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Author: Yvonne Michalik
Publisher:
ISBN: 9783940132635
Category : Motion picture producers and directors
Languages : en
Pages : 247
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Book Description
While Indonesia's film industry has experienced a rapid growth and diversification since the end of Suharto's authoritarian New Order regime in 1998, these developments have received only little academic attention. Especially the role of women filmmakers, who have played an important part in shaping contemporary Indonesian cinema and constantly add new perspectives to it, has been widely overlooked. The contributions to this volume analyse films directed and produced by some of the most visible women in post-New Order Indonesian cinema in terms of their specific aesthetics and narrative styles as well as the socio-political issues they deal with. The authors further explore women filmmakers' attitudes towards feminism, highlighting how the particular Indonesian context causes some of them to describe their approach as a "women's perspective" rather than a feminist one. In addition to the scholarly contributions, interviews with Indonesian women filmmakers from different genres provide insights into their perspectives on gender issues and their individual experiences as women in the male-dominated film industry. With contributions by Novi Kurnia, Olin Monteiro, Intan Paramaditha, Ekky Imanjaya, Diani Citra, Wiwik Sushartami, Jan Budweg, Sofia Setyorini, and Yvonne Michalik.
Author: Yvonne Michalik
Publisher:
ISBN: 9783940132635
Category : Motion picture producers and directors
Languages : en
Pages : 247
Get Book Here
Book Description
While Indonesia's film industry has experienced a rapid growth and diversification since the end of Suharto's authoritarian New Order regime in 1998, these developments have received only little academic attention. Especially the role of women filmmakers, who have played an important part in shaping contemporary Indonesian cinema and constantly add new perspectives to it, has been widely overlooked. The contributions to this volume analyse films directed and produced by some of the most visible women in post-New Order Indonesian cinema in terms of their specific aesthetics and narrative styles as well as the socio-political issues they deal with. The authors further explore women filmmakers' attitudes towards feminism, highlighting how the particular Indonesian context causes some of them to describe their approach as a "women's perspective" rather than a feminist one. In addition to the scholarly contributions, interviews with Indonesian women filmmakers from different genres provide insights into their perspectives on gender issues and their individual experiences as women in the male-dominated film industry. With contributions by Novi Kurnia, Olin Monteiro, Intan Paramaditha, Ekky Imanjaya, Diani Citra, Wiwik Sushartami, Jan Budweg, Sofia Setyorini, and Yvonne Michalik.
Author: Jacqueline Levitin
Publisher: Routledge
ISBN: 1136743057
Category : Performing Arts
Languages : en
Pages : 512
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Book Description
This wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital
Author: Yvonne Michalik
Publisher:
ISBN: 9783947729210
Category : Electronic books
Languages : en
Pages : 0
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Book Description
Author: Alicia Izharuddin
Publisher: Springer
ISBN: 9811021732
Category : Social Science
Languages : en
Pages : 215
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Book Description
This book presents a historical overview of the Indonesian film industry, the relationship between censorship and representation, and the rise of Islamic popular culture. It considers scholarship on gender in Indonesian cinema through the lens of power relations. With key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, Indonesia cinema resonates with the socio-political changes and upheavals in Indonesia’s modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia. Offering cutting edge accounts of the production of Islamic cinema, this new book considers gendered dimensions of Islamic media creation which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia.
Author: David Hanan
Publisher: Springer Nature
ISBN: 3030726134
Category : Performing Arts
Languages : en
Pages : 371
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Book Description
This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s ‘Indonesian neorealist films’ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945–49). It continues by discussing four audacious political allegories produced in four discrete political eras—including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in ‘modernizing’ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999–2020), including films by an unprecedented generation of women writer-directors
Author: David Hanan
Publisher: Springer
ISBN: 3319408747
Category : Performing Arts
Languages : en
Pages : 342
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Book Description
This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.
Author: Patricia White
Publisher: Duke University Press
ISBN: 0822376016
Category : Performing Arts
Languages : en
Pages : 299
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Book Description
In Women’s Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women’s Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture.
Author: Karl G. Heider
Publisher: University of Hawaii Press
ISBN: 9780824813673
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
A film-goer accustomed to the typical Hollywood movie plot would feel uneasy watching an Indonesian movie. Contrary to expectations, good guys do not win, bad guys are not punished, and individuals do not reach a new self-awareness. Instead, by the end of the movie order is restored, bad guys are converted, and families are reunited. Like American movies, Indonesian films reflect the understandings and concerns of the culture and era in which they are made. Thus Indonesian preoccupations with order and harmony, national unity, and modernization motivate the plots of many films. Cinema has not traditionally been within the purview of anthropologists, but Karl Heider demonstrates how Indonesian movies are profoundly Indonesian. Produced in the national language by Indonesians from various regions, the films are intended for audiences across the diverse archipelago. Heider examines these films to identify pan-Indonesian cultural patterns and to show how these cultural principles shape the movies and, sometimes, how the movies influence the culture. This anthropological approach to Indonesian film opens up the medium of Asian cinema to a new group of scholars. "Indonesian Cinema" should be of interest to social scientists, Asianists, film scholars, and anyone concerned with the role of popular culture in developing countries.
Author: Katinka van Heeren
Publisher: BRILL
ISBN: 9004253475
Category : History
Languages : en
Pages : 253
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Book Description
This highly informative book explores the world of Post-Soeharto Indonesian audio-visual media in the exiting era of Reform. From a multidisciplinary approach it considers a wide variety of issues such as mainstream and alternative film practices, ceremonial and independent film festivals, film piracy, history and horror, documentary, television soaps, and Islamic films, as well as censorship from the state and street. Through the perspective of discourses on, and practices of film production, distribution, and exhibition, this book gives a detailed insight into current issues of Indonesia’s social and political situation, where Islam, secular realities, and ghosts on and off screen, mingle or clash.
Author: Dennis S. Erasga
Publisher: BoD – Books on Demand
ISBN: 1803559519
Category : Social Science
Languages : en
Pages : 218
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Book Description
By focusing on “new materiality,” this edited volume offers new optics on the affordance of women’s physical and objective body. The interdisciplinary essays assembled in the book interrogate the concepts of corporeality and embodiment by interpreting them as material enactivism of a woman’s physical body geared toward performance and demonstration, respectively. The book situates body/bodily movements as agentic initiatives to make sense of women’s bodies (in) motion. Although flesh in its constitution, a woman’s body is the very material entity that does not only perform what it is expected to do (for its many audiences as in spectacle) but also its corporeality imputes a demonstrative kinetics hitherto associated with the objective body in recent social theorizing.
