Author: Maël Renouard
Publisher: New York Review of Books
ISBN: 1681372819
Category : Computers
Languages : en
Pages : 233
Book Description
A deeply informed, yet playful and ironic look at how the internet has changed human experience, memory, and our sense of self, and that belongs on the shelf with the best writings of Roland Barthes and Jean Baudrillard. “One day, as I was daydreaming on the boulevard Beaumarchais, I had the idea—it came and went in a flash, almost in spite of myself—of Googling to find out what I’d been up to and where I’d been two evenings before, at five o’clock, since I couldn’t remember on my own.” So begins Maël Renouard’s Fragments of an Infinite Memory, a provocative and elegant inquiry into life in a wireless world. Renouard is old enough to remember life before the internet but young enough to have fully accommodated his life to the internet and the gadgets that support it. Here this young philosopher, novelist, and translator tries out a series of conjectures on how human experience, especially the sense of self, is being changed by our continual engagement with a memory that is impersonal and effectively boundless. Renouard has written a book that is rigorously impressionistic, deeply informed historically and culturally, but is also playful, ironic, personal, and formally adventurous, a book that withstands comparison to the best of Roland Barthes and Jean Baudrillard.
Fragments of an Infinite Memory
Author: Maël Renouard
Publisher: New York Review of Books
ISBN: 1681372819
Category : Computers
Languages : en
Pages : 233
Book Description
A deeply informed, yet playful and ironic look at how the internet has changed human experience, memory, and our sense of self, and that belongs on the shelf with the best writings of Roland Barthes and Jean Baudrillard. “One day, as I was daydreaming on the boulevard Beaumarchais, I had the idea—it came and went in a flash, almost in spite of myself—of Googling to find out what I’d been up to and where I’d been two evenings before, at five o’clock, since I couldn’t remember on my own.” So begins Maël Renouard’s Fragments of an Infinite Memory, a provocative and elegant inquiry into life in a wireless world. Renouard is old enough to remember life before the internet but young enough to have fully accommodated his life to the internet and the gadgets that support it. Here this young philosopher, novelist, and translator tries out a series of conjectures on how human experience, especially the sense of self, is being changed by our continual engagement with a memory that is impersonal and effectively boundless. Renouard has written a book that is rigorously impressionistic, deeply informed historically and culturally, but is also playful, ironic, personal, and formally adventurous, a book that withstands comparison to the best of Roland Barthes and Jean Baudrillard.
Publisher: New York Review of Books
ISBN: 1681372819
Category : Computers
Languages : en
Pages : 233
Book Description
A deeply informed, yet playful and ironic look at how the internet has changed human experience, memory, and our sense of self, and that belongs on the shelf with the best writings of Roland Barthes and Jean Baudrillard. “One day, as I was daydreaming on the boulevard Beaumarchais, I had the idea—it came and went in a flash, almost in spite of myself—of Googling to find out what I’d been up to and where I’d been two evenings before, at five o’clock, since I couldn’t remember on my own.” So begins Maël Renouard’s Fragments of an Infinite Memory, a provocative and elegant inquiry into life in a wireless world. Renouard is old enough to remember life before the internet but young enough to have fully accommodated his life to the internet and the gadgets that support it. Here this young philosopher, novelist, and translator tries out a series of conjectures on how human experience, especially the sense of self, is being changed by our continual engagement with a memory that is impersonal and effectively boundless. Renouard has written a book that is rigorously impressionistic, deeply informed historically and culturally, but is also playful, ironic, personal, and formally adventurous, a book that withstands comparison to the best of Roland Barthes and Jean Baudrillard.
Fragments
Author: David Tracy
Publisher: University of Chicago Press
ISBN: 022656729X
Category : Religion
Languages : en
Pages : 429
Book Description
David Tracy is widely considered one of the most important religious thinkers in North America, known for his pluralistic vision and disciplinary breadth. His first book in more than twenty years reflects Tracy’s range and erudition, collecting essays from the 1980s to 2018 into a two-volume work that will be greeted with joy by his admirers and praise from new readers. In the first volume, Fragments, Tracy gathers his most important essays on broad theological questions, beginning with the problem of suffering across Greek tragedy, Christianity, and Buddhism. The volume goes on to address the Infinite, and the many attempts to categorize and name it by Plato, Aristotle, Rilke, Heidegger, and others. In the remaining essays, he reflects on questions of the invisible, contemplation, hermeneutics, and public theology. Throughout, Tracy evokes the potential of fragments (understood both as concepts and events) to shatter closed systems and open us to difference and Infinity. Covering science, literature, philosophy, psychoanalysis, and non-Western religious traditions, Tracy provides in Fragments a guide for any open reader to rethink our fragmenting contemporary culture.
Publisher: University of Chicago Press
ISBN: 022656729X
Category : Religion
Languages : en
Pages : 429
Book Description
David Tracy is widely considered one of the most important religious thinkers in North America, known for his pluralistic vision and disciplinary breadth. His first book in more than twenty years reflects Tracy’s range and erudition, collecting essays from the 1980s to 2018 into a two-volume work that will be greeted with joy by his admirers and praise from new readers. In the first volume, Fragments, Tracy gathers his most important essays on broad theological questions, beginning with the problem of suffering across Greek tragedy, Christianity, and Buddhism. The volume goes on to address the Infinite, and the many attempts to categorize and name it by Plato, Aristotle, Rilke, Heidegger, and others. In the remaining essays, he reflects on questions of the invisible, contemplation, hermeneutics, and public theology. Throughout, Tracy evokes the potential of fragments (understood both as concepts and events) to shatter closed systems and open us to difference and Infinity. Covering science, literature, philosophy, psychoanalysis, and non-Western religious traditions, Tracy provides in Fragments a guide for any open reader to rethink our fragmenting contemporary culture.
Theology of Horror
Author: Ryan G. Duns, SJ
Publisher: University of Notre Dame Pess
ISBN: 0268208573
Category : Religion
Languages : en
Pages : 268
Book Description
Theology of Horror explores the dark reaches of popular horror films, bringing to light their implicit theological and philosophical themes. Horror films scare and entertain us, but there’s more to be found in their narratives than simple thrills. Within their shadows, an attentive viewer can glimpse unexpected flashes of orthodox Christian belief. In Theology of Horror, Ryan G. Duns, SJ, invites readers to undertake an unconventional pilgrimage in search of these buried theological insights. Duns uses fifteen classic and contemporary horror films—including The Blair Witch Project, A Nightmare on Elm Street, Candyman, and The Purge—as doorways to deeper reflection. Each chapter focuses on a single film, teasing out its implicit philosophical and theological themes. As the reader journeys through the text, a surprisingly robust theological worldview begins to take shape as glimmers of divine light emerge from the darkness. Engaging and accessible, Theology of Horror proves that, rather than being the domain of nihilists or atheists, the horror film genre can be an opportunity for reflecting on “things visible and invisible,” as Christians profess in the Nicene Creed.
Publisher: University of Notre Dame Pess
ISBN: 0268208573
Category : Religion
Languages : en
Pages : 268
Book Description
Theology of Horror explores the dark reaches of popular horror films, bringing to light their implicit theological and philosophical themes. Horror films scare and entertain us, but there’s more to be found in their narratives than simple thrills. Within their shadows, an attentive viewer can glimpse unexpected flashes of orthodox Christian belief. In Theology of Horror, Ryan G. Duns, SJ, invites readers to undertake an unconventional pilgrimage in search of these buried theological insights. Duns uses fifteen classic and contemporary horror films—including The Blair Witch Project, A Nightmare on Elm Street, Candyman, and The Purge—as doorways to deeper reflection. Each chapter focuses on a single film, teasing out its implicit philosophical and theological themes. As the reader journeys through the text, a surprisingly robust theological worldview begins to take shape as glimmers of divine light emerge from the darkness. Engaging and accessible, Theology of Horror proves that, rather than being the domain of nihilists or atheists, the horror film genre can be an opportunity for reflecting on “things visible and invisible,” as Christians profess in the Nicene Creed.
Principles of Model Checking
Author: Christel Baier
Publisher: MIT Press
ISBN: 0262304031
Category : Computers
Languages : en
Pages : 994
Book Description
A comprehensive introduction to the foundations of model checking, a fully automated technique for finding flaws in hardware and software; with extensive examples and both practical and theoretical exercises. Our growing dependence on increasingly complex computer and software systems necessitates the development of formalisms, techniques, and tools for assessing functional properties of these systems. One such technique that has emerged in the last twenty years is model checking, which systematically (and automatically) checks whether a model of a given system satisfies a desired property such as deadlock freedom, invariants, and request-response properties. This automated technique for verification and debugging has developed into a mature and widely used approach with many applications. Principles of Model Checking offers a comprehensive introduction to model checking that is not only a text suitable for classroom use but also a valuable reference for researchers and practitioners in the field. The book begins with the basic principles for modeling concurrent and communicating systems, introduces different classes of properties (including safety and liveness), presents the notion of fairness, and provides automata-based algorithms for these properties. It introduces the temporal logics LTL and CTL, compares them, and covers algorithms for verifying these logics, discussing real-time systems as well as systems subject to random phenomena. Separate chapters treat such efficiency-improving techniques as abstraction and symbolic manipulation. The book includes an extensive set of examples (most of which run through several chapters) and a complete set of basic results accompanied by detailed proofs. Each chapter concludes with a summary, bibliographic notes, and an extensive list of exercises of both practical and theoretical nature.
Publisher: MIT Press
ISBN: 0262304031
Category : Computers
Languages : en
Pages : 994
Book Description
A comprehensive introduction to the foundations of model checking, a fully automated technique for finding flaws in hardware and software; with extensive examples and both practical and theoretical exercises. Our growing dependence on increasingly complex computer and software systems necessitates the development of formalisms, techniques, and tools for assessing functional properties of these systems. One such technique that has emerged in the last twenty years is model checking, which systematically (and automatically) checks whether a model of a given system satisfies a desired property such as deadlock freedom, invariants, and request-response properties. This automated technique for verification and debugging has developed into a mature and widely used approach with many applications. Principles of Model Checking offers a comprehensive introduction to model checking that is not only a text suitable for classroom use but also a valuable reference for researchers and practitioners in the field. The book begins with the basic principles for modeling concurrent and communicating systems, introduces different classes of properties (including safety and liveness), presents the notion of fairness, and provides automata-based algorithms for these properties. It introduces the temporal logics LTL and CTL, compares them, and covers algorithms for verifying these logics, discussing real-time systems as well as systems subject to random phenomena. Separate chapters treat such efficiency-improving techniques as abstraction and symbolic manipulation. The book includes an extensive set of examples (most of which run through several chapters) and a complete set of basic results accompanied by detailed proofs. Each chapter concludes with a summary, bibliographic notes, and an extensive list of exercises of both practical and theoretical nature.
Sonata Fragments
Author: Andrew Davis
Publisher: Indiana University Press
ISBN: 0253025451
Category : Music
Languages : en
Pages : 223
Book Description
“An effort to expand sonata theory more solidly into the nineteenth-century repertoire.” —Notes In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. “A major achievement.” —Michael L. Klein, author of Music and the Crises of the Modern Subject
Publisher: Indiana University Press
ISBN: 0253025451
Category : Music
Languages : en
Pages : 223
Book Description
“An effort to expand sonata theory more solidly into the nineteenth-century repertoire.” —Notes In Sonata Fragments, Andrew Davis argues that the Romantic sonata is firmly rooted, both formally and expressively, in its Classical forebears, using Classical conventions in order to convey a broad constellation of Romantic aesthetic values. This claim runs contrary to conventional theories of the Romantic sonata that place this nineteenth-century musical form squarely outside inherited Classical sonata procedures. Building on Sonata Theory, Davis examines moments of fracture and fragmentation that disrupt the cohesive and linear temporality in piano sonatas by Chopin, Brahms, and Schumann. These disruptions in the sonata form are a narrative technique that signify temporal shifts during which we move from the outer action to the inner thoughts of a musical agent, or we move from the story as it unfolds to a flashback or flash-forward. Through an interpretation of Romantic sonatas as temporally multi-dimensional works in which portions of the music in any given piece can lie inside or outside of what Sonata Theory would define as the sonata-space proper, Davis reads into these ruptures a narrative of expressive features that mark these sonatas as uniquely Romantic. “A major achievement.” —Michael L. Klein, author of Music and the Crises of the Modern Subject
Dreaming and Nothingness
Author: Stefano Longo
Publisher: Lulu.com
ISBN: 0244023182
Category : Fiction
Languages : en
Pages : 78
Book Description
"Infinite appeared to the Entities the World in which they roamed. And frightful in its vastness. Yet the World in which the Entities roamed was only a minimal part of an infinitely larger Universe. When the Entities realised it, when they realised that a Universe existed so infinitely vaster than their own World that it could encompass not only their own World but also innumerable other Worlds and boundless expanses of spaces and times, when the Entities realised all this an unspeakable terror came over them. They felt hopelessly crushed by the immensity of the Universe." A journey back to the origins begins, a journey back to Genesis. A journey to the heart of Being. A journey in Philo-Fiction.
Publisher: Lulu.com
ISBN: 0244023182
Category : Fiction
Languages : en
Pages : 78
Book Description
"Infinite appeared to the Entities the World in which they roamed. And frightful in its vastness. Yet the World in which the Entities roamed was only a minimal part of an infinitely larger Universe. When the Entities realised it, when they realised that a Universe existed so infinitely vaster than their own World that it could encompass not only their own World but also innumerable other Worlds and boundless expanses of spaces and times, when the Entities realised all this an unspeakable terror came over them. They felt hopelessly crushed by the immensity of the Universe." A journey back to the origins begins, a journey back to Genesis. A journey to the heart of Being. A journey in Philo-Fiction.
Philosophical Fragments as the Poetry of Thinking
Author: Luke Fischer
Publisher: Bloomsbury Publishing
ISBN: 1350270091
Category : Philosophy
Languages : en
Pages : 153
Book Description
Innovatively combining philosophical inquiry and aphoristic writing, this study presents a bold new interpretation of philosophical poetics. Exploring fragments, both thematically and formally, Luke Fischer situates the form as uniquely positioned between philosophy and poetry. Like poetry, fragments condense insights into few words, employ striking metaphors that draw intuitive connections, and make space for creative interpretation. Contrasting with the logical linearity of much philosophy, fragments disclose rather than prove, intimate more than argue, suggest a whole without elaborating a system, and emphasize the intuitive act of thinking. Fischer readjusts our understanding of philosophical ideas as they originate in moments of illumination, and reveals the fragment as philosophy in process. In a collection of original fragments and an exploratory essay, Fischer sheds light on the relation between poetry and philosophy, aesthetics and society, art and the environment, and discusses seminal practitioners of the fragmentary form, including Novalis, F. Schlegel, Nietzsche and Heraclitus. Philosophical Fragments as the Poetry of Thinking makes an engaging, nonlinear case for the possibility and significance of a poetic transmutation of philosophy.
Publisher: Bloomsbury Publishing
ISBN: 1350270091
Category : Philosophy
Languages : en
Pages : 153
Book Description
Innovatively combining philosophical inquiry and aphoristic writing, this study presents a bold new interpretation of philosophical poetics. Exploring fragments, both thematically and formally, Luke Fischer situates the form as uniquely positioned between philosophy and poetry. Like poetry, fragments condense insights into few words, employ striking metaphors that draw intuitive connections, and make space for creative interpretation. Contrasting with the logical linearity of much philosophy, fragments disclose rather than prove, intimate more than argue, suggest a whole without elaborating a system, and emphasize the intuitive act of thinking. Fischer readjusts our understanding of philosophical ideas as they originate in moments of illumination, and reveals the fragment as philosophy in process. In a collection of original fragments and an exploratory essay, Fischer sheds light on the relation between poetry and philosophy, aesthetics and society, art and the environment, and discusses seminal practitioners of the fragmentary form, including Novalis, F. Schlegel, Nietzsche and Heraclitus. Philosophical Fragments as the Poetry of Thinking makes an engaging, nonlinear case for the possibility and significance of a poetic transmutation of philosophy.
The Rhetoric of Valéry's Prose Aubades
Author: Ursula R. Franklin
Publisher: University of Toronto Press
ISBN: 1487597223
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
While Paul Valéry's lyric poetry, as well as his dialogues, dramatic work, and critical prose, have preoccupied his critics, his prose poems have been virtually ignored and his position in the tradition of the genre has remained unacknowledged. This study demonstrates the significance of Valéry as a prose poet and of the form and its evolution in the poet's oeuvre. The close textual reading and analysis concentrate on Valéry's prose aubades – the prose poems, poetic prose fragments, and sequences celebrating the emergence of the self and its world at dawn. The theme of dawn pervades Valéry's poetry from the opening chord of Charmes to those Notebooks which he kept from almost half a century and which are the source of so much of his poetry. This book shows how the moment and theme of dawn have also inspired the greater part of Valéry's prose poems and poetic prose fragments. Critics have begun to show interest in the break-up of traditional genres and in the emergence of the fragment as a new literary form. But Valéry's position in this development has so far escaped critical inquiry, as have his prose poems in general. Professor Franklin redresses the balance with rigor, poise, and elegance. She shows how Valéry's artistic progression from the traditional prose poem to the fragment, the evolution of the recueil to the sequence, represents a development very similar to that manifests in another new prose form, the new nouveau roman. It is a brilliant analysis of a neglected aspect of Valéry's work and a thoughtful interpretation of Valéry's thought and poetics as a whole.
Publisher: University of Toronto Press
ISBN: 1487597223
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
While Paul Valéry's lyric poetry, as well as his dialogues, dramatic work, and critical prose, have preoccupied his critics, his prose poems have been virtually ignored and his position in the tradition of the genre has remained unacknowledged. This study demonstrates the significance of Valéry as a prose poet and of the form and its evolution in the poet's oeuvre. The close textual reading and analysis concentrate on Valéry's prose aubades – the prose poems, poetic prose fragments, and sequences celebrating the emergence of the self and its world at dawn. The theme of dawn pervades Valéry's poetry from the opening chord of Charmes to those Notebooks which he kept from almost half a century and which are the source of so much of his poetry. This book shows how the moment and theme of dawn have also inspired the greater part of Valéry's prose poems and poetic prose fragments. Critics have begun to show interest in the break-up of traditional genres and in the emergence of the fragment as a new literary form. But Valéry's position in this development has so far escaped critical inquiry, as have his prose poems in general. Professor Franklin redresses the balance with rigor, poise, and elegance. She shows how Valéry's artistic progression from the traditional prose poem to the fragment, the evolution of the recueil to the sequence, represents a development very similar to that manifests in another new prose form, the new nouveau roman. It is a brilliant analysis of a neglected aspect of Valéry's work and a thoughtful interpretation of Valéry's thought and poetics as a whole.
Tattvagyan
Author: Yogi Anand Ji
Publisher: Yogi Anand Ji
ISBN: 9355268297
Category : Body, Mind & Spirit
Languages : en
Pages : 488
Book Description
The book Tattvagyan by Yogi Anand Ji is an outstanding book on this complex subject. Owing to his complete mastery over the subject he unfolds the mystery in an easy to grasp manner. His lucid style with added clarity creates a mesmerizing effect on the reader. The author has nicely captured different aspects of Tattvagyan which is otherwise largely unavailable for spiritual seekers.
Publisher: Yogi Anand Ji
ISBN: 9355268297
Category : Body, Mind & Spirit
Languages : en
Pages : 488
Book Description
The book Tattvagyan by Yogi Anand Ji is an outstanding book on this complex subject. Owing to his complete mastery over the subject he unfolds the mystery in an easy to grasp manner. His lucid style with added clarity creates a mesmerizing effect on the reader. The author has nicely captured different aspects of Tattvagyan which is otherwise largely unavailable for spiritual seekers.
Hill Fragments
Author: Madeline Mason
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 94
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 94
Book Description