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Author: Yasutsune Hirashiki
Publisher: Casemate Publishers
ISBN: 1612004733
Category : History
Languages : en
Pages : 253
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Book Description
“The eyewitness accounts of the many phases of the war in this memoir bring events to life as if they had happened yesterday” (Vietnam Veterans of America Book Reviews). On the Frontlines of the Television War is the story of Yasutsune “Tony” Hirashiki’s ten years in Vietnam—beginning when he arrived in 1966 as a young freelancer with a 16mm camera, but without a job or the slightest grasp of English, and ending in the hectic fall of Saigon in 1975, when he was literally thrown on one of the last flights out. His memoir has all the exciting tales of peril, hardship, and close calls of the best battle memoirs, but it is primarily a story of very real and yet remarkable people: the soldiers who fought, bled, and died, and the reporters and photographers who went right to the frontlines to record their stories and memorialize their sacrifice. If this was truly the first “television war,” then it is time to hear the story of the cameramen who shot the pictures and the reporters who wrote the stories that the average American witnessed daily in their living rooms. An award-winning sensation when it was released in Japan in 2008, this book has been completely recreated for an international audience. “Tony Hirashiki is an essential piece of the foundation on which ABC was built . . . Tony reported the news with his camera and in doing so, he brought the truth about the important events of our day to millions of Americans.” —David Westin, former President of ABC News
Author: Yasutsune Hirashiki
Publisher: Casemate Publishers
ISBN: 1612004733
Category : History
Languages : en
Pages : 253
Get Book Here
Book Description
“The eyewitness accounts of the many phases of the war in this memoir bring events to life as if they had happened yesterday” (Vietnam Veterans of America Book Reviews). On the Frontlines of the Television War is the story of Yasutsune “Tony” Hirashiki’s ten years in Vietnam—beginning when he arrived in 1966 as a young freelancer with a 16mm camera, but without a job or the slightest grasp of English, and ending in the hectic fall of Saigon in 1975, when he was literally thrown on one of the last flights out. His memoir has all the exciting tales of peril, hardship, and close calls of the best battle memoirs, but it is primarily a story of very real and yet remarkable people: the soldiers who fought, bled, and died, and the reporters and photographers who went right to the frontlines to record their stories and memorialize their sacrifice. If this was truly the first “television war,” then it is time to hear the story of the cameramen who shot the pictures and the reporters who wrote the stories that the average American witnessed daily in their living rooms. An award-winning sensation when it was released in Japan in 2008, this book has been completely recreated for an international audience. “Tony Hirashiki is an essential piece of the foundation on which ABC was built . . . Tony reported the news with his camera and in doing so, he brought the truth about the important events of our day to millions of Americans.” —David Westin, former President of ABC News
Author: Michael J. Arlen
Publisher: Syracuse University Press
ISBN: 9780815604662
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
"One doesn't have to be a panjandrum of Communications to realize that television does something to us," Michael Arlen (former TV critic of The New Yorker) writes in the Introduction to Living-Room War. He continues, "Television has a transforming effect on events. It has a transforming effect on the people who watch the transformed events-it's just hard to know what that is." Living-Room War is Arlen's valiant-and entertaining-attempt to figure out exactly what exactly television does to us. This timeless collection of essays provides a poetic look at 1960s television culture, ranging from the Vietnam war to Captain Kangaroo, from the 1968 Democratic convention to televised sports.
Author: Charles L. Ponce de Leon
Publisher: University of Chicago Press
ISBN: 022625609X
Category : History
Languages : en
Pages : 331
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Book Description
This “engaging and important” study examines the evolution of TV news and its long history of blending journalism and entertainment (American Historical Review). Today’s media critics often decry the state of television news, saying that it’s too dumbed-down, becoming more entertainment than information. But this familiar narrative fails to acknowledge real changes in media and Americans’ news-consuming habits. It also harkens back to a golden age that, on closer examination, is revealed to be not so golden. As Charles L. Ponce de Leon explains in That’s the Way It Is, TV news has always walked a fine line between hard news and fluff. Ponce de Leon traces the entire history of televised news, from the household names of the late 1940s and early ’50s, like Eric Sevareid, Edward R. Murrow, and Walter Cronkite, through the rise of cable, the political power of Fox News, and the satirical punch of Colbert and Stewart. He describes an industry forever in transition, where newsmagazines and celebrity profiles vie with political news and serious investigations. The need for ratings success—and the lighter, human interest stories that can help bring it—Ponce de Leon makes clear, has always sat uneasily alongside a real desire to report hard news. Highlighting the paradoxes at the heart of TV news, and telling a story rich in familiar figures and fascinating anecdotes, That’s the Way It Is offers an insightful and engaging account of how television has presented our history as it happens.
Author: Mark Atwood Lawrence
Publisher: Oxford University Press
ISBN: 0199793158
Category : History
Languages : en
Pages : 226
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Book Description
The Vietnam War remains a topic of extraordinary interest, not least because of striking parallels between that conflict and more recent fighting in the Middle East. In The Vietnam War, Mark Atwood Lawrence draws upon the latest research in archives around the world to offer readers a superb account of a key moment in U.S. as well as global history. While focusing on American involvement between 1965 and 1975, Lawrence offers an unprecedentedly complete picture of all sides of the war, notably by examining the motives that drove the Vietnamese communists and their foreign allies. Moreover, the book carefully considers both the long- and short-term origins of the war. Lawrence examines the rise of Vietnamese communism in the early twentieth century and reveals how Cold War anxieties of the 1940s and 1950s set the United States on the road to intervention. Of course, the heart of the book covers the "American war," ranging from the overthrow of South Vietnamese President Ngo Dinh Diem to the impact of the Tet Offensive on American public opinion, Lyndon Johnson's withdrawal from the 1968 presidential race, Richard Nixon's expansion of the war into Cambodia and Laos, and the problematic peace agreement of 1973, which ended American military involvement. Finally, the book explores the complex aftermath of the war--its enduring legacy in American books, film, and political debate, as well as Vietnam's struggles with severe social and economic problems. A compact and authoritative primer on an intensely relevant topic, this well-researched and engaging volume offers an invaluable overview of the Vietnam War.
Author: Douglas Kellner
Publisher: Routledge
ISBN: 1000304329
Category : Social Science
Languages : en
Pages : 431
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Book Description
Douglas Kellner's Persian Gulf TV War attacks the myths, disinformation, and propaganda disseminated during the Gulf war. At once a work of social theory, media criticism, and political history, this book demonstrates how television served as a conduit for George Bush's war policies while silencing anti-war voices and foregoing spirited discussion of the complex issues involved. In so doing, the medium failed to assume its democratic responsibilities of adequately informing the American public and debating issues of common concern. Kellner analyzes the dominant frames through which television presented the war and focuses on the propaganda that sold the war to the public–one of the great media spectacles and public relations campaigns of the post-World War II era. In the spirit of Orwell and Marcuse, Kellner studies the language surrounding the Gulf war and the cynical politics of distortion and disinformation that shaped the mainstream media version of the war, how the Bush administration and Pentagon manipulated the media, and why a majority of the American public accepted the war as just and moral.
Author: Bruce Cumings
Publisher: Verso
ISBN: 9780860916826
Category : History
Languages : en
Pages : 336
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Book Description
Television has come to play an ever more decisive role in the preparation and planning of war, as well as in its execution. In War and Television Bruce Cumings carefully explores the history of television's relationship to US warmaking since World War II, up to and including its presentation of the carnage in Kuwait and Iraq. Cumings examines Vietnam, long thought to have been the first television war, but finds that characterization more apt for the Gulf conflict which was fought through, packaged by, and sold to the public on television. At the centre of the book is the extraordinary tale of Cumings's own experience as historical consultant to a Thames Television production, Korea: The Unknown War, and his subsequent trials with the Public Broadcasting System when the film was released for North American distribution.
Author: Ron Steinman
Publisher: KCM Publishing
ISBN: 1939961475
Category : Fiction
Languages : en
Pages : 236
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Book Description
Author: Bill Carter
Publisher: Penguin
ISBN: 1101443421
Category : Performing Arts
Languages : en
Pages : 424
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Book Description
Bill Carter, executive producer of CNN’s docuseries The Story of Late Night and host of the Behind the Desk: Story of Late Night podcast, details the chaotic transition of The Tonight Show from host Jay Leno to Conan O’Brien—and back again. In 2010, NBC’s CEO Jeff Zucker, had it all worked out when he moved Jay Leno from behind the desk at The Tonight Show, and handed the reins over to Conan O'Brien. But his decision was a spectacular failure. Ratings plummeted, affiliates were enraged—and when Zucker tried to put everything back the way it was, that plan backfired as well. No one is more uniquely suited to document the story of a late-night travesty than veteran media reporter and bestselling author, Bill Carter. In candid detail, he charts the vortex that sucked in not just Leno and O'Brien—but also Letterman, Stewart, Fallon, Kimmel, and Ferguson—as frantic agents and network executives tried to manage a tectonic shift in television’s most beloved institution.
Author: Daniel C. Hallin
Publisher: Univ of California Press
ISBN: 9780520065437
Category : History
Languages : en
Pages : 308
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Book Description
Vietnam was America's most divisive and unsuccessful foreign war. It was also the first to be televised and the first of the modern era fought without military censorship. From the earliest days of the Kennedy-Johnson escalation right up to the American withdrawal, and even today, the media's role in Vietnam has continued to be intensely controversial. The "Uncensored War" gives a richly detailed account of what Americans read and watched about Vietnam. Hallin draws on the complete body of the New York Times coverage from 1961 to 1965, a sample of hundreds of television reports from 1965-73, including television coverage filmed by the Defense Department in the early years of the war, and interviews with many of the journalists who reported it, to give a powerful critique of the conventional wisdom, both conservative and liberal, about the media and Vietnam. Far from being a consistent adversary of government policy in Vietnam, Hallin shows, the media were closely tied to official perspectives throughout the war, though divisions in the government itself and contradictions in its public relations policies caused every administration, at certain times, to lose its ability to "manage" the news effectively. As for television, it neither showed the "literal horror of war," nor did it play a leading role in the collapse of support: it presented a highly idealized picture of the war in the early years, and shifted toward a more critical view only after public unhappiness and elite divisions over the war were well advanced.
Author: Marcel Danesi
Publisher: University of Toronto Press
ISBN: 1442611693
Category : Social Science
Languages : en
Pages : 753
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Book Description
The first comprehensive encyclopedia for the growing fields of media and communication studies, the Encyclopedia of Media and Communication is an essential resource for beginners and seasoned academics alike. Contributions from over fifty experts and practitioners provide an accessible introduction to these disciplines' most important concepts, figures, and schools of thought from Jean Baudrillard to Tim Berners Lee, and podcasting to Peircean semiotics. Detailed and up-to-date, the Encyclopedia of Media and Communication synthesizes a wide array of works and perspectives on the making of meaning. The appendix includes timelines covering the whole historical record for each medium, from either antiquity or their inception to the present day. Each entry also features a bibliography linking readers to relevant resources for further reading. The most coherent treatment yet of these fields, the Encyclopedia of Media and Communication promises to be the standard reference text for the next generation of media and communication students and scholars.
