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Author: Rivka Eckert
Publisher: Taylor & Francis
ISBN: 1003851118
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Seeking to transform community-based theatre-making, this book explores the transformative potential of abolitionist theatre, as theatre artists and teachers collaborate with marginalized communities to challenge systems of oppression and inspire profound societal change. Focusing on the idea of bringing people together to demand collective care and community-led practice, this collection works to define theatre’s role in the goals of abolition. Abolitionist theatre-making is a theatre that is connected to the practice of decolonization, intersectional feminism, climate justice, social justice, and liberation struggles. Exploring these ideas and offering a direct exploration of the questions that theatre artists and teachers should ask themselves when evaluating the abolitionist impact of their work, the volume provides accessible and practical tools for theatre-makers with perspectives from working practitioners throughout. Through real-life stories and experiences shared by theatre practitioners, the book provides a rich and diverse tapestry of examples that highlight the ways in which community-based theatre can contribute to transformational change. Readers will benefit from practical frameworks, thought-provoking perspectives, and thoughtfully crafted insights that inspire them to reimagine their own theatre practices and empower them to create theatre that challenges and dismantles oppressive systems while uplifting marginalized voices. Ideal for undergraduate and graduate students with an interest in utilizing theatre-making for social change, this book offers new and practical insights into how the path to abolition might be laid and theatre’s key role in it. This book will also be of great interest to theatre artists and activist practitioners who are involved in community-based theatre projects with marginalized populations.
Author: Rivka Eckert
Publisher: Taylor & Francis
ISBN: 1003851118
Category : Performing Arts
Languages : en
Pages : 300
Get Book Here
Book Description
Seeking to transform community-based theatre-making, this book explores the transformative potential of abolitionist theatre, as theatre artists and teachers collaborate with marginalized communities to challenge systems of oppression and inspire profound societal change. Focusing on the idea of bringing people together to demand collective care and community-led practice, this collection works to define theatre’s role in the goals of abolition. Abolitionist theatre-making is a theatre that is connected to the practice of decolonization, intersectional feminism, climate justice, social justice, and liberation struggles. Exploring these ideas and offering a direct exploration of the questions that theatre artists and teachers should ask themselves when evaluating the abolitionist impact of their work, the volume provides accessible and practical tools for theatre-makers with perspectives from working practitioners throughout. Through real-life stories and experiences shared by theatre practitioners, the book provides a rich and diverse tapestry of examples that highlight the ways in which community-based theatre can contribute to transformational change. Readers will benefit from practical frameworks, thought-provoking perspectives, and thoughtfully crafted insights that inspire them to reimagine their own theatre practices and empower them to create theatre that challenges and dismantles oppressive systems while uplifting marginalized voices. Ideal for undergraduate and graduate students with an interest in utilizing theatre-making for social change, this book offers new and practical insights into how the path to abolition might be laid and theatre’s key role in it. This book will also be of great interest to theatre artists and activist practitioners who are involved in community-based theatre projects with marginalized populations.
Author: Laura L. Mielke
Publisher: University of Michigan Press
ISBN: 0472131052
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
In the mid-19th century, rhetoric surrounding slavery was permeated by violence. Slavery’s defenders often used brute force to suppress opponents, and even those abolitionists dedicated to pacifism drew upon visions of widespread destruction. Provocative Eloquence recounts how the theater, long an arena for heightened eloquence and physical contest, proved terribly relevant in the lead up to the Civil War. As antislavery speech and open conflict intertwined, the nation became a stage. The book brings together notions of intertextuality and interperformativity to understand how the confluence of oratorical and theatrical practices in the antebellum period reflected the conflict over slavery and deeply influenced the language that barely contained that conflict. The book draws on a wide range of work in performance studies, theater history, black performance theory, oratorical studies, and literature and law to provide a new narrative of the interaction of oratorical, theatrical, and literary histories of the nineteenth-century U.S.
Author: Jenna M. Gibbs
Publisher: JHU Press
ISBN: 1421413388
Category : History
Languages : en
Pages : 328
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Book Description
How popular theater, including blackface characters, reflected and influenced attitudes toward race, the slave trade, and ideas of liberty in early America. Jenna M. Gibbs explores the world of theatrical and related print production on both sides of the Atlantic in an age of remarkable political and social change. Her deeply researched study of working-class and middling entertainment covers the period of the American Revolution through the first half of the nineteenth century, examining controversies over the place of black people in the Anglo-American moral imagination. Taking a transatlantic and nearly century-long view, Performing the Temple of Liberty draws on a wide range of performed texts as well as ephemera—broadsides, ballads, and cartoons—and traces changes in white racial attitudes. Gibbs asks how popular entertainment incorporated and helped define concepts of liberty, natural rights, the nature of blackness, and the evils of slavery while also generating widespread acceptance, in America and in Great Britain, of blackface performance as a form of racial ridicule. Readers follow the migration of theatrical texts, images, and performers between London and Philadelphia. The story is not flattering to either the United States or Great Britain. Gibbs's account demonstrates how British portrayals of Africans ran to the sympathetic and to a definition of liberty that produced slave manumission in 1833 yet reflected an increasingly racialized sense of cultural superiority. On the American stage, the treatment of blacks devolved into a denigrating, patronizing view embedded both in blackface burlesque and in the idea of "Liberty," the figure of the white goddess. Performing the Temple of Liberty will appeal to readers across disciplinary lines of history, literature, theater history, and culture studies. Scholars and students interested in slavery and abolition, British and American politics and culture, and Atlantic history will also take an interest in this provocative work.
Author: Michael Goldman
Publisher: Viking Adult
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 200
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Book Description
The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation.
Author: Juliet Gilkes Romero
Publisher: Bloomsbury Publishing
ISBN: 1786828669
Category : Social Science
Languages : en
Pages : 158
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Book Description
Winner of the 2020 Alfred Fagon Award. As the 19th Century dawns in London, politicians of all parties gather to abolish the slave trade once and for all. But the price of freedom turns out to be a multi-billion pound bailout for slave owners rather than those enslaved. As morality and cunning compete amongst men thirsty for power, two women navigate their way to the true seat of political influence, challenging members of parliament who dare deny them their say. In this provocative new play by Juliet Gilkes Romero, the personal collides with the political to ask, what is the right thing to do and how much must it cost?
Author: Pil Hansen
Publisher: Springer
ISBN: 1137373229
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
Ten international dramaturg-scholars advance proposals that reset notions of agency in contemporary dance creation. Dramaturgy becomes driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through audience engagement, and the dramaturg becomes a facilitator of dramaturgical awareness.
Author: Bruce McConachie
Publisher: Routledge
ISBN: 113504113X
Category : Performing Arts
Languages : en
Pages : 657
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Book Description
This thoroughly revised and updated third edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers a critical overview of global theatre and drama, spanning a broad wealth of world cultures and periods. Bringing together a group of scholars from a diverse range of backgrounds to add fresh perspectives on the history of global theatre, the book illustrates historiographical theories with case studies demonstrating various methods and interpretive approaches. Subtly restructured sections place the chapters within new thematic contexts to offer a clear overview of each period, while a revised chapter structure offers accessibility for students and instructors. Further new features and key updates to this third edition include: A dedicated chapter on historiography New, up to date, case studies Enhanced and reworked historical, cultural and political timelines, helping students to place each chapter within the historical context of the section Pronunciation guidance, both in the text and as an online audio guide, to aid the reader in accessing and internalizing unfamiliar terminology A new and updated companion website with further insights, activities and resources to enable students to further their knowledge and understanding of the theatre.
Author: Denis Brennan
Publisher: McFarland
ISBN: 0786474254
Category : History
Languages : en
Pages : 225
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Book Description
William Lloyd Garrison's life as an abolitionist and advocate for social change was dependent on his training as a printer. None who have studied Garrison can ignore his editorship of The Liberator but many have not fully understood his belief in the central role of a well-edited newspaper in the maintenance of a healthy republic and the struggle to reform society. Church, politics and publishing were the three foundations of Garrison's life. Newspapers, he believed, were especially important, for they provided citizens in a democracy the information necessary to make their own choices. When ministers and politicians in the North and the South refused to address the horror of slavery and became tacit advocates for the "peculiar institution," he was compelled to employ the printing press in protest. This book traces his path from printer to publisher of The Liberator. Garrison had not become a publisher to advocate abolition; he was a mechanic and an editor, later a reformer, but always a printer. His expertise with the printing press and the practice of journalism became for him the natural means for ending slavery.
Author: Ronan Beckman
Publisher:
ISBN:
Category :
Languages : en
Pages : 259
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Book Description
It is 1803 in the Bloomsbury district of London. Miss Elizabeth Searle has been trained in the theatrical arts throughout her childhood. She has mastered dancing, acting, and singing through her efforts, hard work and natural talent. Proficient in all forms of entertainment, the young and beautiful Miss Searle finds herself relying on these skills unexpectedly. Thrust upon the stage opposite the most famous names in theatre, Elizabeth must find courage within herself in order to support her family whilst keeping her reputation intact. Attempting to sidestep her scheming rival and trying to avoid the temptations offered by the wealthy and handsome men that inhabit the world of London's most prestigious theatres, will Elizabeth succeed with her endeavours and become admired and feted for her abilities on the stage? At the beginning of the 19th Century, the theatre could be a most dangerous career for a woman trying to maintain her honour. Will Elizabeth succeed and manage to become An Actress of Repute?Those who love historical fiction set in the times of the 'Long Regency' will find much to appeal to them in this novel. Enriched with real-life characters from Britain's theatrical past, the reader will soon find themselves immersed in the world of Late Georgian theatrical drama - both onstage and off. Richly illustrated with contemporary artwork and images, it will appeal to those who enjoy reading the works of Jane Austen and Georgette Heyer.
Author: Richard Newman
Publisher: LSU Press
ISBN: 0807139912
Category : Social Science
Languages : en
Pages : 274
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Book Description
Antislavery and Abolition in Philadelphia considers the cultural, political, and religious contexts shaping the long struggle against racial injustice in one of early America's most important cities. Comprised of nine scholarly essays by a distinguished group of historians, the volume recounts the antislavery movement in Philadelphia from its marginalized status during the colonial era to its rise during the Civil War. Philadelphia was the home to the Society of Friends, which offered the first public attack on slavery in the 1680s; the Pennsylvania Abolition Society, the western world's first antislavery group; and to generations of abolitionists who organized some of early America's most important civil rights groups. These abolitionists -- black, white, religious, secular, male, female -- grappled with the meaning of black freedom earlier and more consistently than anyone else in early American culture. Cutting-edge academic views illustrate Philadelphia's antislavery movement, how it survived societal opposition, and how it remained vital to evolving notions of racial justice.
