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Author: Cynthia Gordon
Publisher: Oxford University Press
ISBN: 0197642683
Category : Intertextuality
Languages : en
Pages : 265
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Book Description
"Intertextuality captures the idea that all texts and conversations - and by extension, other creations such as images - are linked to other texts and conversations (and other creations), and that people, through making and interpreting such links, construct and infer meanings. Metadiscourse, which broadly refers to discourse about discourse, captures the notion that one important function of language is to communicate about itself. While scholars have long recognized the interrelatedness of the two theoretical concepts, existing studies have tended to focus on one or the other, thus leaving underexplored the specific ways in which these phenomena are intertwined at the micro-interactional level, especially online, and for what purposes. This interactional sociolinguistic study contributes to filling this gap by demonstrating how specific intertextual linking strategies, both linguistic (e.g., word repetition, deictic pronouns) and multimodal (e.g., emojis, symbols, and GIFs), are mobilized by posters participating on weight loss discussion boards. These strategies serve as a resource to accomplish the metadiscursive activities, targeted at various levels of discourse, through which participants construct shared understandings, negotiate the group's interactional norms, and facilitate engagement in the group's primary shared activity: exchanging information about, and providing support in, weight loss, healthful eating, and related issues. Intertextuality 2.0 provides micro-analysis of discourse in a multimodal digital discourse context, or in "discourse 2.0"; in so doing, it advocates a dual understanding of intertextuality in the sense that its companion, metadiscourse, must be elevated in studies of intertextuality if we are to fully understand its role in (contemporary digital) discourse"--
Author: Cynthia Gordon
Publisher: Oxford University Press
ISBN: 0197642683
Category : Intertextuality
Languages : en
Pages : 265
Get Book Here
Book Description
"Intertextuality captures the idea that all texts and conversations - and by extension, other creations such as images - are linked to other texts and conversations (and other creations), and that people, through making and interpreting such links, construct and infer meanings. Metadiscourse, which broadly refers to discourse about discourse, captures the notion that one important function of language is to communicate about itself. While scholars have long recognized the interrelatedness of the two theoretical concepts, existing studies have tended to focus on one or the other, thus leaving underexplored the specific ways in which these phenomena are intertwined at the micro-interactional level, especially online, and for what purposes. This interactional sociolinguistic study contributes to filling this gap by demonstrating how specific intertextual linking strategies, both linguistic (e.g., word repetition, deictic pronouns) and multimodal (e.g., emojis, symbols, and GIFs), are mobilized by posters participating on weight loss discussion boards. These strategies serve as a resource to accomplish the metadiscursive activities, targeted at various levels of discourse, through which participants construct shared understandings, negotiate the group's interactional norms, and facilitate engagement in the group's primary shared activity: exchanging information about, and providing support in, weight loss, healthful eating, and related issues. Intertextuality 2.0 provides micro-analysis of discourse in a multimodal digital discourse context, or in "discourse 2.0"; in so doing, it advocates a dual understanding of intertextuality in the sense that its companion, metadiscourse, must be elevated in studies of intertextuality if we are to fully understand its role in (contemporary digital) discourse"--
Author: Michael Talbot
Publisher: Liverpool University Press
ISBN: 9780853238256
Category : Music
Languages : en
Pages : 280
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Book Description
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Author: Michael Worton
Publisher: Manchester University Press
ISBN: 9780719027642
Category : Education
Languages : en
Pages : 212
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Book Description
A collection of essays by American, British and Australian scholars which approaches this field of textual enquiry from perspectives as diverse as Marxism and psychoanalysis. Each essay examines an aspect of contemporary practice and proposes new ways forward for students and teachers.
Author: Scarlett Baron
Publisher: Routledge
ISBN: 1135091919
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
Why was the term ‘intertextuality’ coined? Why did its first theorists feel the need to replace or complement those terms – of quotation, allusion, echo, reference, influence, imitation, parody, pastiche, among others – which had previously seemed adequate and sufficient to the description of literary relations? Why, especially in view of the fact that it is still met with resistance, did the new concept achieve such popularity so fast? Why has it retained its currency in spite of its inherent paradoxes? Since 1966, when Kristeva defined every text as a ‘mosaic of quotations’, ‘intertextuality’ has become an all-pervasive catchword in literature and other humanities departments; yet the notion, as commonly used, remains nebulous to the point of meaninglessness. This book seeks to shed light on this thought-provoking but treacherously polyvalent concept by tracing the theory’s core ideas and emblematic images to paradigm shifts in the fields of science, philosophy, psychoanalysis, and linguistics, focusing on the shaping roles of Darwin, Nietzsche, Freud, Saussure, and Bakhtin. In so doing, it elucidates the meaning of one of the most frequently used terms in contemporary criticism, thereby providing a much-needed foundation for clearer discussions of literary relations across the discipline and beyond.
Author: Graham Allen
Publisher: Psychology Press
ISBN: 9780415174756
Category : Fiction
Languages : en
Pages : 262
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Book Description
No text has its meaning alone; all texts have their meaning in relation to other texts. Since Julia Kristeva coined the term in the 1960s, intertextuality has been a dominant idea within literary and cultural studies leaving none of the traditional ideas about reading or writing undisturbed. Graham Allen's Intertextuality outlines clearly the history and the use of the term in contemporary theory, demonstrating how it has been employed in: structuralism post-structuralism deconstruction postcolonialism Marxism feminism psychoanalytic theory. Incorporating a wealth of illuminating examples from literary and cultural texts, this book offers an invaluable introduction to intertextuality for any students of literature and culture.
Author: Lori Burns
Publisher: University of Michigan Press
ISBN: 0472130676
Category : Literary Criticism
Languages : en
Pages : 381
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Book Description
A fascinating interdisciplinary collection of essays on intertextual relationships in popular music
Author: Thomas C. Foster
Publisher: HarperCollins
ISBN: 0063307758
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Thoroughly revised and expanded for a new generation of readers, this classic guide to enjoying literature to its fullest—a lively, enlightening, and entertaining introduction to a diverse range of writing and literary devices that enrich these works, including symbols, themes, and contexts—teaches you how to make your everyday reading experience richer and more rewarding. While books can be enjoyed for their basic stories, there are often deeper literary meanings beneath the surface. How to Read Literature Like a Professor helps us to discover those hidden truths by looking at literature with the practiced analytical eye—and the literary codes—of a college professor. What does it mean when a protagonist is traveling along a dusty road? When he hands a drink to his companion? When he’s drenched in a sudden rain shower? Thomas C. Foster provides answers to these questions as he explores every aspect of fiction, from major themes to literary models, narrative devices, and form. Offering a broad overview of literature—a world where a road leads to a quest, a shared meal may signify a communion, and rain, whether cleansing or destructive, is never just a shower—he shows us how to make our reading experience more intellectually satisfying and fun. The world, and curricula, have changed. This third edition has been thoroughly revised to reflect those changes, and features new chapters, a new preface and epilogue, as well as fresh teaching points Foster has developed over the past decade. Foster updates the books he discusses to include more diverse, inclusive, and modern works, such as Angie Thomas’s The Hate U Give; Emily St. John Mandel’s Station Eleven; Neil Gaiman’s Neverwhere; Elizabeth Acevedo’s The Poet X; Helen Oyeyemi's Mr. Fox and Boy, Snow, Bird; Sandra Cisneros’s The House on Mango Street; Zora Neale Hurston’s Their Eyes Were Watching God; Maggie O’Farrell’s Hamnet; Madeline Miller’s Circe; Pat Barker’s The Silence of the Girls; and Tahereh Mafi’s A Very Large Expanse of Sea.
Author: Graham Allen
Publisher: Psychology Press
ISBN: 0415174740
Category : Language Arts & Disciplines
Languages : en
Pages : 250
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Book Description
No text has its meaning alone; all texts have their meaning in relation to other texts. Since Julia Kristeva coined the term in the 1960s, intertextuality has been a dominant idea within literary and cultural studies leaving none of the traditional ideas about reading or writing undisturbed. Graham Allen's Intertextuality outlines clearly the history and the use of the term in contemporary theory, demonstrating how it has been employed in: structuralism post-structuralism deconstruction postcolonialism Marxism feminism psychoanalytic theory. Incorporating a wealth of illuminating examples from literary and cultural texts, this book offers an invaluable introduction to intertextuality for any students of literature and culture.
Author: Deborah Tannen
Publisher: John Wiley & Sons
ISBN: 1119039770
Category : Language Arts & Disciplines
Languages : en
Pages : 976
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Book Description
The second edition of the highly successful Handbook of Discourse Analysis has been expanded and thoroughly updated to reflect the very latest research to have developed since the original publication, including new theoretical paradigms and discourse-analytic models, in an authoritative two-volume set. Twenty new chapters highlight emerging trends and the latest areas of research Contributions reflect the range, depth, and richness of current research in the field Chapters are written by internationally-recognized leaders in their respective fields, constituting a Who’s Who of Discourse Analysis A vital resource for scholars and students in discourse studies as well as for researchers in related fields who seek authoritative overviews of discourse analytic issues, theories, and methods
Author: Yunxia Zhu
Publisher: John Benjamins Publishing
ISBN: 9027294100
Category : Language Arts & Disciplines
Languages : en
Pages : 238
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Book Description
Winner of ABC's award for Distinguished Publication for 2006 This book explores effective written communication across cultures both theoretically and practically. Specifically it conceptualizes cross-cultural genre study and compares English and Chinese business writing collected from Australia, New Zealand and China. It is also one of those inspired by contrastive rhetoric but has contributed innovatively and uniquely by incorporating research findings from genre analysis, in particular, the sociocognitive genre perspective into this cross-cultural study. On the one hand, the endeavor represents an in-depth theoretical exploration by considering not only discourse community and cognitive structuring, but also the deep semantics of genre and intertextuality, while broadening genre study by integrating insights from cross-cultural communication as well as the Chinese perspectives. On the other hand, the book also addresses pragmatic issues. As a particular feature, it solicits professional members’ intercultural viewpoints; thus confirming the shared social "stock of knowledge" employed in the culturally defined writing conventions. Last but not least, this book explores the implications for genre education and training, and develops an appropriate model for cross-cultural genre learning, which encourages learning through legitimate peripheral participation and intercultural learning in business organizations.
