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Author: Saadi Lahlou
Publisher: Cambridge University Press
ISBN: 1108548539
Category : Psychology
Languages : en
Pages : 532
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Book Description
Installation Theory: The Societal Construction and Regulation of Behaviour provides researchers and practitioners with a simple and powerful framework to analyse and change behaviour. Informed by a wide range of empirical evidence, it includes an accessible synthesis of former theories (ecological psychology, activity theory, situated action, distributed cognition, social constructionism, actor-network theory and social representations). 'Installations' are the familiar, socially constructed, apparatuses which elicit, enable, scaffold and control - and make predictable most of our 'normal' behaviour; from shower-cabins or airport check-ins to family dinners, classes or hospitals. The book describes their threefold structure with a new model enabling systematic and practical analysis of their components. It details the mechanisms of their construction, resilience and evolution, illustrated with dozens of examples, from restaurants to nuclear plant operation. The book also provides a detailed analysis of the processes of creation and selection of innovations, proposing a model for the maintenance and evolution of social systems.
Author: Saadi Lahlou
Publisher: Cambridge University Press
ISBN: 1108548539
Category : Psychology
Languages : en
Pages : 532
Get Book Here
Book Description
Installation Theory: The Societal Construction and Regulation of Behaviour provides researchers and practitioners with a simple and powerful framework to analyse and change behaviour. Informed by a wide range of empirical evidence, it includes an accessible synthesis of former theories (ecological psychology, activity theory, situated action, distributed cognition, social constructionism, actor-network theory and social representations). 'Installations' are the familiar, socially constructed, apparatuses which elicit, enable, scaffold and control - and make predictable most of our 'normal' behaviour; from shower-cabins or airport check-ins to family dinners, classes or hospitals. The book describes their threefold structure with a new model enabling systematic and practical analysis of their components. It details the mechanisms of their construction, resilience and evolution, illustrated with dozens of examples, from restaurants to nuclear plant operation. The book also provides a detailed analysis of the processes of creation and selection of innovations, proposing a model for the maintenance and evolution of social systems.
Author: E. L. Donnelly
Publisher: Nelson Thornes
ISBN: 9780174450740
Category : Juvenile Nonfiction
Languages : en
Pages : 250
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Book Description
This book is written principally for the use of the non-academic apprentice electrician. Its practical spproach will supply the reader with the confidence and knowledtge that is necessary to enable him to carry out his everyday work in an efficient manner and will help to prepare him for the City and Guilds certificate in Electrical Installation. The work will also be of interest to those in the industry wishing to brush up on the subject.The book gives practical information on the various types of wiring used in domestic and industrial installations. Starting with Ohm's Law, it uses simple equations throughout for resistance, current, power, heating effect, etc., so that the basic theory is well covered. It goes on to circuits, bells, batteries, motors, certification and lighting.In this third edition great care has been taken to ensure that the units, symbols, circuit diagrams and abbreviations comply with the current I.E.E. regulations and B.S. 3939.Recent City and Guilds examination questions have been added to the text.The craft student will find the volume fully comprehensive, clear and well illustrated.
Author: Albert J. Thiel
Publisher:
ISBN:
Category : Coral reef animals
Languages : en
Pages : 446
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Book Description
Author: Catherine Elwes
Publisher: Columbia University Press
ISBN: 0231850808
Category : Performing Arts
Languages : en
Pages : 323
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Book Description
Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s. Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art. The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?"
Author:
Publisher:
ISBN:
Category : Electric industries
Languages : en
Pages : 966
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Book Description
Author: Sir John Ambrose Fleming
Publisher:
ISBN:
Category : Electric transformers
Languages : en
Pages : 638
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Book Description
Author: Tatja Scholte
Publisher:
ISBN: 9789089642882
Category : Art
Languages : en
Pages : 0
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Book Description
Anything is possible in installation art. The typically short lifespan of the materials and techniques used and the intended experience can be endless, often to the despair of the custodian of the work. The processes involved in preserving this complex form of art, reinstalling it, finding ways to recreate the experience over and again, as well as the decisionmaking that underlies these processes, form the backbone of this book. What did the artist originally intend and how has that concept been realised in the past? How can one preserve and document the installation? What relation exists between the components and the space, and what is the spectator's part in the work? Questions of this kind are examined in connection with a number of case studies. At the same time, it reports on the results of an extensive research project Inside Installations (2004-2007) carried out by an international group of custodians active in the conservation of contemporary art. Tatja Scholte is programme manager at the Cultural Heritage Agency of the Netherlands (RCE) and specialised in the theory of contemporary art conservation. Dr. Glenn Wharton serves as Media Conservator at the Museum of Modern Art in New York. He is also on faculty in the Museum Studies Program at New York University, and was the founding Executive Director of INCCA-NA, the North American group of the International Network for the Conservation of Contemporary Art. Publisher's note.
Author: United States. War Department
Publisher:
ISBN:
Category :
Languages : en
Pages : 506
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Book Description
Author: William Perren Maycock
Publisher:
ISBN:
Category : Electric circuits
Languages : en
Pages : 388
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Book Description
Author: Steve Dixon
Publisher: MIT Press
ISBN: 0262303329
Category : Performing Arts
Languages : en
Pages : 1052
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Book Description
The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance—including what he calls postmodernism's denial of the new—and offers a series of boldly original arguments in their place.
