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Author: Udo J. Hebel
Publisher: Greenwood
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This bibliography offers a compilation of more than 2000 critical studies that deal not only with the relatively new concept of intertextuality and its predominantly poststructuralist implications, but also with the time-honored concepts of allusion and quotation, which have seen a remarkable renaissance in the wake of intertextual enthusiasm. The first comprehensive work of its kind, this volume goes beyond earlier references, both in scope and quantity, to document scholarly achievements in intertextual research and to serve as a guide to previously unexplored topics. In following such scholars as Gerard Genette, Julia Kristeva, and Wolf Schmid, who consider allusion and quotation prominent manifestations of intertextuality to be perceived by the reader on the text's surface, Hebel maintains that research in these two concepts can be integrated into the more radical and far-reaching theory of intertextuality, and that the yet unsolved question of where to draw a distinct line between them deserves further analysis. The book is organized in three parts: the extensive introduction surveys the heterogeneous field of intertextual studies, provides a first insight into the history and development of the critical concepts under examination, and points to important theoretical sources and exemplary analyses of individual writers or specific aspects. The work is designed not only to direct newcomers through the intricacies of intertextual criticism, but to supply more advanced scholars with further inspiration. Extensive indexing provides easy access, and the book will prove to be an invaluable resource in university and research libraries, and in language and literature departments in the humanities.
Author: Udo J. Hebel
Publisher: Greenwood
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Get Book Here
Book Description
This bibliography offers a compilation of more than 2000 critical studies that deal not only with the relatively new concept of intertextuality and its predominantly poststructuralist implications, but also with the time-honored concepts of allusion and quotation, which have seen a remarkable renaissance in the wake of intertextual enthusiasm. The first comprehensive work of its kind, this volume goes beyond earlier references, both in scope and quantity, to document scholarly achievements in intertextual research and to serve as a guide to previously unexplored topics. In following such scholars as Gerard Genette, Julia Kristeva, and Wolf Schmid, who consider allusion and quotation prominent manifestations of intertextuality to be perceived by the reader on the text's surface, Hebel maintains that research in these two concepts can be integrated into the more radical and far-reaching theory of intertextuality, and that the yet unsolved question of where to draw a distinct line between them deserves further analysis. The book is organized in three parts: the extensive introduction surveys the heterogeneous field of intertextual studies, provides a first insight into the history and development of the critical concepts under examination, and points to important theoretical sources and exemplary analyses of individual writers or specific aspects. The work is designed not only to direct newcomers through the intricacies of intertextual criticism, but to supply more advanced scholars with further inspiration. Extensive indexing provides easy access, and the book will prove to be an invaluable resource in university and research libraries, and in language and literature departments in the humanities.
Author: Peter Stockwell
Publisher: Cambridge University Press
ISBN: 1139916343
Category : Language Arts & Disciplines
Languages : en
Pages : 777
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Book Description
Stylistics has become the most common name for a discipline which at various times has been termed 'literary linguistics', 'rhetoric', 'poetics', 'literary philology' and 'close textual reading'. This Handbook is the definitive account of the field, drawing on linguistics and related subject areas such as psychology, sociology, anthropology, educational pedagogy, computational methods, literary criticism and critical theory. Placing stylistics in its intellectual and international context, each chapter includes a detailed illustrative example and case study of stylistic practice, with arguments and methods open to examination, replication and constructive critical discussion. As an accessible guide to the theory and practice of stylistics, it will equip the reader with a clear understanding of the ethos and principles of the discipline, as well as with the capacity and confidence to engage in stylistic analysis.
Author:
Publisher: BRILL
ISBN: 9004349324
Category : Literary Criticism
Languages : en
Pages : 444
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Book Description
In A Companion to Celestina, Enrique Fernandez brings together twenty-three hitherto unpublished contributions on the Tragicomedia de Calisto y Melibea, popularly known as Celestina (c. 1499) written by leading experts who summarize, evaluate and expand on previous studies. The resulting chapters offer the non-specialist an overview of Celestina studies. Those who already know the field will find state of the art studies filled with new insights that elaborate on or depart from the well-established currents of criticism. Celestina's creation and sources, the parody of religious and erudite traditions, the treatment of magic, prostitution, the celestinesca and picaresque genre, the translations into other languages as well as the adaptations into the visual arts (engravings, paintings, films) are some of the topics included in this companion. Contributors are: Beatriz de Alba-Koch, Raúl Álvarez Moreno, Consolación Baranda, Ted L. Bergman, Patrizia Botta, José Luis Canet, Fernando Cantalapiedra, Ricardo Castells, Ivy Corfis, Manuel da Costa Fontes, Enrique Fernandez, José Luis Gastañaga Ponce de León, Ryan D. Giles, Yolanda Iglesias, Gustavo Illades Aguiar, Kathleen V. Kish, Bienvenido Morros Mestres, Devid Paolini, Antonio Pérez Romero, Amaranta Saguar García, Connie Scarborough, Joseph T. Snow, and Enriqueta Zafra.
Author: Ruth Finnegan
Publisher: Open Book Publishers
ISBN: 1906924333
Category : Language Arts & Disciplines
Languages : en
Pages : 350
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Book Description
Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near.Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan 's fascinating study sets our present conventions into crosscultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing defi nitions and control of quoting over the millennia and in doing so throws new light on ideas such as imitation, allusion, authorship, originality and plagiarism .
Author: Cooper Smith
Publisher: BRILL
ISBN: 9004508147
Category : Religion
Languages : en
Pages : 275
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Book Description
This volume defines allusion then identifies the 23 likely allusions in the Elihu speeches (Job 32–37) to Job 1–31. The allusiveness of the unit is a compositional feature that explains the varied evaluations of Elihu throughout interpretive history.
Author: Lowell Edmunds
Publisher: JHU Press
ISBN: 0801865115
Category : History
Languages : en
Pages : 224
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Book Description
Intertextuality is a matter of reading.--Ralph Hexter, University of California, Berkeley "Classical World"
Author: Scarlett Baron
Publisher: Routledge
ISBN: 1135091919
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
Why was the term ‘intertextuality’ coined? Why did its first theorists feel the need to replace or complement those terms – of quotation, allusion, echo, reference, influence, imitation, parody, pastiche, among others – which had previously seemed adequate and sufficient to the description of literary relations? Why, especially in view of the fact that it is still met with resistance, did the new concept achieve such popularity so fast? Why has it retained its currency in spite of its inherent paradoxes? Since 1966, when Kristeva defined every text as a ‘mosaic of quotations’, ‘intertextuality’ has become an all-pervasive catchword in literature and other humanities departments; yet the notion, as commonly used, remains nebulous to the point of meaninglessness. This book seeks to shed light on this thought-provoking but treacherously polyvalent concept by tracing the theory’s core ideas and emblematic images to paradigm shifts in the fields of science, philosophy, psychoanalysis, and linguistics, focusing on the shaping roles of Darwin, Nietzsche, Freud, Saussure, and Bakhtin. In so doing, it elucidates the meaning of one of the most frequently used terms in contemporary criticism, thereby providing a much-needed foundation for clearer discussions of literary relations across the discipline and beyond.
Author: Julia Kristeva
Publisher: Columbia University Press
ISBN: 9780231063258
Category : Family & Relationships
Languages : en
Pages : 340
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Book Description
An easily accessible introduction to Kristeva's work in English. The essays have been selected as representative of the three main areas of Kristeva's writing--semiotics, psychoanalysis, and political theory--and are each prefaced by a clear, instructive introduction. For beginners or those familiar with Kristeva's work this is a good complement to The Portable Kristeva with a convenient selection of articles from Kristeva's earlier work some of which are otherwise hard to come by.
Author: Thomas S. Schmidt
Publisher: Brill's Plutarch Studies
ISBN: 9789004421707
Category : History
Languages : en
Pages : 664
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Book Description
The Dynamics of Intertextuality in Plutarch explores the numerous aspects and functions of intertextual links both within the Plutarchan corpus itself (intratextuality) and in relation with other authors, works, genres or discourses of Ancient Greek literature (interdiscursivity, intergenericity, intermateriality).
Author: Stephen Hinds
Publisher: Cambridge University Press
ISBN: 9780521576772
Category : History
Languages : en
Pages : 176
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Book Description
The study of the deliberate allusion by one author to the words of a previous author has long been central to Latin philology. However, literary Romanists have been diffident about situating such work within the more spacious inquiries into intertextuality now current. This 1998 book represents an attempt to find (or recover) some space for the study of allusion - as a project of continuing vitality - within an excitingly enlarged universe of intertexts. It combines traditional classical approaches with modern literary-theoretical ways of thinking, and offers attentive close readings, innovative perspectives on literary history, and theoretical sophistication of argument. Like other volumes in the series it is among the most broadly conceived short books on Roman literature to be published in recent years.
