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Author: Kristin Bluemel
Publisher: Edinburgh University Press
ISBN: 0748688560
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
This collection of original critical essays, newly available in paperback, launches an ambitious, long-term project marking out a new period and style in twentieth-century literary history.
Author: Kristin Bluemel
Publisher: Edinburgh University Press
ISBN: 0748688560
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
This collection of original critical essays, newly available in paperback, launches an ambitious, long-term project marking out a new period and style in twentieth-century literary history.
Author: Kristin Bluemel
Publisher: Edinburgh University Press
ISBN: 0748635106
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
These 10 original critical essays examine the fascinating writing of the Depression and World War II. Divided into four sections--Work, Community,War, and Documents--the volume focuses on texts that are typically ignored in accounts of modernism or The Auden Generation.Chapters examine writing by Elizabeth Bowen, Storm Jameson, William Empson, George Orwell, J. B. Priestley, Harold Heslop, T. H. White, Sylvia Townsend Warner, Rebecca West, John Grierson, Margery Allingham and Stella Gibbons. These authors were politically radical, or radically 'eccentric', and tended to be committed to working- and middle-class cultures, non-canonical genres, such as crime and fantasy, and minority forms of narrative, such as journalism, manifestos, film, and travel narratives, as well as novels. The volume supports further research with an appendix, 'Who Were the Intermodernists?', a listing of archival sources and an extensive bibliography.
Author: Pamela G. Reed, PhD, RN, FAAN
Publisher: Springer Publishing Company
ISBN: 0826118933
Category : Medical
Languages : en
Pages : 189
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Book Description
"This is an excellent addition to the nursing theory literature and one that focuses on the needs of the new DNP role and knowledge development. As the preface states, it encourages the development of 'theory for practice in practice,' and could help to close the divide that exists between theorists/researchers/academics and practice."Score: 97, 5 stars--Doody's The current paradigm of nursing knowledge suggests theory is developed outside of practice, then handed down to the practitioner to practice. This unique text is for students and faculty at the DNP level to engage in developing nursing theory in order to directly guide and improve practice. The content in this book provides strategies for scholarly practice as well as theories for students to develop or modify to fit into their own practice. This book guides students in learning to think in a new way about nursing theory development as it relates to nursing practice. This book provides graduate nursing students with a guide for practice, presents new perspectives and insights that may arise from frustrating clinical problems, and gives students the opportunity to rethink and reformulate existing theory. Key Features: Provides teachers and nursing students with information about the development and use of theory to improve nursing practice Includes glossary of key terms for reference Presents discussion questions and activities to stimulate thinking Identifies reflection points in selected chapters to help students assimilate the content and relate it to their own work
Author: Elizabeth Podnieks
Publisher: Springer Nature
ISBN: 3031089111
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
Drawing on the figure and discourses of the Victorian fin-de-siècle New Woman, this book examines women writers who struggled with conservative, patriarchal ideologies of motherhood in novels, periodicals and life writings of the long modernist period. It shows how these writers challenged, resisted, adapted and negotiated traditional ideas with their own versions of new motherhood, with needs for identities and experiences beyond maternity. Tracing the period from the end of the nineteenth century through the twentieth, this study explores how some of the numerous elements and forces we identify with modernism are manifested in equally diverse and often competing representations of mothers, mothering and motherhood. It investigates how historical personages and fictional protagonists used and were constructed within textual spaces where they engaged critically with the maternal as institution, identity and practice, from perspectives informed by gender, sexuality, nationhood, race and class. The matrifocal literatures examined in this book exemplify how feminist motherhoods feature as a prominent thematic of the long modernist era and how rebellious New Woman mothers provocatively wrote maternity into text and history.
Author: Meg Brayshaw
Publisher: Springer Nature
ISBN: 303064426X
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
This book examines literary representations of Sydney and its waterway in the context of Australian modernism and modernity in the interwar period. Then as now, Sydney Harbour is both an ecological wonder and ladened with economic, cultural, historical and aesthetic significance for the city by its shores. In Australia’s earliest canon of urban fiction, writers including Christina Stead, Dymphna Cusack, Eleanor Dark, Kylie Tennant and M. Barnard Eldershaw explore the myth and the reality of the city ‘built on water’. Mapping Sydney via its watery and littoral places, these writers trace impacts of empire, commercial capitalism, global trade and technology on the city, while drawing on estuarine logics of flow and blockage, circulation and sedimentation to innovate modes of writing temporally, geographically and aesthetically specific to Sydney’s provincial modernity. Contributing to the growing field of oceanic or aqueous studies, Sydney and its Waterway and Australian Modernism shows the capacity of water and human-water relations to make both generative and disruptive contributions to urban topography and narrative topology
Author: Paige Reynolds
Publisher: Oxford University Press
ISBN: 0198881053
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Modernism in Irish Women's Contemporary Writing examines the tangled relationship between contemporary Irish women writers and literary modernism. In the early decades of the twenty-first century, Irish women's fiction has drawn widespread critical acclaim and commercial success, with a surprising number of these works being commended for their innovative redeployment of literary tactics drawn from early twentieth-century literary modernism. But this strategy is not a new one. Across more than a century, writers from Kate O'Brien to Sally Rooney have manipulated and remade modernism to draw attention to the vexed nature of female privacy, exploring what unfolds when the amorphous nature of private consciousness bumps up against external ordering structures in the public world. Living amid the tenaciously conservative imperatives of church and state in Ireland, their female characters are seen to embrace, reject, and rework the ritual of prayer, the fixity of material objects, the networks of the digital world, and the ordered narrative of the book. Such structures provide a stability that is valuable and even necessary for such characters to flourish, as well as an instrument of containment or repression that threatens to, and in some cases does, destroy them. The writers studied here, among them Elizabeth Bowen, Edna O'Brien, Anne Enright, Anna Burns, Claire-Louise Bennett, and Eimear McBride, employ the modernist mode in part to urge readers to recognize that female interiority, the prompt for many of the movement's illustrious formal experiments, continues to provide a crucial but often overlooked mechanism to imagine ways around and through seemingly intransigent social problems, such as class inequity, political violence, and sexual abuse.
Author: Marius Hentea
Publisher: Liverpool University Press
ISBN: 1782841121
Category : Literary Collections
Languages : en
Pages : 231
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Book Description
Although Henry Green has been recognised by James Wood, David Lodge and John Updike as one of the most innovative writers of his time, his significant achievement remains largely neglected. Henry Green at the Limits of Modernism provides a theoretically sophisticated and historically nuanced reading of Green's novels and makes the case for Green's importance in reconsiderations of modernism, late modernism and post-war realism. This work is the most ambitious reassessment of Green's oeuvre to date and thus critical reading for scholars interested in modernism, late modernism, and the evolution of British post-war fiction. Arguing against the predominant view of Green's fiction as an autonomous literary construction, the work connects Green to a number of social and literary contexts, resulting in fresh readings of his novels and also a greater accessibility to an author long considered 'oblique' and 'elusive'. With significant investigations of Green's connection to his literary generation, his multifaceted and formally innovative handling of social class, his negotiations of narrative authority and authorship, and the importance of disability studies to understanding Green's fiction, this study charts the complex trajectories of Green's fiction against both social and literary contexts. The work also moves beyond the narrow confines of British literature to explore Green's connections to broader trends in European literature.
Author: Ashley Maher
Publisher: Oxford University Press
ISBN: 0192548425
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
Reconstructing Modernism establishes for the first time the centrality of modernist buildings and architectural periodicals to British mid-century literature. Drawing upon a wealth of previously unexplored architectural criticism by British authors, this book reveals how arguments about architecture led to innovations in literature, as well as to redesigns in the concept of modernism itself. While the city has long been a focus of literary modernist studies, architectural modernism has never had its due. Scholars usually characterize architectural modernism as a parallel modernism or even an incompatible modernism to literature. Giving special attention to dystopian classics Brave New World and Nineteen Eighty-Four, this study argues that sustained attention to modern architecture shaped mid-century authors' political and aesthetic commitments. After many writers deemed modernist architects to be agents for communism and other collectivist movements, they squared themselves—and literary modernist detachment and aesthetic autonomy—against the seemingly tyrannical utopianism of modern architecture; literary aesthetic qualities were reclaimed as political qualities. In this way, Reconstructing Modernism redraws the boundaries of literary modernist studies: rather than simply adding to its canon, it argues that the responsibility for defining literary modernism for the mid-century public was shared by an incredible variety of authors—Edwardians, modernists, satirists, and even anti-modernists.
Author: Gregory Castle
Publisher:
ISBN: 1107176727
Category : Literary Criticism
Languages : en
Pages : 445
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Book Description
This book attests to the unique development of modernism in Ireland - driven by political as well as artistic concerns.
Author: Scott Ortolano
Publisher: Bloomsbury Publishing USA
ISBN: 1501325124
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
Popular Modernism and Its Legacies reconfigures modernist studies to investigate how modernist concepts, figures, and aesthetics continue to play essential--though often undetected--roles across an array of contemporary works, genres, and mediums. Featuring both established and emerging scholars, each of the book's three sections offers a distinct perspective on popular modernism. The first section considers popular modernism in periods historically associated with the movement, discovering hidden connections between traditional forms of modernist literature and popular culture. The second section traces modernist genealogies from the past to the contemporary era, ultimately revealing that immensely popular contemporary works, artists, and genres continue to engage and thereby renew modernist aesthetics and values. The final section moves into the 21st century, discovering how popular works invoke modernist techniques, texts, and artists to explore social and existential quandaries in the contemporary world. Concluding with an afterword from noted scholar Faye Hammill, Popular Modernism and Its Legacies reshapes the study of modernism and provides new perspectives on important works at the center of our cultural imagination.
