Author: John Kadela Ph.D.
Publisher: Balboa Press
ISBN: 1504393953
Category : Religion
Languages : en
Pages : 624
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Book Description
These books are about listening. It addresses the wisdom already within you. It was there before you were born, and it will be there after you leave. It is beyond the distractions of the body, conflicts with the emotions, and the contradictions of the mind. It is about you, who you are, and listening to who you are. It is to help you to find your own direct knowledge with your energy and truth in creating abundance and balance in your life. It is about the stillness of your soul and all its inner harmonies that are your spiritual expression. It brings forth your innocence, truth, blessings, miracles, consecration, grace, and living love. You are a creative being whose keys to your emergence lies deep within you. This emergence is beyond space and time and its plays as your inner verse. You are poetry of being. It is time for you to claim it and to love yourself and all others with the sources within you. It is your soul awareness.
Author: Ernst Friedrich Richter
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 234
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Book Description
Author: Ernst Friedrich Richter
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 240
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Book Description
Author: John Beattie Crozier
Publisher:
ISBN:
Category : Civilization
Languages : en
Pages : 624
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Book Description
Author: Zvonimir Nagy
Publisher: Taylor & Francis
ISBN: 1315469006
Category : Music
Languages : en
Pages : 239
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Book Description
Embodiment of Musical Creativity offers an innovative look at the interdisciplinary nature of creativity in musical composition. Using examples from empirical and theoretical research in creativity studies, music theory and cognition, psychology and philosophy, performance and education studies, and the author’s own creative practice, the book examines how the reciprocity of cognition and performativity contributes to our understanding of musical creativity in composition. From the composer’s perspective the book investigates the psychological attributes of creative cognition whose associations become the foundation for an understanding of embodied creativity in musical composition. The book defines the embodiment of musical creativity as a cognitive and performative causality: a relationship between the cause and effect of our experience when composing music. Considering the theoretical, practical, contextual, and pedagogical implications of embodied creative experience, the book redefines aspects of musical composition to reflect the changing ways that musical creativity is understood and evaluated. Embodiment of Musical Creativity provides a comparative study of musical composition, in turn articulating a new perspective on musical creativity.
Author: Karel Janeček
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771126353
Category : Music
Languages : en
Pages : 547
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Book Description
Translated into English for the first time, Foundations of Modern Harmony, by composer and music theorist Karel Janec̆ek, addresses the analysis and composition of music not based on the tonal harmony that was common language until the early 20th century. Discussing this newer music requires a vocabulary in which all combinations of notes, or chords, can be named. Janec̆ek developed his theory of modern harmony over many years. In this book, he classifies chords according to their intervallic structure, their possible arrangements, and then based on their consonance and dissonance. His focus on what we hear leads to a discussion of “imaginary” pitches, those that are still heard after they are no longer sounding. Dealing with such issues as harmonizing a melody, resolving dissonant chords, and the formation and extinction of a sense of the tonic, Janeček’s work is an exciting complement to the theories of Schoenberg and Hindemith. His discussion of harmonic motion leads to the consideration of harmonic function, of establishing the tonic, of modulation, of atonal composition, and of static and kinetic conceptions of harmony. First published in 1965, Janeček’s concerns are of continuing importance to music theorists and composers.
Author: Alessandra Comini
Publisher: Sunstone Press
ISBN: 0865346615
Category :
Languages : en
Pages : 498
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Book Description
In this unique study of the myth-making process across two centuries, Comini examines the contradictory imagery of Beethoven in contemporary verbal accounts, and in some 200 paintings, prints, sculptures, and monuments.
Author: Marie Mohler
Publisher: Lulu.com
ISBN: 1300711523
Category : Religion
Languages : en
Pages : 82
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Book Description
New Earth Soul Songs II is the second book in a unique two part series, that offers inspirational songs, stories, and channeled messages to awaken the heart light, talent brilliance, amazing gifts, and threads of oneness within us all. The core themes in this book center around Union, Wholeness, and the shining essence that We Are The Instruments of the Divine here to birth this New Earth and New Paradigm of Unified Light. All lyrics from all of the New Earth Soul Songs on CDs 4 and 5 are included in this book. All lyrics from New Earth Soul Song CDs 1,2, and 3 are included in book one. Please note that there are no song notes included in this book, as all melodies and words were channeled directly from Spirit. I believe that New Earth Soul Songs I and II are essential cosmic tools for our time, to help us remember our own personal keynotes and to sing the heart song we uniquely came to shine! For more info, please visit www.newearthlivinglobal.com and www.reverbnation.com/mariemohler.
Author: Charles Horton
Publisher: Rowman & Littlefield
ISBN: 1538121484
Category : Music
Languages : en
Pages : 786
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Book Description
Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles. This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring: A student workbook with more than 260 assignments for individual work and classroom use Audio links to 315 newly-recorded live performances of model compositions and fully realized settings An instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email
[email protected] for more information.
Author: Robert Cummings Neville
Publisher: State University of New York Press
ISBN: 1438414528
Category : Religion
Languages : en
Pages : 354
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Book Description
God the Creator provides a detailed exposition of a conception of God as the creator of everything determinate. It does not defend an established conception such as the Thomist, the Calvinist, or the Process theological idea, but rather elaborates the ancient theme of creation ex nihilo in a new form appropriate to the contemporary world. Part one is a rigorous philosophical development of the idea of God as creator ex nihilo, arguing that an adequate solution to the problem of the one and the many demands such a conception. This part includes a dialectical examination of contemporary and classical theories of being. Part two asks how one can have knowledge of the kind of God described previously; it deals with experience, analogy, and dialectic. Part three applies the conception developed in part one to fundamental religious conceptions such as the object of worship, the nature of religion, and the practices of private and public religious life. It presents theories arising from the conception of creation ex nihilo for the interpretation of religious concern, conversion, faith, certainty, solitude, bliss, service, liturgy, providence, evangelism, dedication, reconciliation, brotherhood, discipline, the integration of public and private religion relative to other dimensions of life, freedom, love, and glory. Though the language arises from the Christian tradition and expresses an orthodox strand of that religion, the argument weaves throughout the concerns of many world religions.
