Institutional Theatrics PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Institutional Theatrics PDF full book. Access full book title Institutional Theatrics by Brandon Woolf. Download full books in PDF and EPUB format.
Author: Brandon Woolf
Publisher: Northwestern University Press
ISBN: 0810143577
Category : Performing Arts
Languages : en
Pages : 326
Get Book Here
Book Description
Shortlist, 2021 Waterloo Centre for German Studies Book Prize In a city struggling to determine just how neoliberal it can afford to be, what kinds of performing arts practices and institutions are necessary—and why? Since the fall of the Berlin Wall, political and economic agendas in the reunified German capital have worked to dismantle long-standing traditions of state‐subsidized theater even as the city has redefined itself as a global arts epicenter. Institutional Theatrics charts the ways theater artists have responded to these shifts and crises both on- and offstage, offering a method for rethinking the theater as a vital public institution. What is the future of the German theater, grounded historically in large ensembles, extensive repertoires, and auteur directors? Examining the restructuring of Berlin’s theatrical landscape and most prominent performance venues, Brandon Woolf argues that cultural policy is not simply the delegation and distribution of funds. Instead, policy should be thought of as an artistic practice of institutional imagination. Woolf demonstrates how performance can critique its patron institutions in order to transform the relations between the stage and the state, between the theater and the infrastructures of its support. Bold, nuanced, and rigorously documented, Institutional Theatrics offers new insights about art, its administration, and the forces that influence cultural production.
Author: Brandon Woolf
Publisher: Northwestern University Press
ISBN: 0810143577
Category : Performing Arts
Languages : en
Pages : 326
Get Book Here
Book Description
Shortlist, 2021 Waterloo Centre for German Studies Book Prize In a city struggling to determine just how neoliberal it can afford to be, what kinds of performing arts practices and institutions are necessary—and why? Since the fall of the Berlin Wall, political and economic agendas in the reunified German capital have worked to dismantle long-standing traditions of state‐subsidized theater even as the city has redefined itself as a global arts epicenter. Institutional Theatrics charts the ways theater artists have responded to these shifts and crises both on- and offstage, offering a method for rethinking the theater as a vital public institution. What is the future of the German theater, grounded historically in large ensembles, extensive repertoires, and auteur directors? Examining the restructuring of Berlin’s theatrical landscape and most prominent performance venues, Brandon Woolf argues that cultural policy is not simply the delegation and distribution of funds. Instead, policy should be thought of as an artistic practice of institutional imagination. Woolf demonstrates how performance can critique its patron institutions in order to transform the relations between the stage and the state, between the theater and the infrastructures of its support. Bold, nuanced, and rigorously documented, Institutional Theatrics offers new insights about art, its administration, and the forces that influence cultural production.
Author: Olivia Landry
Publisher: University of Toronto Press
ISBN: 1487507690
Category : Drama
Languages : en
Pages : 253
Get Book Here
Book Description
Theatre of Anger examines contemporary transnational theatre in Berlin through the political scope of anger, and its trajectory from Aristotle all the way to Audre Lorde and bell hooks.
Author: Jessica Edwards
Publisher: University Press of Colorado
ISBN: 1646420756
Category : Language Arts & Disciplines
Languages : en
Pages : 252
Get Book Here
Book Description
Speaking Up, Speaking Out addresses the lived experiences of those working in the non-tenure-track faculty (NTTF) trenches through storytelling and reflection. By connecting NTTF voices from various aspects of writing studies, the collection offers fresh perspectives and meaningful contributions, imagining the possibilities for contingent faculty to be valued and honored in educational systems that often do the opposite. Challenging traditional ways of seeing NTTF, the work contains multiple entry points to NTT life: those with and without “terminal degrees,” those with PhDs, and those who have held or currently hold tenured positions. Each chapter suggests tangible ways that writing departments and supporters can be more thoughtful about their policies and practices as they work to create more equitable spaces for NTTF. Speaking Up, Speaking Out considers the rhetorical power of labeling and asserts why contingent faculty, for far too long, have been compared to and against TT faculty and often encouraged to reach the same or similar productivity with scholarship, teaching, and service that TT faculty produce. The myopic ideas about what is valued and whose position is deemed more important impacts contingent faculty in ways that, as contributors in this collection share, effect and affect faculty productivity, emotional health, and overall community involvement. Contributors: Norah Ashe-McNalley, Sarah Austin, Rachel Azima, Megan Boeshart Burelle, Peter Brooks, Denise Comer, Jessica Cory, Liz Gumm, Brendan Hawkins, Heather Jordan, Nathalie Joseph, Julie Karaus, Christopher Lee, John McHone, Angie McKinnon Carter, Dauvan Mulally, Seth Myers, Liliana M. Naydan, Linda Shelton, Erica Stone, Elizabeth Vincelette, Lacey Wootton
Author: Bertram D. Ashe
Publisher: University of Washington Press
ISBN: 0295746653
Category : Social Science
Languages : en
Pages : 248
Get Book Here
Book Description
Honorable Mention for the 2022 Modern Language Association Prize for an Edited Collection Interrogates how artists have created new ways to imagine the past of American slavery From Kara Walker’s hellscape antebellum silhouettes to Paul Beatty’s bizarre twist on slavery in The Sellout and from Colson Whitehead’s literal Underground Railroad to Jordan Peele’s body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging “alternate takes” on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post–Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements. Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery’s prevailing tropes, narratives, and images. A V Ethel Willis White Book
Author: Jonas Tinius
Publisher:
ISBN: 1009321161
Category : Drama
Languages : en
Pages : 264
Get Book Here
Book Description
This is a bold and wide-ranging account of the unique German public theatre system through the prism of a migrant artistic institution in the western post-industrial Ruhr region. State of the Arts analyses how artistic traditions have responded to social change, racism, and cosmopolitan anxieties and recounts how critical contemporary cultural production positions itself in relation to the tumultuous history of German state patronage, difficult heritage, and self-cultivation through the arts. Jonas Tinius' fieldwork with professional actors, directors, cultural policy makers, and activists unravels how they constitute theatre as a site for extra-ordinary ethical conduct and how they grapple with the pervasive German cultural tradition of Bildung, or self-cultivation through the arts. Tinius shows how anthropological methods provide a way to understand the entanglement of cultural policy, institution-building, and subject-formation. An ambitious and interdisciplinary study, the work demonstrates the crucial role of artistic intellectuals in society.
Author: Anke Pinkert
Publisher: University of Chicago Press
ISBN: 0226835340
Category : Literary Criticism
Languages : en
Pages : 351
Get Book Here
Book Description
This account of the “laboratory of radical democracy” in the months before East Germany’s absorption in the West challenges memories of Germany’s reunification. For many, 1989 is an iconic date, one we associate with the fall of the Berlin Wall and the end of the Cold War. The year prompts some to rue the defeat of socialism in the East, while others celebrate a victory for democracy and capitalism in the reunified Germany. Remembering 1989 focuses on a largely forgotten interregnum: the months between the outbreak of protests in the German Democratic Republic in 1989 and its absorption by the West in 1990. Anke Pinkert, who herself participated in those protests, recalls these months as a volatile but joyous “laboratory of radical democracy,” and tells the story of how and why this “time out of joint” has been erased from Germany’s national memory. Remembering 1989 argues that in order to truly understand Germany’s historic transformation, we must revisit protesters’ actions across a wide range of minor, vernacular, and often transient sources. Drawing on rich archives including videotapes of untelevised protests, illegally printed petitions by Church leaders, audio recordings of dissident meetings, and interview footage with military troops, Pinkert opens the discarded history of East European social uprisings to new interpretations and imagines alternatives to Germany’s neoliberal status quo. The result is a vivid, unexpected contribution to memory studies and European history.
Author: Alex Gottesman
Publisher: Cambridge University Press
ISBN: 1107041686
Category : History
Languages : en
Pages : 263
Get Book Here
Book Description
This book examines 'informal' politics, such as gossip and political theatrics, and how they related to more 'formal' politics of assembly and courts.
Author: Tracy C. Davis
Publisher:
ISBN: 100929489X
Category : Drama
Languages : en
Pages : 350
Get Book Here
Book Description
We often know performance when we see it - but how should we investigate it? And how should we interpret what we find out? This book demonstrates why and how mixed methods research is necessary for investigating and explaining performance and advancing new critical agendas in cultural study. The wide range of aesthetic forms, cultural meanings, and social functions found in theatre and performance globally invites a corresponding variety of research approaches. The essays in this volume model reflective consideration of the means, processes, and choices for conducting performance research that is historical, ethnographic, aesthetic, or computational. An international set of contributors address what is meant by planning or designing a research project, doing research (locating and collecting primary sources or resources), and the ensuing work of interpreting and communicating insights. Providing illuminating and necessary guidance, this volume is an essential resource for scholars and students of theatre, performance, and dance.
Author: Helen M. Burke
Publisher:
ISBN:
Category : History
Languages : en
Pages : 376
Get Book Here
Book Description
"Riotous Performances is a thorough and daring analysis of the theater as a cultural space. Through this work Burke recovers the voices of the dispossessed Irish and the non-elite members of the Dublin audience. I think it will be essential reading for those interested in Irish Studies and eighteenth-century English literature." --Christopher Wheatley, Catholic University of America Riotous Performances explores the significance of theater "riots" and other disruptive practices that occurred in Dublin playhouses between 1712 and 1784. Helen Burke's study reveals that during this period Irish theater was a site of struggle between different ethnic, religious, and class factions competing for power in eighteenth-century Ireland. Key players in this drama included Irish Protestant patriots, an emerging Catholic middle class, a dispossessed native gentry, and an increasingly politicized Dublin "mob." Burke contends that these groups expressed their resistance to the ruling British culture through explosive acts as well as through more subtle counter-cultural behaviors such as wearing Irish manufactured clothing, singing Irish songs, and opposing the Theater Royal. Using a wide array of primary materials, including dramatic texts, newspaper accounts, pamphlets, broadsides, and songs, Burke places the riotous performances she describes in their social and political context. Her analysis reveals that in the 1740s and 1750s the theater was the focus of intense struggles between Catholic-identified gentry reformers and Protestant-identified populist reformers. But by the1780s new, united Irish themes were emerging in Dublin playhouses. She argues that the Irish Parliament passed the first Irish Stage Act in 1786 to contain these revolutionary theatrics. Riotous Performances demonstrates that eighteenth century Irish theater was not a static colonial institution, but rather a deeply contested arena of intense ethnic, religious, and class struggle.
Author: Mark Lewis Taylor
Publisher: Fortress Press
ISBN: 1506401457
Category : Religion
Languages : en
Pages : 560
Get Book Here
Book Description
The new edition of Mark Lewis Taylor’s award-winning The Executed God is both a searing indictment of the structures of “Lockdown America” and a visionary statement of hope. It is also a call for action to Jesus followers to resist US imperial projects and power. Outlining a “theatrics of state terror,” Taylor identifies and analyzes its instruments—mass incarceration, militarized police tactics, surveillance, torture, immigrant repression, and capital punishment—through which a racist and corporatized Lockdown America enforces in the US a global neoliberal economic and political imperialism. Against this, The Executed God proposes a “counter-theatrics to state terror,” a declamation of the way of the cross for Jesus followers that unmasks the powers of US state domination and enacts an adversarial politics of resistance, artful dramatic actions, and the building of peoples’ movements. These are all intrinsic to a Christian politics of remembrance of the Jesus executed by empire. Heralded in its first edition, this new edition is thoroughly revised, updated, and expanded, offering a demanding rethinking and recreating of what being a Christian is and of how Christianity should dream, hope, mobilize, and act to bring about what Taylor terms “a liberating material spirituality” to unseat the state that kills.
