and professional, and from what I have observed as recurring trends. I give a brief historical overview of the onset of design technology, leading into the use of it today, before describing "templates" (prefabricated design forms) and the problems and misconceptions they generate and promote. After this discussion I provide suggestions to thwart these issues, based on my experiences and observations thus far as a member of the graphic design industry. Lastly I discuss in greater detail the process involved in researching, writing, and developing the artwork which accompanies the writing. My art--6 digitally designed posters displayed in large, printed format--seeks to bring further awareness to the popular yet false impressions surrounding the graphic design process. They are stylized as Public Service Announcements, utilizing hyperbole to dramatize the message to draw in the audience.They help connect the troubling movements seen in graphic design to those who are uninformed or indifferent to their impact. My intentions with these written and visual narrations are to inform the unaware but also aid in shaping my path through graphic design. Articulating my thoughts has forced me to clearly define how I will approach both creative and instructive processes for the greater good of the industry as a whole. The process of creating and completing this project has instilled in me a stronger confidence moving forward as a productive member in all aspects of graphic design. I hope my work will positively impact the future of graphic design and help realign those practices which have diverged from its true nature.

Author: Jeroen van den Hoven
Publisher: Cambridge University Press
ISBN: 0521119464
Category : Philosophy
Languages : en
Pages : 243

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Book Description
This book shows how an emphasis on design can help us usefully apply ethics to a world built on institutions and technology.

Author: Ian Noble
Publisher: AVA Publishing
ISBN: 2940373205
Category : Art
Languages : en
Pages : 195

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Book Description
Visual Research explains the key terms and theories that underlie design research, examining the importance of audience, communication theory, semiotics and semantics. It features a range of case studies which demonstrate how the use of rigorous research methods can form the basis of effective visual communication and design problem solving, eschewing end product analysis for a discussion of the way research feeds into the design process.

Author: Ken Garland
Publisher:
ISBN:
Category : Commercial art
Languages : en
Pages : 110

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Book Description