Wood, Water & Light PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Wood, Water & Light PDF full book. Access full book title Wood, Water & Light by Joel White. Download full books in PDF and EPUB format.
Author: Joel White
Publisher: W. W. Norton & Company
ISBN: 9780393033274
Category : Boats and boating
Languages : en
Pages : 208
Get Book Here
Book Description
Studies of two dozen boats and yachts with profile drawings and photographs.
Author: Jean Giraudoux
Publisher:
ISBN:
Category : Giraudoux, Jean, 1882-1944. Intermezzo
Languages : en
Pages : 304
Get Book Here
Book Description
Author: Joel White
Publisher: W. W. Norton & Company
ISBN: 9780393033274
Category : Boats and boating
Languages : en
Pages : 208
Get Book Here
Book Description
Studies of two dozen boats and yachts with profile drawings and photographs.
Author: Raymond Charles Meyer
Publisher:
ISBN:
Category :
Languages : en
Pages : 590
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Band music
Languages : en
Pages : 182
Get Book Here
Book Description
Author: Jeffrey Noonan
Publisher: A-R Editions, Inc.
ISBN: 9780895796448
Category : Music
Languages : en
Pages : 344
Get Book Here
Book Description
In the early years of the twentieth century, O.G. Sonneck, the father of American musicology, decried the state of musical bibliography in this country, encouraging musical scholars to dedicate themselves to preserving, cataloging, and promoting the use of America’s musical ephemera, especially newspapers and magazines. Despite his century-old calls, much work in this area remains undone. This volume responds to Sonneck’s call for action by creating a bibliography of periodicals that document the use and place of the guitar in a little-known segment of America’s musical culture in the final decades of the nineteenth century through the first third of the twentieth century. Between 1880 and the mid-1930s, a unique musical movement grew and flourished in this country. Focused on the promotion of so-called “plectral instruments,” this movement promoted the banjo, the mandolin, and the guitar as cultivated instruments on a par with the classical violin or piano. The Banjo, Mandolin and Guitar (BMG) community consisted of instrument manufacturers, music publishers, professional teachers and composers, and amateur students. While some professional soloists achieved national recognition, the performing focus of the movement was ensemble work, with bands of banjos, mandolins and guitars ranging from quartets and quintets (modeled on the violin-family string ensembles) to festival orchestras of up to 400 players (mimicking the late romantic symphony orchestra). The repertoire of most ensembles included popular dances of the day as well as light classics, but more ambitious ensembles tackled Mozart, Haydn, Beethoven, and even Wagner. Although this movement straddled both popular and cultivated (classical) music-making, its elitist pretensions contributed to its demise in the wake of the explosive growth of modern American popular music linked to Tin Pan Alley or the blues. While the movement’s heyday spanned the early years of audio recording, only a handful of active BMG performers made recordings. As a result few musical scholars are aware of the BMG movement and its contribution to American musical culture, especially its influence on the physical and technical development of America’s instrument, the guitar The movement did, however, leave extensive traces of itself in periodicals produced by manufacturing and publishing concerns. Beginning in 1882, the leadership of the BMG movement fell to the publishers, editors, and contributors from these promotional journals, which were dedicated to the “interests of Banjoists, Mandolinists and Guitarists” While advertising dominated the pages of most of these periodicals, nearly all offered product and publication reviews, historical surveys, biographical sketches, and technical advice. In addition, the BMG magazines not only documented performances with reviews and program lists but also contained musical scores for solo instruments and plucked-string ensembles. These magazines are the primary sources which document this vibrant expression of America’s musical life. While one or two of the BMG magazines have been known by guitar scholars, most have not seen the light of day in decades. Similarly, a few of the leading guitar figures of the BMG movement—principally William Foden, Vahdah Olcott-Bickford, and George C. Krick—have been acknowledged and documented but many more remain completely anonymous. This bibliography offers access to the periodicals which help document the story of the guitar in America’s progressive era—a story of tradition and transformation—as lived and told by the guitar’s players, teachers, manufacturers, composers, and fans in the BMG movement. The bibliography consists of two large sections. The first contains a chronological list of articles, news items, advertisements, illustrations, and photographs as well as a list of musical works for guitar published in the BMG magazines. The second section of the bibliography is a series of indices which link names and subjects to the lists. With nearly 5500 entries and over 100 pages of indices, this bibliography offers researchers access to a musical world that has been locked away on library shelves for the past century.
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 9781457472879
Category : Music
Languages : en
Pages : 188
Get Book Here
Book Description
This collection includes: * Opus 1, Sonata in C major * Opus 2, Sonata in F# major * Opus 4, Scherzo in E-flat major * Opus 5, Sonata in F minor * Opus 9, Variations on a Theme by Robert Schumann * Opus 10, Ballades, No. 1 in D minor, No. 2 in D major, No. 3 in B major, and No. 4 in B minor * Opus 21, No. 1, Variations on a Theme by the Composer * Opus 21, No. 2, Variations on a Hungarian Song * Opus 24, Variations and Fugue on a theme by Handel
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 9781457444500
Category : Music
Languages : en
Pages : 132
Get Book Here
Book Description
During the latter part of his life, Brahms wrote only sets of relatively short pieces. With their formal and stylistic perfection, they are among the most valuable of the late-Romantic additions to piano repertoire. Included in this edition are 30 pieces by Brahms, preceded by a helpful introduction which contains definitions of the ballade, rhapsody, capriccio and intermezzo.
Author: Bert De Coutere
Publisher: Bert De Coutere
ISBN:
Category : Business & Economics
Languages : en
Pages : 210
Get Book Here
Book Description
Are you a HoCo? I think you are. A HoCo is not a dirty word. It's short for 'homo competens', and that is not an insult. That's Latin for 'competent person'. If you are a HoCo, or want to be one, this book is for you. This book talks about competent people in the network age. It discusses competence, the times we live in, and presents guidelines and tools that you - the homo competens - will need to thrive in your personal life, at work, and in society at large. If we really mean that 'competent people are our most important asset', let's not treat competence as a black box or leave it to chance.
Author: Tomaso Albinoni
Publisher: A-R Editions, Inc.
ISBN: 0895791692
Category : Opera
Languages : en
Pages : 112
Get Book Here
Book Description
Author: Carlos de Lemos Almada
Publisher: Springer Nature
ISBN: 3031314514
Category : Mathematics
Languages : en
Pages : 329
Get Book Here
Book Description
This book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951). The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music. The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis. The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research.
