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Author: Thomas Postlewait
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
Author: Thomas Postlewait
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 352
Get Book Here
Book Description
Author: Charlotte M. Canning
Publisher: University of Iowa Press
ISBN: 1587299380
Category : Performing Arts
Languages : en
Pages : 429
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Book Description
"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --
Author: Claire Cochrane
Publisher: Springer
ISBN: 1137457287
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
This collection of essays explores how historians of theatre apply ethical thinking to the attempt to truthfully represent their subject - whether that be the life of a well-known performer, or the little known history of colonial theatre in India - by exploring the process by which such histories are written, and the challenges they raise.
Author: Anne Fliotsos
Publisher: Bloomsbury Publishing
ISBN: 1350315869
Category : Performing Arts
Languages : en
Pages : 152
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Book Description
One type of analysis cannot fit every play, nor does one method of interpretation suit every theatre artist or collaborative team. This is the first text to combine traditional and non-traditional models, giving students a range of tools with which to approach different kinds of performance.
Author: Julie Gebron
Publisher: Conran Octopus
ISBN: 9781884362415
Category : Deaf, Theater for the
Languages : en
Pages : 0
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Book Description
Author: Tracy C. Davis
Publisher: Routledge
ISBN: 1351271709
Category : Performing Arts
Languages : en
Pages : 1003
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Book Description
The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History. Written by an international team of authors whose expertise spans a multitude of historical periods and cultures, this collection of fascinating essays poses the central question: "what is specific to the historiography of the performative?" The study of theatre, in conjunction with the wider sphere of performance, involves an array of multi-faceted methods for collecting evidence, interpreting sources, and creating meaning. Reflecting on issues of recording — from early modern musical scores, through VHS-technology to latest digital procedures — and on what is missing from records or oblique in practices, the contributors convey how theatre and performance history is integral to social and cultural relations. This expertly curated collection repositions theatre and performance history and is essential reading for Theatre and Performance Studies students or those interested in social and cultural history more generally.
Author: Thomas Postlewait
Publisher: Cambridge University Press
ISBN: 9780521499170
Category : Drama
Languages : en
Pages : 360
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Book Description
This Introduction - an indispensable 'how to' guide for students and teachers alike - investigates the methods and aims of historical study in the performing arts, from archival research to historical writing. Beginning with case studies on Shakespearean theatre and avant-garde theatre, this study examines fundamental procedures and problems in documentary history and cultural history. It demonstrates how historians not only construct various kinds of performance events but also place them in relation to the historical agents, the political and social conditions, artistic traditions, audience responses, and historical periods. Drawing upon scholarship in classics, literary studies, art history, performance studies, and general history, Postlewait shows how to ask appropriate historical questions, construct evidence, use plays as historical documents, eliminate faulty sources, challenge unreliable witnesses, and develop historical arguments and narratives. The book concludes with a survey of the 'twelve cruxes' of research, analysis, and writing in theatre history.
Author: Charles Mitchell
Publisher: Orange Grove Texts Plus
ISBN: 9781616101664
Category : Arts
Languages : en
Pages : 0
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Book Description
"From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.
Author: Amy E. Hughes
Publisher: University of Michigan Press
ISBN: 0472118625
Category : Performing Arts
Languages : en
Pages : 261
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Book Description
In the nineteenth century, long before film and television brought us explosions, car chases, and narrow escapes, it was America's theaters that thrilled audiences, with “sensation scenes” of speeding trains, burning buildings, and endangered bodies, often in melodramas extolling the virtues of temperance, abolition, and women's suffrage. Amy E. Hughes scrutinizes these peculiar intersections of spectacle and reform, revealing the crucial role that spectacle has played in American activism and how it has remained central to the dramaturgy of reform. Hughes traces the cultural history of three famous sensation scenes—the drunkard with the delirium tremens, the fugitive slave escaping over a river, and the victim tied to the railroad tracks—assessing how these scenes conveyed, allayed, and denied concerns about the rights and responsibilities of citizenship. These images also appeared in printed propaganda, suggesting that the coup de théâtre was an essential part of American reform culture. Additionally, Hughes argues that today’s producers and advertisers continue to exploit the affective dynamism of spectacle, reaching an even broader audience through film, television, and the Internet. To be attuned to the dynamics of spectacle, Hughes argues, is to understand how we see. Her book will interest not only theater historians, but also scholars and students of political, literary, and visual culture who are curious about how U.S. citizens saw themselves and their world during a pivotal period in American history.
Author: Janelle G. Reinelt
Publisher: University of Michigan Press
ISBN: 9780472068869
Category : Performing Arts
Languages : en
Pages : 612
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Book Description
Updated and enlarged, this groundbreaking collection surveys the major critical currents and approaches in drama, theater, and performance
