Author: Bebe Moore Campbell
Publisher: One World
ISBN: 0345401123
Category : Fiction
Languages : en
Pages : 450
Book Description
"ABSORBING...COMPELLING...HIGHLY SATISFYING." --San Francisco Chronicle "TRULY ENGAGING...Campbell has a storyteller's ear for dialogue and the visual sense of painting a picture and a place....There's a steam that keeps the story moving as the characters, and later their children, wrestle through racial, personal and cultural crisis." --Los Angeles Times Book Review "REMARKABLE...POWERFUL." --Time "YOUR BLUES AIN'T LIKE MINE is rich, lush fiction set in rural Mississippi beginning in the mid-'50s. It is also a haunting reality flowing through Anywhere, U.S.A., in the '90s....There's love, rage and hatred, winning and losing, honor, abuse; in other words, humanity....Campbell now deserves recognition as the best of storytellers. Her writing sings." --The Indianapolis News "EXTRAORDINDARY." --The Seattle Times "A COMPELLING NARRATIVE...Campbell is a master when it comes to telling a story." --Entertainment Weekly YOUR BLUES AIN'T LIKE MINE won the NAACP Image Award for Best Literary Work of Fiction
Your Blues Ain't Like Mine
Steppin' on the Blues
Author: Jacqui Malone
Publisher: University of Illinois Press
ISBN: 9780252065088
Category : History
Languages : en
Pages : 316
Book Description
Former dancer Jacqui Malone throws a fresh spotlight on the cultural history of black dance, the Africanisms that have influenced it, and the significant role that vocal harmony groups, black college and university marching bands, and black sorority and fraternity stepping teams have played in the evolution of dance in African American life.
Publisher: University of Illinois Press
ISBN: 9780252065088
Category : History
Languages : en
Pages : 316
Book Description
Former dancer Jacqui Malone throws a fresh spotlight on the cultural history of black dance, the Africanisms that have influenced it, and the significant role that vocal harmony groups, black college and university marching bands, and black sorority and fraternity stepping teams have played in the evolution of dance in African American life.
Michael Schmelling
Author: Tim Kinsella
Publisher:
ISBN: 9780965888738
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780965888738
Category :
Languages : en
Pages :
Book Description
Into Your Blues
Author: Charlie Moodie
Publisher: FriesenPress
ISBN: 1039110193
Category : Fiction
Languages : en
Pages : 204
Book Description
One-year post Covid-19, and twenty-six years before RJ and Ryder are born, two men—RJ’s father and Ryder’s godfather—struggling with the bottom of mid-life, embark on separate journeys of salvation. One is a raging alcoholic with a mind so stunning his spirit can’t keep up. The other was shown the financial-crisis door, but instead of leading an ordinary life, chased the musical and lyrical dream. At the crossroads of life, a deal must be struck for these men. And as with all deals, a payment must be paid. Enter Blue, the devil with whom the fathers danced, and a payback arrangement that might just cost the world. Into Your Blues, the new novel from the author of Next Whiskey Bar, explores the themes of individuality, loss and rebirth, rebellion and freedom, and salvation. Here, readers are introduced to another wild group of characters who indulge in questionable lives in a post-pandemic world. They are at the top of their careers and taking a slide to the bottom. From Toronto to Clarksdale and every place in between, we follow these colourful characters’ progress toward their personal Crossroads, fighting off temptation all the while.
Publisher: FriesenPress
ISBN: 1039110193
Category : Fiction
Languages : en
Pages : 204
Book Description
One-year post Covid-19, and twenty-six years before RJ and Ryder are born, two men—RJ’s father and Ryder’s godfather—struggling with the bottom of mid-life, embark on separate journeys of salvation. One is a raging alcoholic with a mind so stunning his spirit can’t keep up. The other was shown the financial-crisis door, but instead of leading an ordinary life, chased the musical and lyrical dream. At the crossroads of life, a deal must be struck for these men. And as with all deals, a payment must be paid. Enter Blue, the devil with whom the fathers danced, and a payback arrangement that might just cost the world. Into Your Blues, the new novel from the author of Next Whiskey Bar, explores the themes of individuality, loss and rebirth, rebellion and freedom, and salvation. Here, readers are introduced to another wild group of characters who indulge in questionable lives in a post-pandemic world. They are at the top of their careers and taking a slide to the bottom. From Toronto to Clarksdale and every place in between, we follow these colourful characters’ progress toward their personal Crossroads, fighting off temptation all the while.
Conversation with the Blues
Author: Paul Oliver
Publisher:
ISBN: 9780521598262
Category : Blues (Music)
Languages : en
Pages : 208
Book Description
Compiled from transcriptions of interviews with blues artists made by Paul Oliver in 1960, Conversation with the Blues tells--in the artists' own words--of the significance of their music and the turbulent times and lives it reflects. Included are guitarists, pianists and other instrumentalists from the rural South and the urban North, from famous blues singers who recorded extensively to singers known only to their local communities. Copiously illustrated with Paul Oliver's photographs the book provides a rare glimpse--from cotton fields to the big-city--of African American music at a time when the South was still segregated. In a larger format to better display the pictures and with a new introduction by the author, this edition also contains a CD that captures the stark, ironic, but moving music and narratives of the singers themselves.
Publisher:
ISBN: 9780521598262
Category : Blues (Music)
Languages : en
Pages : 208
Book Description
Compiled from transcriptions of interviews with blues artists made by Paul Oliver in 1960, Conversation with the Blues tells--in the artists' own words--of the significance of their music and the turbulent times and lives it reflects. Included are guitarists, pianists and other instrumentalists from the rural South and the urban North, from famous blues singers who recorded extensively to singers known only to their local communities. Copiously illustrated with Paul Oliver's photographs the book provides a rare glimpse--from cotton fields to the big-city--of African American music at a time when the South was still segregated. In a larger format to better display the pictures and with a new introduction by the author, this edition also contains a CD that captures the stark, ironic, but moving music and narratives of the singers themselves.
All Music Guide to the Blues
Author: Vladimir Bogdanov
Publisher: Hal Leonard Corporation
ISBN: 9780879307363
Category : Music
Languages : en
Pages : 772
Book Description
Reviews and rates the best recordings of 8,900 blues artists in all styles.
Publisher: Hal Leonard Corporation
ISBN: 9780879307363
Category : Music
Languages : en
Pages : 772
Book Description
Reviews and rates the best recordings of 8,900 blues artists in all styles.
Blues You Can Use (Music Instruction)
Author: John Ganapes
Publisher: Hal Leonard Corporation
ISBN: 1476857385
Category : Music
Languages : en
Pages : 136
Book Description
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
Publisher: Hal Leonard Corporation
ISBN: 1476857385
Category : Music
Languages : en
Pages : 136
Book Description
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
The Original Blues
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
I Ain't Studdin' Ya
Author: Bobby Rush
Publisher: Hachette UK
ISBN: 0306874792
Category : Biography & Autobiography
Languages : en
Pages : 327
Book Description
Experience music history with this memoir by one of the last of the genuine old school Blues and R&B legends, the Grammy-winning dynamic showman Bobby Rush. This memoir charts the extraordinary rise to fame of living blues legend, Bobby Rush. Born Emmett Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. As a teenager, Rush acquired his first real guitar and started playing in juke joints in Little Rock, Arkansas, donning a fake mustache to trick club owners into thinking he was old enough to gain entry. He led his first band in Arkansas between Little Rock and Pine Bluff in the 1950s. It was there he first had Elmore James play in his band. Rush later relocated to Chicago to pursue his musical career and started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed and Little Walter. Rush eventually began leading his own band in the 1960s, crafting his own distinct style of funky blues, and recording a succession of singles for various labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album which went on to be listed in the Top 10 blues albums of the 1970s by Rolling Stone and a handful of regional jukebox favorites including "Sue" and "I Ain't Studdin' Ya." And Rush's career shows no signs of slowing down now. The man once beloved for performing in local jukejoints is now headlining major music/blues festivals, clubs, and theaters across the U.S. and as far as Japan and Australia. At age eighty-six, he is still on the road for over 200 days a year. His lifelong hectic tour schedule has earned him the affectionate title "King of the Chitlin' Circuit," from Rolling Stone. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and his ribald sense of humor. He was featured in Martin Scorcese's The Blues docuseries on PBS, a documentary film called Take Me to the River, performed with Dan Aykroyd on The Tonight Show Starring Jimmy Fallon, and most recently had a cameo in the Golden Globe nominated Netflix film, Dolemite Is My Name, starring Eddie Murphy. He was recently given the highest Blues Music Award honor of B.B. King Entertainer of the Year. His songs have also been featured in TV shows and films including HBO's Ballers and major motion pictures like Black Snake Moan, starring Samuel L. Jackson. Considered by many to be the greatest bluesman currently performing, this book will give readers unparalleled access into the man, the myth, the legend: Bobby Rush.
Publisher: Hachette UK
ISBN: 0306874792
Category : Biography & Autobiography
Languages : en
Pages : 327
Book Description
Experience music history with this memoir by one of the last of the genuine old school Blues and R&B legends, the Grammy-winning dynamic showman Bobby Rush. This memoir charts the extraordinary rise to fame of living blues legend, Bobby Rush. Born Emmett Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. As a teenager, Rush acquired his first real guitar and started playing in juke joints in Little Rock, Arkansas, donning a fake mustache to trick club owners into thinking he was old enough to gain entry. He led his first band in Arkansas between Little Rock and Pine Bluff in the 1950s. It was there he first had Elmore James play in his band. Rush later relocated to Chicago to pursue his musical career and started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed and Little Walter. Rush eventually began leading his own band in the 1960s, crafting his own distinct style of funky blues, and recording a succession of singles for various labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album which went on to be listed in the Top 10 blues albums of the 1970s by Rolling Stone and a handful of regional jukebox favorites including "Sue" and "I Ain't Studdin' Ya." And Rush's career shows no signs of slowing down now. The man once beloved for performing in local jukejoints is now headlining major music/blues festivals, clubs, and theaters across the U.S. and as far as Japan and Australia. At age eighty-six, he is still on the road for over 200 days a year. His lifelong hectic tour schedule has earned him the affectionate title "King of the Chitlin' Circuit," from Rolling Stone. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and his ribald sense of humor. He was featured in Martin Scorcese's The Blues docuseries on PBS, a documentary film called Take Me to the River, performed with Dan Aykroyd on The Tonight Show Starring Jimmy Fallon, and most recently had a cameo in the Golden Globe nominated Netflix film, Dolemite Is My Name, starring Eddie Murphy. He was recently given the highest Blues Music Award honor of B.B. King Entertainer of the Year. His songs have also been featured in TV shows and films including HBO's Ballers and major motion pictures like Black Snake Moan, starring Samuel L. Jackson. Considered by many to be the greatest bluesman currently performing, this book will give readers unparalleled access into the man, the myth, the legend: Bobby Rush.
Frankie Finds the Blues
Author: Joel D. Harper
Publisher:
ISBN: 9780971425477
Category : African Americans
Languages : en
Pages : 0
Book Description
After attending a concert with his grandmother, Frankie finds his guitar, determined to learn to fingerpick and, with the help of a homeless man, begins to play the blues.
Publisher:
ISBN: 9780971425477
Category : African Americans
Languages : en
Pages : 0
Book Description
After attending a concert with his grandmother, Frankie finds his guitar, determined to learn to fingerpick and, with the help of a homeless man, begins to play the blues.