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Author: Sylvie Patry
Publisher: National Gallery London
ISBN: 9781857095845
Category : Art dealers
Languages : en
Pages : 0
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Book Description
Published to accompany the exhibition Paul Duran-Ruel: Le Pari de l'Impressionnisme, Musaee de Luxembourg, Pais (Saenat), October 9, 2014 - February 8, 2015; Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market, The National Gallery, London, March 4 - May 31, 2015; Discovering the Impressionists: Paul Durand-Ruel and the New Painting, Philadelphia Museum of Art, June 24 - September 13, 2015.
Author: Sylvie Patry
Publisher: National Gallery London
ISBN: 9781857095845
Category : Art dealers
Languages : en
Pages : 0
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Book Description
Published to accompany the exhibition Paul Duran-Ruel: Le Pari de l'Impressionnisme, Musaee de Luxembourg, Pais (Saenat), October 9, 2014 - February 8, 2015; Inventing Impressionism: Paul Durand-Ruel and the Modern Art Market, The National Gallery, London, March 4 - May 31, 2015; Discovering the Impressionists: Paul Durand-Ruel and the New Painting, Philadelphia Museum of Art, June 24 - September 13, 2015.
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644
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Book Description
A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the definition, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373891
Category : Art
Languages : en
Pages : 644
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Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Author: John H. Lienhard
Publisher: Oxford University Press
ISBN: 0199882886
Category : Technology & Engineering
Languages : en
Pages : 305
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Book Description
Modern is a word much used, but hard to pin down. In Inventing Modern, John H. Lienhard uses that word to capture the furious rush of newness in the first half of 20th-century America. An unexpected world emerges from under the more familiar Modern. Beyond the airplanes, radios, art deco, skyscrapers, Fritz Lang's Metropolis, Buck Rogers, the culture of the open road--Burma Shave, Kerouac, and White Castles--lie driving forces that set this account of Modern apart. One force, says Lienhard, was a new concept of boyhood--the risk-taking, hands-on savage inventor. Driven by an admiration of recklessness, America developed its technological empire with stunning speed. Bringing the airplane to fruition in so short a time, for example, were people such as Katherine Stinson, Lincoln Beachey, Amelia Earhart, and Charles Lindbergh. The rediscovery of mystery powerfully drove Modern as well. X-Rays, quantum mechanics, and relativity theory had followed electricity and radium. Here we read how, with reality seemingly altered, hope seemed limitless. Lienhard blends these forces with his childhood in the brave new world. The result is perceptive, engaging, and filled with surprise. Whether he talks about Alexander Calder (an engineer whose sculptures were exercises in materials science) or that wacky paean to flight, Flying Down to Rio, unexpected detail emerges from every tile of this large mosaic. Inventing Modern is a personal book that displays, rather than defines, an age that ended before most of us were born. It is an engineer's homage to a time before the bomb and our terrible loss of confidence--a time that might yet rise again out of its own postmodern ashes.
Author: Paul Hayes Tucker
Publisher: National Gallery Washington
ISBN: 9780300083491
Category : Art
Languages : en
Pages : 179
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Book Description
In the 1870s, Argenteuil, located on the outskirts of Paris, was still unmarred by urban industrialization. This book explores the responses to Argenteuil of six influential painters in more than 50 of their works. Catalogue for an upcoming exhibition at the National Gallery in Washington, D.C. 105 illustrations, 70 in color.
Author: Leah Dickerman
Publisher: The Museum of Modern Art
ISBN: 0870708287
Category : Art
Languages : en
Pages : 378
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Book Description
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Author: John Scholar
Publisher:
ISBN: 0198853513
Category : Art
Languages : en
Pages : 310
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Book Description
Henry James criticized the impressionism which was revolutionizing French painting and French fiction, and satirized the British aesthetic movement, which championed impressionist criticism. Yet time and again he used the word 'impression' to represent the most intense moments of consciousness of his characters, as well as the work of the literary artist. Henry James and the Art of Impressions argues that the literary art of the impression, as James practised it, places his work within the wider cultural history of impressionism. Henry James and the Art of Impressions offers an unprecedentedly detailed cultural and intellectual history of the impression. It draws on philosophy, psychology, literature, critical theory, intellectual influences and aesthetics to study James's early art criticism, literary criticism, travel writing, prefaces, and the three great novels of his major phase, The Ambassadors, The Wings of the Dove, and The Golden Bowl. It argues that the coherent philosophical meanings of the Jamesian impression emerge when they are comprehended as a family of related ideas about perception, imagination, and aesthetics - bound together by James's attempt to reconcile the novel's value as a mimetic form and its value as a transformative creative activity. Henry James and the Art of Impressions traces the development of the impression across a range of disciplines to show how James's use of the word owes them cultural and intellectual debt. It offers a more philosophical account of James to complement the more historicist work of recent decades.
Author: Bernard Denvir
Publisher: Thames & Hudson
ISBN: 0500778825
Category : Art
Languages : en
Pages : 423
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Book Description
The Impressionists Monet, Manet, Degas, Morisot, Pissarro, Renoir, Sisley and others are probably the most popular of all artistic schools. Their struggle to impose a new vision is one of the most absorbing in the whole history of art. With imagination and insight, art historian Bernard Denvir brings Impressionism into focus by showing it through the eyes of the artists themselves and their contemporaries, against the background of the time. Through letters, critical reviews, statements and reminiscences whether explosive or appreciative, blinkered or perceptive of the people who were there, the story of this ground-breaking art movement comes alive. This was the age of innovation, political liberalization, emergent photography and modern ideas about perception. The Impressionists had new ways of painting, but they also had a new world to paint. This revised edition now features full colour reproductions of art throughout and an updated bibliography.
Author: Horst Keller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 286
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Book Description
Author: Charles Dellheim
Publisher: Brandeis University Press
ISBN: 1684580560
Category : Art
Languages : en
Pages : 688
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Book Description
The old masters' new masters -- Was modernism Jewish? -- In the middle -- To have and have not.
